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Raphael, dürer, and Marcantonio Raimondi : Copying and the Italian Renaissance Print by Lisa Pon (2004, Hardcover)
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With 224 pages of insightful content, the book delves into the history and theory of Italian Renaissance art. Published by Yale University Press in 2004, the book is written in English and illustrated with high-quality images.
- Buy It NowRaphael, Dürer, and Marcantonio Raimondi: Copying and the Italian Renaissance HC
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About this product
Product Identifiers
PublisherYale University Press
ISBN-100300096801
ISBN-139780300096804
eBay Product ID (ePID)6045905
Product Key Features
Book TitleRaphael, Dürer, and Marcantonio Raimondi : Copying and the Italian Renaissance Print
Number of Pages224 Pages
LanguageEnglish
Publication Year2004
TopicCriticism & Theory, General, History / General
IllustratorYes
GenreArt
AuthorLisa Pon
FormatHardcover
Dimensions
Item Height0.1 in
Item Weight34.3 Oz
Item Length1 in
Item Width0.8 in
Additional Product Features
Intended AudienceTrade
LCCN2003-113606
Dewey Edition23
Dewey Decimal769.94509031
SynopsisIn early sixteenth-century Italy, works of art came to be understood as unique objects made by individuals of genius, giving rise to a new sense of the artist as the author of his images. At the same time, the practice of engraving, a medium that produced multiple printed images via collaborative processes, rapidly developed. In this book, Lisa Pon examines how images passed between artists and considers how printing techniques affected the authorship of images. Pon focuses on the encounters between the engraver Marcantonio Raimondi and three key artists: Albrecht Dürer, Raphael, and Giorgio Vasari. She reevaluates their work in light of the tensions between possessive authorship and practical collaboration in the visual arts., In early sixteenth-century Italy, works of art came to be understood as unique objects made by individuals of genius, giving rise to a new sense of the artist as the author of his images. At the same time, the practice of engraving, a medium that produced multiple printed images via collaborative processes, rapidly developed. In this book, Lisa Pon examines how images passed between artists and considers how printing techniques affected the authorship of images. Pon focuses on the encounters between the engraver Marcantonio Raimondi and three key artists: Albrecht D rer, Raphael, and Giorgio Vasari. She reevaluates their work in light of the tensions between possessive authorship and practical collaboration in the visual arts.
LC Classification NumberNE444
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