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Edinburgh Studies in Film and Intermediality Ser.: Theatre Through the Camera Eye : The Poetics of an Intermedial Encounter by Laura Sava (2019, Hardcover)

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Theatre Through the Camera Eye : The Poetics of an Intermedial Encounter, Hardcover by Sava, Laura, ISBN 0748697470, ISBN-13 9780748697472, Brand New, Free shipping in the US Closely examines various instances of theatre-in-film in dialogue with the theory of intermediality

About this product

Product Identifiers

Publisher
Edinburgh Tea & Coffee Company University Press
ISBN-10
0748697470
ISBN-13
9780748697472
eBay Product ID (ePID)
9038730764

Product Key Features

Number of Pages
256 Pages
Language
English
Publication Name
Theatre Through the Camera Eye : the Poetics of an Intermedial Encounter
Subject
Film / General, Theater / General, Film / Référence, Film / History & Criticism
Publication Year
2019
Type
Textbook
Subject Area
Performing Arts
Author
Laura Sava
Series
Edinburgh Studies in Film and Intermediality Ser.
Format
Hardcover

Dimensions

Item Height
0.8 in
Item Weight
19.1 Oz
Item Length
6.4 in
Item Width
9.2 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2019-286488
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
791.43/6
Table Of Content
Acknowledgments List of illustrations Introduction: Accommodating Difference: The Filmic Representation of Theatre Part I: Theatre, Interrupted: Strategies of Intermedial Embedment Chapter 1: No Strings Attached: Framing Puppets in Movement 1.1 The Double Life of Véronique and the Theatrical Mise en Abyme 1.2 Dolls : Theatrical Bracketing and Filmic Distortion Chapter 2: Theatre, Memory, and the Framing Voice 2.1. The Jester: Competing Voices in Alternating Scenes 2.2. All About My Mother : Filmic and Theatrical Repetitions Chapter 3: The Making and Unmaking of Theatre Rehearsals on Screen 3.1. Theatre in Multiple Frames: L'Amour fou and the Self-Defeating Rehearsal 3.2. Synecdoche, New York: Film and Theatre as Mutually Contaminating Worlds Part II: Divided Attention: Intermedial Performers and their Split Audience Chapter 4: Spectatorship by Proxy Meets Multimodal Performance 4.1. Subversive Performances and Sonic Perspectives in Opening Night 4.2. Conspicuous Camera and Utopian Spectatorship in A Tale of Winter 4.3. Exit the Actor: Restrained Performances and the View from the Wings in I'm Going Home Chapter 5: Cinematic Monologues and Their Spectatorial Address 5.1. The Travelling Players and the Historical Monologue 5.2. 'Something to do with living': My Dinner with André and the Ekphrastic Duologue 5.3. Spalding Gray and the Autobiographical Monologue 5.4. The Arbor and the Unreliable Monologue Epilogue Bibliography Index
Synopsis
How do we experience theatre through film? Laura Sava critically engages with the filmic representation of theatre, focusing on a selection of art house and independent films which provide a sophisticated commentary on the interaction between the two media. Through an in-depth analysis of films such as Jacques Rivette's L'Amour fou, Pedro Almod var's All About My Mother and Charlie Kaufman's Synecdoche, New York , this book analyses the embedment of theatre in film and the notion of spectatorial address. Using textual analysis in conjunction with concepts derived from narratology, performance philosophy, and film and theatre phenomenology, it explores the mechanisms of representation involved in the intermedial diegetisation of theatre in film., How do we experience theatre through film? Laura Sava critically engages with the filmic representation of theatre, focusing on a selection of art house and independent films which provide a sophisticated commentary on the interaction between the two media. Through an in-depth analysis of films such as Jacques Rivette's L'Amour fou , Pedro Almodóvar's All About My Mother and Charlie Kaufman's Synecdoche, New York , this book analyses the embedment of theatre in film and the notion of spectatorial address. Using textual analysis in conjunction with concepts derived from narratology, performance philosophy, and film and theatre phenomenology, it explores the mechanisms of representation involved in the intermedial diegetisation of theatre in film., Laura Sava critically engages with the filmic representation of theatre, focusing on a selection of art house and independent films which provide a sophisticated commentary on the interaction between the two media.
LC Classification Number
PN1995.9.T48

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Edinburgh Studies in Film and Intermediality Ser.: Theatre Through the Camera Eye : The Poetics of an Intermedial Encounter by Laura Sava (2019, Hardcover)

About this product

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Additional Product Features

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item 1 Theatre Through the Camera Eye : The Poetics of an Intermedial Encounter, Har...

item 2 Theatre Through the Camera Eye : The Poetics of an Intermedial Encounter, Har...

item 3 Theatre Through the Camera Eye: The Poetics of an Intermedial Encounter by Laura

item 4 Theatre Through the Camera Eye: The Poetics of an Intermedial Encounter by Sava

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