Settling the Pop Score contributes to a growing number of studies that address the interpretation of popular music within the framework of musicology. Suggesting various approaches for the musicological analysis of pop artists and their music, Stan Hawkins explores how pop music functions within a constantly shifting social context, especially in terms of music's role as a means of shaping personal and group identity. The artists chosen as case-studies have been selected for their continuing relevance and participation in the popular music world: Madonna, Morrissey, Annie Lennox, The Pet Shop Boys and 'The Artist Formerly Known as Prince'.
Product Identifiers
Publisher
Routledge
ISBN-10
0754603512
ISBN-13
9780754603511
eBay Product ID (ePID)
1902607
Product Key Features
Author
Stan Hawkins
Publication Name
Settling the Pop Score : Pop Texts and Identity Politics
Format
Hardcover
Language
English
Series
Ashgate Popular and Folk Music Ser.
Publication Year
2002
Type
Textbook
Number of Pages
240 Pages
Dimensions
Item Length
9.5in
Item Height
1in
Item Width
5.9in
Item Weight
17.6 Oz
Additional Product Features
Lc Classification Number
Ml3918.P67h39 2001
Table of Content
Contents: General editor's preface; Settling the pop score...: Introduction; Grounding aesthetic and ideological values; Musical codes and compositional design; Identity politics; Modelling identity; Interpreting ironic intent; Further discursions into the pop text; Towards a critical musicology of the popular; Mobilising the pop score; 'I'll never be an angel': stories of deception in Madonna's music: Introduction; Reading musical codes in Madonna's performance; Hearing, seeing, feeling gender; Spectatorship and seduction; Production and (post)modernist 'Survival'; Final concluding thoughts; Anti-rebel, lonesome boy: Morrissey in crisis?: Introduction; With a thorn in his side; Constructs of male identity in Morrissey; Characterisation and 'star' depiction; Modelling empathy through vocal 'sound'; Interpreting ironic markers in pop texts; Conclusion; Annie Lennox's 'Money Can't Buy It' - masquerading identity: Introduction; Opting for gender disguise; Questions of musical coding; Visualising sound through videography; Being totally Diva; Conclusion; 'Call it performance, honey': The Pet Shop Boys: Introduction; Masculinity in the 1980s; Being boring and clever: style as rhetoric; Banality: political discourses of pleasure and power; Musical (dis)pleasures; 'Disco-Tex and the Sexelettes': satirical musical address; Towards a PSB discourse; Conclusion; Subversive musical pleasures in 'The Artist (Again) Known as Prince': Introduction; Dialectics of music and imagination; Identity as racial commodity; Stylistic and technical codes in Diamonds and Pearls; Sexing and 'spinning' gender in musical expression; Carnivalesque musical display: signs of the times?; Conclusion; Bibliography; Discography; Index.
Copyright Date
2002
Target Audience
College Audience
Topic
Gender Studies, General, Instruction & Study / Theory, Genres & Styles / Pop Vocal