AESTHETICS OF INTERACTION IN DIGITAL ART (THE MIT PRESS) By Katja Kwastek *used*

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Item specifics

Condition
Good: A book that has been read but is in good condition. Very minimal damage to the cover including ...
Book Title
Aesthetics of Interaction in Digital Art (The MIT Press)
ISBN-10
0262019329
Genre
ART
ISBN
9780262019323
Subject Area
Art, Philosophy, Social Science
Publication Name
Aesthetics of Interaction in Digital Art
Publisher
MIT Press
Item Length
9.2 in
Subject
Media Studies, Digital, Aesthetics
Publication Year
2013
Type
Textbook
Format
Hardcover
Language
English
Item Height
0.9 in
Author
Katja Kwastek
Item Weight
27.7 Oz
Item Width
7.2 in
Number of Pages
384 Pages
Category

About this product

Product Identifiers

Publisher
MIT Press
ISBN-10
0262019329
ISBN-13
9780262019323
eBay Product ID (ePID)
166659294

Product Key Features

Number of Pages
384 Pages
Language
English
Publication Name
Aesthetics of Interaction in Digital Art
Subject
Media Studies, Digital, Aesthetics
Publication Year
2013
Type
Textbook
Subject Area
Art, Philosophy, Social Science
Author
Katja Kwastek
Format
Hardcover

Dimensions

Item Height
0.9 in
Item Weight
27.7 Oz
Item Length
9.2 in
Item Width
7.2 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2012-049423
Dewey Edition
23
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
776.01
Synopsis
An art-historical perspective on interactive media art that provides theoretical and methodological tools for understanding and analyzing digital art. Since the 1960s, artworks that involve the participation of the spectator have received extensive scholarly attention. Yet interactive artworks using digital media still present a challenge for academic art history. In this book, Katja Kwastek argues that the particular aesthetic experience enabled by these new media works can open up new perspectives for our understanding of art and media alike. Kwastek, herself an art historian, offers a set of theoretical and methodological tools that are suitable for understanding and analyzing not only new media art but also other contemporary art forms. Addressing both the theoretician and the practitioner, Kwastek provides an introduction to the history and the terminology of interactive art, a theory of the aesthetics of interaction, and exemplary case studies of interactive media art. Kwastek lays the historical and theoretical groundwork and then develops an aesthetics of interaction, discussing such aspects as real space and data space, temporal structures, instrumental and phenomenal perspectives, and the relationship between materiality and interpretability. Finally, she applies her theory to specific works of interactive media art, including narratives in virtual and real space, interactive installations, and performance--with case studies of works by Olia Lialina, Susanne Berkenheger, Stefan Schemat, Teri Rueb, Lynn Hershman, Agnes Hegedüs, Tmema, David Rokeby, Sonia Cillari, and Blast Theory., An art-historical perspective on interactive media art that provides theoretical and methodological tools for understanding and analyzing digital art. Since the 1960s, artworks that involve the participation of the spectator have received extensive scholarly attention. Yet interactive artworks using digital media still present a challenge for academic art history. In this book, Katja Kwastek argues that the particular aesthetic experience enabled by these new media works can open up new perspectives for our understanding of art and media alike. Kwastek, herself an art historian, offers a set of theoretical and methodological tools that are suitable for understanding and analyzing not only new media art but also other contemporary art forms. Addressing both the theoretician and the practitioner, Kwastek provides an introduction to the history and the terminology of interactive art, a theory of the aesthetics of interaction, and exemplary case studies of interactive media art. Kwastek lays the historical and theoretical groundwork and then develops an aesthetics of interaction, discussing such aspects as real space and data space, temporal structures, instrumental and phenomenal perspectives, and the relationship between materiality and interpretability. Finally, she applies her theory to specific works of interactive media art, including narratives in virtual and real space, interactive installations, and performance--with case studies of works by Olia Lialina, Susanne Berkenheger, Stefan Schemat, Teri Rueb, Lynn Hershman, Agnes Heged s, Tmema, David Rokeby, Sonia Cillari, and Blast Theory.
LC Classification Number
N6494.I57K89 2013

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