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Barrelhouse Blues: Location Recording and the Early Traditions of th - GOOD

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eBay item number:276481956619
Last updated on Jun 25, 2024 10:35:01 PDTView all revisionsView all revisions

Item specifics

Condition
Good: A book that has been read but is in good condition. Very minimal damage to the cover including ...
Brand
Unbranded
MPN
Does not apply
ISBN
9780465008810
Book Title
Barrelhouse Blues : Location Recording and the Early Traditions of the Blues
Publisher
Basic Books
Item Length
8.2 in
Publication Year
2009
Format
Hardcover
Language
English
Illustrator
Yes
Item Height
0.9 in
Author
Paul Oliver
Genre
Music, History
Topic
History & Criticism, Genres & Styles / Blues, Social History
Item Weight
15 oz
Item Width
5.5 in
Number of Pages
240 Pages

About this product

Product Identifiers

Publisher
Basic Books
ISBN-10
046500881X
ISBN-13
9780465008810
eBay Product ID (ePID)
15038272664

Product Key Features

Book Title
Barrelhouse Blues : Location Recording and the Early Traditions of the Blues
Number of Pages
240 Pages
Language
English
Publication Year
2009
Topic
History & Criticism, Genres & Styles / Blues, Social History
Illustrator
Yes
Genre
Music, History
Author
Paul Oliver
Format
Hardcover

Dimensions

Item Height
0.9 in
Item Weight
15 oz
Item Length
8.2 in
Item Width
5.5 in

Additional Product Features

Intended Audience
Trade
LCCN
2009-017399
Dewey Edition
22
Reviews
The Philadelphia Inquirer "Detailed and deeply felt, Barrelhouse Blues is quite the education." Examiner.com "Oliver's research is deep and his opinions raise questions, but his is a fine book for any blues fan yearning to learn about its origins." -- -, The Philadelphia Inquirer "Detailed and deeply felt, Barrelhouse Blues is quite the education." Examiner.com "Oliver's research is deep and his opinions raise questions, but his is a fine book for any blues fan yearning to learn about its origins."
Dewey Decimal
781.64309042
Synopsis
In the 1920s, Southern record companies ventured to cities like Dallas, Atlanta, and New Orleans, where they set up primitive recording equipment in makeshift studios. They brought in street singers, medicine show performers, pianists from the juke joints and barrelhouses. The music that circulated through Southern work camps, prison farms, and vaudeville shows would be lost to us if it hadn't't been captured on location by these performers and recorders. Eminent blues historian Paul Oliver uncovers these folk traditions and the circumstances under which they were recorded, rescuing the forefathers of the blues who were lost before they even had a chance to be heard. A careful excavation of the earliest recordings of the blues by one of its foremost experts, Barrelhouse Blues expands our definition of that most American style of music., In the 1920s, Southern record companies ventured to cities like Dallas, Atlanta, and New Orleans, where they set up primitive recording equipment in makeshift studios. They brought in street singers, medicine show performers, pianists from the juke joints and barrelhouses. The music that circulated through Southern work camps, prison farms, and vaudeville shows would be lost to us if it hadn't been captured on location by these performers and recorders. Eminent blues historian Paul Oliver uncovers these folk traditions and the circumstances under which they were recorded, rescuing the forefathers of the blues who were lost before they even had a chance to be heard. A careful excavation of the earliest recordings of the blues by one of its foremost experts, Barrelhouse Blues expands our definition of that most American style of music.
LC Classification Number
ML3521.O415 2009
Copyright Date
2009
ebay_catalog_id
4

Item description from the seller

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Most relevant reviews

  • Paul Oliver Strikes Again

    At an age when most are long retired and watching the latest tube offerings, Mr. Oliver has produced another compelling read about the location recordings in the South that produced countless blues classics. This tirelessly researched book weaves in the efforts of commercial recording concerns to locate and record not only African-American musical talent but their white country music counterparts. This book draws not only upon the recordings of the artists, but also the writings of little known Harlem writer Alain Locke and many others, to illuminate, as much as is possible at this late date, how this music was preserved for future generations. I can't imagine not owning this book if one is interested in the blues tradition.

    Verified purchase: YesCondition: Pre-OwnedSold by: archivesbooksinc