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Border Bandits: Hollywood on the Southern Frontier - Paperback - GOOD

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Last updated on Jul 18, 2024 11:44:26 PDTView all revisionsView all revisions

Item specifics

Condition
Good: A book that has been read but is in good condition. Very minimal damage to the cover including ...
Brand
Unbranded
Book Title
Border Bandits: Hollywood on the Southern Frontier
MPN
Does not apply
ISBN
9780292718630
Subject Area
Performing Arts
Publication Name
Border Bandits : Hollywood on the Southern Frontier
Publisher
University of Texas Press
Item Length
9 in
Subject
Film / General, Film / History & Criticism
Publication Year
2008
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
0.9 in
Author
Camilla Fojas
Item Weight
14.7 Oz
Item Width
6 in
Number of Pages
250 Pages

About this product

Product Identifiers

Publisher
University of Texas Press
ISBN-10
0292718632
ISBN-13
9780292718630
eBay Product ID (ePID)
80512352

Product Key Features

Number of Pages
250 Pages
Publication Name
Border Bandits : Hollywood on the Southern Frontier
Language
English
Publication Year
2008
Subject
Film / General, Film / History & Criticism
Type
Textbook
Subject Area
Performing Arts
Author
Camilla Fojas
Format
Trade Paperback

Dimensions

Item Height
0.9 in
Item Weight
14.7 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2008-001121
Dewey Edition
22
Illustrated
Yes
Dewey Decimal
791.43/658721
Table Of Content
Preface Acknowledgments Introduction: Welcome to the Alamo; Hollywood on the Border Chapter One: How the Southwest Was Won; Border Westerns and the Southern Frontier Chapter Two: "The Imaginary Illegal Alien"; Hollywood Border Crossers and Buddy Cops in the 1980s Chapter Three: The "Narc" in All of Us; Border Media and the War on Drugs Chapter Four: Urban Frontiers; Border Cinema and the Global City Conclusion: Frontier Myths on the Line; Border Cinema Redux Notes Filmography Bibliography Index
Synopsis
An examination of how major Hollywood films exploit the border between Mexico and the United States to tell a story about U.S. dominance in the Western hemisphere., The southern frontier is one of the most emotionally charged zones in the United States, second only to its historical predecessor and partner, the western frontier. Though they span many genres, border films share common themes, trace the mood swings of public policy, and shape our cultural agenda. In this examination, Camilla Fojas studies how major Hollywood films exploit the border between Mexico and the United States to tell a story about U.S. dominance in the American hemisphere. She charts the shift from the mythos of the open western frontier to that of the embattled southern frontier by offering in-depth analyses of particular border films, from post-World War II Westerns to drug-trafficking films to contemporary Latino/a cinema, within their historical and political contexts. Fojas argues that Hollywood border films do important social work by offering a cinematic space through which viewers can manage traumatic and undesirable histories and ultimately reaffirm core "American" values. At the same time, these border narratives delineate opposing values and ideas. Latino border films offer a critical vantage onto these topics; they challenge the presumptions of U.S. nationalism and subsequent cultural attitudes about immigrants and immigration, and often critically reconstruct their Hollywood kin. By analyzing films such as Duel in the Sun, The Wild Bunch, El Norte, The Border, Traffic, and Brokeback Mountain, Fojas demands that we reexamine the powerful mythology of the Hollywood borderlands. This detailed scrutiny recognizes that these films are part of a national narrative comprised of many texts and symbols that create the myth of the United States as capital of the Americas.
LC Classification Number
PN1995.9.M48F65 2008

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