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Jonathan Buchsbaum Exception Taken (Paperback) Film and Culture Series

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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
Book Title
Exception Taken
Title
Exception Taken
Subtitle
How France Has Defied Hollywood's New World Order
ISBN-10
023117067X
EAN
9780231170673
ISBN
9780231170673
Genre
Films & TV
Release Year
2017
Release Date
01/10/2017
Country/Region of Manufacture
US
Publication Name
Exception Taken : How France Has Defied Hollywood's New World Order
Item Length
0.9in
Publisher
Columbia University Press
Publication Year
2017
Series
Film and Culture Ser.
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
0.1in
Author
Jonathan Buchsbaum
Item Width
0.6in
Item Weight
21.4 Oz
Number of Pages
424 Pages

About this product

Product Information

In Exception Taken , Jonathan Buchsbaum examines the movements that have emerged in opposition to the homogenizing force of Hollywood in global filmmaking. While European cinema was entering a steady decline in the 1980s, France sought to strengthen support for its film industry under the new Mitterrand government. Over the following decades, the country lobbied partners in the European Economic Community to design strategies to protect the audiovisual industries and to resist cultural free-trade pressures in international trade agreements. These struggles to preserve the autonomy of national artistic prerogatives emboldened many countries to question the benefits of accelerated globalization. Led by the energetic minister of culture Jack Lang, France initiated a series of measures to support all sectors of the film industry. Lang introduced laws mandating that state and private television invest in the film industry, effectively replacing the revenue lost from a shrinking theatrical audience for French films. With the formation of the European Union in 1992, Europe passed a new treaty (Maastricht) that extended its legal purview to culture for the first time, setting up the dramatic confrontation over the General Agreement on Trade and Tariffs (GATT) in 1993. Pushed by France, the EU fought the United States over the idea that countries should preserve their right to regulate cultural activity as they saw fit. France and Canada then initiated a campaign to protect cultural diversity within UNESCO that led to the passage of the Convention on Cultural Diversity in 2005. As France pursued these efforts to protect cultural diversity beyond its borders, it also articulated "a certain idea of cinema" that did not simply defend a narrow vision of national cinema. France promoted both commercial cinema and art cinema, disproving announcements of the death of cinema.

Product Identifiers

Publisher
Columbia University Press
ISBN-10
023117067x
ISBN-13
9780231170673
eBay Product ID (ePID)
25038274544

Product Key Features

Author
Jonathan Buchsbaum
Publication Name
Exception Taken : How France Has Defied Hollywood's New World Order
Format
Trade Paperback
Language
English
Publication Year
2017
Series
Film and Culture Ser.
Type
Textbook
Number of Pages
424 Pages

Dimensions

Item Length
0.9in
Item Height
0.1in
Item Width
0.6in
Item Weight
21.4 Oz

Additional Product Features

Lc Classification Number
Pn1993.5.F7b825 2017
Grade from
College Graduate Student
Reviews
Exception Taken explains and explores a striking state of affairs that most film lovers take for granted: the continued survival, in a globalized, "free" media market, of minority film cultures. This is one of the best- and most thoroughly researched books on cinema that I have ever read, on one of the most important subjects in contemporary world cinema... Buchsbaum tells the story of a political-legal process that has done more to shape the form and content of the modern audiovisual experience than anything else in recent history, and importantly, he shows us why it is so crucial to cinema's future., Jonathan Buchsbaum has given us a powerfully researched analysis of the political economy of French film and state-aided funding systems since the 1970s. Exception Taken shows how French cinema has intersected with other national cinemas, and how the famous "French exception" which excluded cultural products from international general trade agreements such as the GATT accords was part of a vigorous state policy to save French cinema from domination by Hollywood, while becoming increasingly international in funding outreach. Explanatory appendices (schematics) provide a clear map for understanding and tracking this complex comparative history of national and international cinemas. This is an essential, foundational study of the political economy of French film since the 1970s., Jonathan Buchsbaum is one of the leading scholars of the history of French cinema policy and institutions. With this book, he presents an outstanding analysis of a system that has furnished models for other national cinemas. Often, these policies are reduced to a state-imposed system of protection based on taxation and financial assistance. The author counters this by demonstrating it to be an effective and beneficial system of regulation. French policies have ensured that long-term collective interests prevail by introducing qualitative factors that constrain the dominance of short-term economic interests. An essential contribution to understanding what is, and can be, a cinema policy., Jonathan Buchsbaum has given us a powerfully researched analysis of the political economy of French film and state-aided funding systems since the 1970s. Exception Taken shows how French cinema has intersected with other national cinemas, and how the famous "French exception" - which excluded cultural products from international general trade agreements such as the GATT accords - was part of a vigorous state policy to save French cinema from domination by Hollywood, while becoming increasingly international in funding outreach. Explanatory appendices (schematics) provide a clear map for understanding and tracking this complex comparative history of national and international cinemas. This is an essential, foundational study of the political economy of French film since the 1970s.
Table of Content
List of Figures Preface List of Abbreviations Introduction 1. International Domination by the U.S. Film Industry 2. The Lang Years 3. European Film Policy and Television Without Frontiers 4. GATT 5. From Canal+ to Canal− 6. Bilan(s) 7. From Cultural Exception to Cultural Diversity 8. Was the Experience Beneficial? Conclusion Appendix A. A Note on Sources Appendix B. Calculation of Automatic Aid in France Appendix C. The Compte de soutien: A Schematic Appendix D. Financing French Film: A Schematic Appendix E. Grants to Art et essai Theaters Appendix F. Films Chosen for High School Students in Lycéens et apprentis au cinéma Appendix G. List of Films Aided by Fonds Sud Appendix H. First Films in French Film Production Notes Bibliography Index
Copyright Date
2017
Topic
Europe / France, Industries / Entertainment, Film / History & Criticism
Lccn
2016-048256
Intended Audience
Scholarly & Professional
Illustrated
Yes
Genre
Business & Economics, History, Performing Arts

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