COLOR AND MEANING: PRACTICE AND THEORY IN RENAISSANCE By Marcia B. Hall

eddie1025ll
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eBay item number:286549232464
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Item specifics

Condition
Very Good: A book that does not look new and has been read but is in excellent condition. No obvious ...
Book Title
Color and Meaning: Practice and Theory in Renaissance Painting
ISBN-10
0521392225
ISBN
9780521392228
Subject Area
Art, Architecture
Publication Name
Color and Meaning : Practice and Theory in Renaissance Painting
Publisher
Cambridge University Press
Item Length
11.3 in
Subject
General, History / Renaissance
Publication Year
1992
Type
Textbook
Format
Hardcover
Language
English
Item Height
1.1 in
Author
Marcia B. Hall
Item Weight
381.8 Oz
Item Width
8.8 in
Number of Pages
288 Pages
Category

About this product

Product Identifiers

Publisher
Cambridge University Press
ISBN-10
0521392225
ISBN-13
9780521392228
eBay Product ID (ePID)
1252360

Product Key Features

Number of Pages
288 Pages
Language
English
Publication Name
Color and Meaning : Practice and Theory in Renaissance Painting
Publication Year
1992
Subject
General, History / Renaissance
Type
Textbook
Subject Area
Art, Architecture
Author
Marcia B. Hall
Format
Hardcover

Dimensions

Item Height
1.1 in
Item Weight
381.8 Oz
Item Length
11.3 in
Item Width
8.8 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
91-018934
Dewey Edition
20
Illustrated
Yes
Dewey Decimal
759.03
Synopsis
Recent restoration campaigns, particularly to the Sistine Chapel, have focused attention on the importance of colour in our experience of paintings, but until recently it has been neglected by art historians. The author believes that the work of art can only be fully appreciated when it is regarded as the product of both the artist's hand and mind. This study utilizes the traditional sources, such as contemporary theoretical writings and iconographical analysis, but in addition draws on the scientific findings of the conservation laboratories. This is a new body of data assembled in large part since World War II, which art historians are only beginning to exploit to fill out the history of technique. Rather than writing merely a history of technique, however, the author has integrated this material with traditional approaches to cultural history. She undertakes to examine twenty major paintings of the period from Giotto to Tintoretto to elucidate how colour and technique contribute to their meaning. She gives us then, the first modern consideration of Renaissance paintings both as physical objects and as monuments of cultural history., Marcia Hall provides the first modern consideration of Renaissance paintings both as physical objects and as monuments of cultural history.
LC Classification Number
ND170 .H3 1991

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