J. S. Bach, Volume Two: Volume 2 by Professor Schweitzer, Albert: Used

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eBay item number:256384867406

Item specifics

Condition
Very Good: A book that does not look new and has been read but is in excellent condition. No obvious ...
Pages
512
Publication Date
1967-06-01
Ex Libris
Yes
ISBN
9780486216324
Book Title
J. S. Bach
Book Series
Dover Books on Music: Composers Ser.
Publisher
Dover Publications, Incorporated
Item Length
8.5 in
Publication Year
1967
Format
Trade Paperback
Language
English
Illustrator
Yes
Author
Albert Schweitzer
Genre
Music
Topic
History & Criticism, Genres & Styles / Classical, Individual Composer & Musician
Item Weight
20.8 Oz
Item Width
5.5 in
Number of Pages
512 Pages
Category

About this product

Product Identifiers

Publisher
Dover Publications, Incorporated
ISBN-10
0486216322
ISBN-13
9780486216324
eBay Product ID (ePID)
541500

Product Key Features

Book Title
J. S. Bach
Number of Pages
512 Pages
Language
English
Publication Year
1967
Topic
History & Criticism, Genres & Styles / Classical, Individual Composer & Musician
Illustrator
Yes
Genre
Music
Author
Albert Schweitzer
Book Series
Dover Books on Music: Composers Ser.
Format
Trade Paperback

Dimensions

Item Weight
20.8 Oz
Item Length
8.5 in
Item Width
5.5 in

Additional Product Features

Intended Audience
Trade
Preface by
Widor, C. M.
Dewey Edition
21
Grade From
Seventh Grade
Series Volume Number
2
Number of Volumes
2 vols.
Volume Number
Vol. 2
Grade To
Twelfth Grade
Dewey Decimal
780.9/2
Synopsis
Volume 2 of 2-volume set. Traces Bach's life; discusses contemporary artistic and philosophical movements; analyzes Bach's work; and passes on brilliant recommendations for performance. Translated by Ernest Newman., Independent of his international renown as a humanitarian, Albert Schweitzer is well known as a great musicologist; a reputation that rests largely upon this book. Schweitzer's J. S. Bach is one of the great full-length studies of the composer, his life, and his work. Its influence on the subsequent performance of Bach's music was enormous, and there is scarcely a later work on Bach which does not acknowledge a deep debt to Schweitzer's. Grove's Dictionary says of the book, "Schweitzer has probably been more quoted than any authority since Spitta." The first volume contains a virtual history of Protestant church music, examining the role of music in the early Protestant services of many European countries. Frequent allusions to the parallel development of art and poetry, to the leading philosophic and religious concepts of the time, and to events of contemporary history supplement and enrich the text. Narrowing the study to Germany, Schweitzer traces to their roots the forms used by Bach (with particular emphasis on the German chorale and the forms built around it), and assess the contributions of Schütz, Sheidt, Buxtehude, Pachelbel, and others of Bach's predecessors. The volume includes a full account of Bach's life, and discusses his works for organ, clavier, strings, and orchestra. Suggestions for performance include sections on bowing, on playing chords and double stops, and on the practice of ornamentation in Bach's time. Volume Two is concerned with Bach's choral music -- the chorales, cantatas, the Magnificat , the St. Matthew and St. John Passions , the motets, songs, oratorios, and masses. The illuminating analysis of these works, illustrated by hundreds of musical examples, is dominated by Schweitzer's highly original theories regarding Bach's pictorial representation of the text in the music, and the expressive motives Schweitzer has found and identified throughout Bach's compositions. A long concluding chapter makes recommendations for performance on tempo, phrasing, accentuation, dynamics, and on the size and arrangement of the orchestra and choir. Schweitzer's J. S. Bach is among the definitive reference works on Bach and is high on the list of required reading for music students. Yet it is not a difficult or formidable work. It offers a stimulating, well-written narrative, with much in it to interest the music lover as well as the scholar., Independent of his international renown as a humanitarian, Albert Schweitzer is well known as a great musicologist; a reputation that rests largely upon this book. Schweitzer's J. S. Bach is one of the great full-length studies of the composer, his life, and his work. Its influence on the subsequent performance of Bach's music was enormous, and there is scarcely a later work on Bach which does not acknowledge a deep debt to Schweitzer's. Grove's Dictionary says of the book, "Schweitzer has probably been more quoted than any authority since Spitta." The first volume contains a virtual history of Protestant church music, examining the role of music in the early Protestant services of many European countries. Frequent allusions to the parallel development of art and poetry, to the leading philosophic and religious concepts of the time, and to events of contemporary history supplement and enrich the text. Narrowing the study to Germany, Schweitzer traces to their roots the forms used by Bach (with particular emphasis on the German chorale and the forms built around it), and assess the contributions of Sch tz, Sheidt, Buxtehude, Pachelbel, and others of Bach's predecessors. The volume includes a full account of Bach's life, and discusses his works for organ, clavier, strings, and orchestra. Suggestions for performance include sections on bowing, on playing chords and double stops, and on the practice of ornamentation in Bach's time. Volume Two is concerned with Bach's choral music -- the chorales, cantatas, the Magnificat , the St. Matthew and St. John Passions , the motets, songs, oratorios, and masses. The illuminating analysis of these works, illustrated by hundreds of musical examples, is dominated by Schweitzer's highly original theories regarding Bach's pictorial representation of the text in the music, and the expressive motives Schweitzer has found and identified throughout Bach's compositions. A long concluding chapter makes recommendations for performance on tempo, phrasing, accentuation, dynamics, and on the size and arrangement of the orchestra and choir. Schweitzer's J. S. Bach is among the definitive reference works on Bach and is high on the list of required reading for music students. Yet it is not a difficult or formidable work. It offers a stimulating, well-written narrative, with much in it to interest the music lover as well as the scholar.

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