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Shakespeare's Dramatic Genres (Oxford Shakespeare Topics) - VERY GOOD

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eBay item number:266515693033
Last updated on Jun 17, 2025 08:55:07 PDTView all revisionsView all revisions

Item specifics

Condition
Very Good: A book that does not look new and has been read but is in excellent condition. No obvious ...
Brand
Unbranded
Book Title
Shakespeare's Dramatic Genres (Oxford Shakespeare Topics)
MPN
Does not apply
ISBN
9780198711728
Subject Area
Literary Criticism, Drama
Publication Name
Shakespeare's Dramatic Genres
Publisher
Oxford University Press, Incorporated
Item Length
8 in
Subject
Shakespeare, General
Publication Year
2000
Series
Oxford Shakespeare Topics Ser.
Type
Textbook
Format
Uk-Trade Paper
Language
English
Item Height
0.4 in
Item Weight
7.1 Oz
Item Width
5.3 in
Number of Pages
166 Pages
Category

About this product

Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
0198711727
ISBN-13
9780198711728
eBay Product ID (ePID)
1647257

Product Key Features

Number of Pages
166 Pages
Language
English
Publication Name
Shakespeare's Dramatic Genres
Subject
Shakespeare, General
Publication Year
2000
Type
Textbook
Subject Area
Literary Criticism, Drama
Series
Oxford Shakespeare Topics Ser.
Format
Uk-Trade Paper

