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Bad History and the Logics of Blockbuster Cinema : Titanic, Gangs of New York, Australia, Inglourious Basterds by P. McGee and Patrick McGee (2011, Trade Paperback)
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Bad History and the Logics of Blockbuster Cinema : Titanic, Gangs of New York, Australia, Inglourious Basterds, Paperback by Mcgee, P., ISBN 1349297143, ISBN-13 9781349297146, Brand New, Free shipping in the US McGee studies historical representation in commodified, popular cinema as expressions of historical truths that more authentic histories usually miss and argues for the political and social significance of mass culture through the interpretation of four recent big-budget movies: Titanic, Gangs of New York, Australia, and Inglourious Basterds .
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About this product
Product Identifiers
PublisherPalgrave Macmillan
ISBN-101349297143
ISBN-139781349297146
eBay Product ID (ePID)228602274
Product Key Features
Book TitleBad History and the Logics of Blockbuster Cinema : Titanic, Gangs of New York, Australia, Inglourious Basterds
Number of PagesVII, 209 Pages
LanguageEnglish
TopicFilm / General, Television / History & Criticism, Film / History & Criticism
Publication Year2011
IllustratorYes
GenrePerforming Arts
AuthorP. Mcgee, Patrick Mcgee
FormatTrade Paperback
Dimensions
Item Weight11.6 Oz
Item Length9 in
Item Width6 in
Additional Product Features
Intended AudienceTrade
Reviews"McGee exhibits a dazzling knowledge of Hollywood blockbuster films and the quality and significance of his studies are high." -Douglas Kellner, professor, UCLA, USA, and author of "Cinema Wars"", "McGee exhibits a dazzling knowledge of Hollywood blockbuster films and the quality and significance of his studies are high." -Douglas Kellner, professor, UCLA, USA, and author of Cinema Wars
Number of Volumes1 vol.
Table Of ContentIntroduction:Truth, History, and Counterdisciplinary Practices in Film Studies Terrible Beauties: Messianic Time and the Image of Social Redemption inJames Cameron's Titanic Infinite History: Martin Scorsese's Gangs of New York and the Productionof the Inexistent 'No Dreaming, No Story, Nothing': Baz Luhrmann's Australia , theCinematic Common, and Postcolonial Discourse Conclusion:The Glorious Truth about Inglorious History in Quentin Tarantino's Inglourious Basterds
SynopsisIntroduction: Truth, History, and Counterdisciplinary Practices in Film Studies Terrible Beauties: Messianic Time and the Image of Social Redemption inJames Cameron's Titanic Infinite History: Martin Scorsese's Gangs of New York and the Productionof the Inexistent 'No Dreaming, No Story, Nothing': Baz Luhrmann's Australia, theCinematic Common, and Postcolonial Discourse Conclusion: The Glorious Truth about Inglorious History in Quentin Tarantino's Inglourious Basterd, McGee studies historical representation in commodified, popular cinema as expressions of historical truths that more authentic histories usually miss and argues for the political and social significance of mass culture through the interpretation of four recent big-budget movies: Titanic, Gangs of New York, Australia, and Inglourious Basterds .
LC Classification NumberPN1993.5
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