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New York State Ser.: Winslow Homer in the Adirondacks by David Tatham (2004, Trade Paperback)

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Number of Pages: 158. Weight: 2.12 lbs. Publication Date: 2004-04-01. Publisher: SYRACUSE UNIV PR.

About this product

Product Identifiers

Publisher
Syracuse University Press
ISBN-10
0815607733
ISBN-13
9780815607731
eBay Product ID (ePID)
30447320

Product Key Features

Number of Pages
172 Pages
Publication Name
Winslow Homer in the Adirondacks
Language
English
Publication Year
2004
Subject
Individual Artists / General, History / Modern (Late 19th Century to 1945)
Type
Textbook
Author
David Tatham
Subject Area
Art
Series
New York State Ser.
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
34 Oz
Item Length
11 in
Item Width
9.5 in

Additional Product Features

Intended Audience
Scholarly & Professional
Reviews
The visual focus is upon the artist's twenty-four Adirondack oils and watercolors that are superbly reproduced in full color. . . . An impressive work that is fully worthy of its subject., Winslow Homer made his first visit to the Adirondacks in 1870 and his last in 1910, just two months before his death. His first and subsequent visits to the region coincided with the growing public concern that led to the creation of the Adirondack Forest Preserve in 1885 and the Adirondack State Park in 1892. . . . David Tatham demonstrates very convincingly that Homer's 'Adirondack oils and watercolors constitute a highly original examination of the human race's relationship to the natural world at a time when long-established assumptions about humans, nature, and art itself were undergoing profound change'. . . . The visual focus is upon the artist's twenty-four Adirondack oils and watercolors that are superbly reproduced in full color. . . . An impressive work that is fully worthy of its subject.
Dewey Edition
20
Illustrated
Yes
Dewey Decimal
760/.092
Synopsis
Demonstrates that Winslow Homer's 'Adirondack oils and watercolours constitute a highly original examination of the human race's relationship to the natural world at a time when long-established assumptions about humans, nature, and art itself were undergoing profound change., In this title, David Tatham demonstrates that Winslow Homer's 'Adirondack oils and watercolours constitute a highly original examination of the human race's relationship to the natural world at a time when long-established assumptions about humans, nature, and art itself were undergoing profound change.