Dimensions

Item Height
0.4 in
Item Weight
7.1 Oz
Item Length
8 in
Item Width
5.3 in

Additional Product Features

Intended Audience
College Audience
LCCN
99-048533
Dewey Edition
21
Reviews
"Witty and accessible in style, broad in range but with no sacrifice of depth, equally attuned to the theatrical practice and the literary theory of Shakespeare's time, apt in its modern comparisons...; in every respect...it can be warmly recommended to both playgoers and students at every level.... Danson has produced the best book on the subject of Shakespeare and dramatic genre since Madeleine Doran's Endeavors of Art, a dazzling study published in 1954. Perhaps we are witnessing the beginning of a long overdue return to formal and aesthetic concerns in Shakespearean criticism."--Jonathan Bate, Times Literary Supplement"Presents an interesting, useful, and often entertaining, survey of the ways in which thinking about genres has dominated the interpretation of the plays... easily accessible to the layman."--Virginia Quarterly Review, 'Danson presents an interesting, useful, and often entertaining, survey ofthe ways in which thinking about genres had dominated the interpretation of theplays. In a book that is easily accessible to the layman, he forces us toreconsider the meaning of the traditional categories.'The Virginia Quarterly Review, englightening arguments with distinguished predecessors ... gives a briefand witty summary of modern genre theory ... vivid sense of Shakespeare's plays... scholarly sense and theatrical sensibility. Tom Deveson, Around the Globe,Jan 01., 'Danson presents an interesting, useful, and often entertaining, survey of the ways in which thinking about genres had dominated the interpretation of the plays. In a book that is easily accessible to the layman, he forces us to reconsider the meaning of the traditional categories.'The Virginia Quarterly Reviewenglightening arguments with distinguished predecessors ... gives a brief and witty summary of modern genre theory ... vivid sense of Shakespeare's plays ... scholarly sense and theatrical sensibility. Tom Deveson, Around the Globe, Jan 01., Oxford University Press offer a mix of engagingly written introductions to a variety of Topics intended largely for undergraduates. Each author has clearly been reading and listening to the most recent scholarship, but they wear their learning lightly., 'Danson presents an interesting, useful, and often entertaining, survey of the ways in which thinking about genres had dominated the interpretation of the plays. In a book that is easily accessible to the layman, he forces us to reconsider the meaning of the traditional categories.'The Virginia Quarterly Review, "Witty and accessible in style, broad in range but with no sacrifice of depth, equally attuned to the theatrical practice and the literary theory of Shakespeare's time, apt in its modern comparisons...; in every respect...it can be warmly recommended to both playgoers and students at every level.... Danson has produced the best book on the subject of Shakespeare and dramatic genre since Madeleine Doran's Endeavors of Art, a dazzling study published in 1954. Perhaps we are witnessing the beginning of a long overdue return to formal and aesthetic concerns in Shakespearean criticism."--Jonathan Bate, Times Literary Supplement "Presents an interesting, useful, and often entertaining, survey of the ways in which thinking about genres has dominated the interpretation of the plays... easily accessible to the layman."--Virginia Quarterly Review, englightening arguments with distinguished predecessors ... gives a brief and witty summary of modern genre theory ... vivid sense of Shakespeare's plays ... scholarly sense and theatrical sensibility. Tom Deveson, Around the Globe, Jan 01., "Witty and accessible in style, broad in range but with no sacrifice of depth, equally attuned to the theatrical practice and the literary theory of Shakespeare's time, apt in its modern comparisons...; in every respect...it can be warmly recommended to both playgoers and students at every level.... Danson has produced the best book on the subject of Shakespeare and dramatic genre since Madeleine Doran'sEndeavors of Art, a dazzling study published in 1954. Perhaps we are witnessing the beginning of a long overdue return to formal and aesthetic concerns in Shakespearean criticism."--Jonathan Bate,Times Literary Supplement "Presents an interesting, useful, and often entertaining, survey of the ways in which thinking about genres has dominated the interpretation of the plays... easily accessible to the layman."--Virginia Quarterly Review
Illustrated
Yes
Dewey Decimal
822.3/3
Table Of Content
Note on TextsThe Genres in TheoryThe Genres StagedMr William Shakespeare's ComediesHistoryTragedyEpilogueNotesFurther ReadingIndex
Synopsis
Oxford Shakespeare Topics provides students, teachers, and interested readers with short books on important aspects of Shakespeare criticism and scholarship. Each book is written by an authority in its field, and combines accessible style with original discussion of its subject. Notes and a critical guide to further reading equip the interested reader with the means to broaden research. The history of the genres, or kinds, of drama is one of contradictory traditions and complex cultural assumptions. The divisions established by the original edition of Mr. William Shakespeare's Comedies, Histories, and Tragedies (the First Folio, 1623) give shape to whole curricula; but, as Lawrence Danson reminds us in this lively book, there is nothing inevitable, and much unsatisfying, about that tripartite scheme. Yet students of Shakespeare cannot avoid thinking about questions of genre; often they are the unspoken reason why classrooms full of smart people fail to agree on basic interpretative issues. Danson's guide to the kinds of Shakespearian drama provides an accessible account of genre-theory in Shakespeare's day, an overview of the genres on the Elizabethan stage, and a provocative look at the full range of Shakespeare's comedies, histories, and tragedies., Oxford Shakespeare Topics (General Editors Peter Holland and Stanley Wells) provide students, teachers, and interested readers with short books on important aspects of Shakespeare criticism and scholarship, including some general anthologies relating to Shakespeare. Students of Shakespeare cannot avoid questions of genre, or literary kinds. Often they are the reason why smart people fail to agree on basic interpretative issues. Danson's lively guide to the kinds of Shakespearian drama provides a history of genre-theory in Shakespeare's day, an overview of the genres on the Elizabethan stage, and a provocative look at the full range of Shakespeare's comedies, histories, and tragedies, The history of genres, or kinds, of drama is one of contradictory traditions and complex cultural assumptions. The divisions established by the original edition of Mr. William Shakespeare's Comedies, Histories, and Tragedies (the First Folio, 1623) give shape to whole curricula; but, as Lawrence Danson reminds us in this lively book, there is nothing inevitable, and much unsatisfying, about that tripartite scheme. Yet students of Shakespeare cannot avoid thinking about questions of genre; often they are the unspoken reason why classrooms full of smart people fail to agree on basic interpretive issues. Danson's guide to the kinds of Shakespearean drama provides an accessible account of genre-theory in Shakespeare's day, an overview of the genres on the Elizabethan stage, and a provocative look at the full range of Shakespeare's comedies, histories, and tragedies.
LC Classification Number
PR2995.D36 2000

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