Gregg Redner Deleuze and Film Music (Paperback) (UK IMPORT) 2011 NEW

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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
Country of Origin
United Kingdom
Subtitle
Building a Methodological Bridge between Film Theory and Music
EAN
9781841503707
ISBN
9781841503707
Release Year
2010
Book Title
Deleuze and Film Music
Title
Deleuze and Film Music
ISBN-10
1841503703
Level
Advanced
Genre
Music Dance & Theatre
Topic
Films & TV
Release Date
12/15/2010
Subject Area
Music, Art
Publication Name
Deleuze and Film Music : Building a Methodological Bridge between Film Theory and Music
Publisher
Intellect, The Limited
Item Length
0.9 in
Subject
Philosophy & Social Aspects, Printed Music / Musicals, Film & TV, General, Film & Video
Publication Year
2010
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
0.1 in
Author
Gregg Redner
Item Weight
14.1 Oz
Item Width
0.7 in
Number of Pages
194 Pages
Category

About this product

Product Identifiers

Publisher
Intellect, The Limited
ISBN-10
1841503703
ISBN-13
9781841503707
eBay Product ID (ePID)
84273740

Product Key Features

Number of Pages
194 Pages
Language
English
Publication Name
Deleuze and Film Music : Building a Methodological Bridge between Film Theory and Music
Publication Year
2010
Subject
Philosophy & Social Aspects, Printed Music / Musicals, Film & TV, General, Film & Video
Type
Textbook
Author
Gregg Redner
Subject Area
Music, Art
Format
Trade Paperback

Dimensions

Item Height
0.1 in
Item Weight
14.1 Oz
Item Length
0.9 in
Item Width
0.7 in

Additional Product Features

Intended Audience
Scholarly & Professional
Dewey Edition
22
Reviews
"In this wonderful study of music scoring for film, Gregg Redner turns to the philosopher Gilles Deleuze to seek a way in which to talk about music as a part of the mise-en-scène. Up until now, there have been two fundamental and somewhat opposing approaches to film scoring-the one emanating from musicologists, the other from specialists in film studies. Neither seemed to satisfy the needs of the other and certainly neither was able to fully explain what happens to music in film nor, indeed, what music causes to happen within film. Redner sets out to find a way of bridging these two opposing approaches and, in doing so, he offers us a new and fresh way to understand film music. Written with intellectual grace and scholarly elegance, these analyses of selected films will incite readers to revisit them with a new eye and ear."-Susan Hayward, University of Exeter, In this wonderful study of music scoring for film, Gregg Redner turns to the philosopher Gilles Deleuze to seek a way in which to talk about music as a part of the mise-en-scène. Up until now, there have been two fundamental and somewhat opposing approaches to film scoring--the one emanating from musicologists, the other from specialists in film studies. Neither seemed to satisfy the needs of the other and certainly neither was able to fully explain what happens to music in film nor, indeed, what music causes to happen within film. Redner sets out to find a way of bridging these two opposing approaches and, in doing so, he offers us a new and fresh way to understand film music. Written with intellectual grace and scholarly elegance, these analyses of selected films will incite readers to revisit them with a new eye and ear., In this wonderful study of music scoring for film, Gregg Redner turns to the philosopher Gilles Deleuze to seek a way in which to talk about music as a part of the mise-en-scne. Up until now, there have been two fundamental and somewhat opposing approaches to film scoring--the one emanating from musicologists, the other from specialists in film studies. Neither seemed to satisfy the needs of the other and certainly neither was able to fully explain what happens to music in film nor, indeed, what music causes to happen within film. Redner sets out to find a way of bridging these two opposing approaches and, in doing so, he offers us a new and fresh way to understand film music. Written with intellectual grace and scholarly elegance, these analyses of selected films will incite readers to revisit them with a new eye and ear., In this wonderful study of music scoring for film, Gregg Redner turns to the philosopher Gilles Deleuze to seek a way in which to talk about music as a part of the mise-en-scène. Up until now, there have been two fundamental and somewhat opposing approaches to film scoring-the one emanating from musicologists, the other from specialists in film studies. Neither seemed to satisfy the needs of the other and certainly neither was able to fully explain what happens to music in film nor, indeed, what music causes to happen within film. Redner sets out to find a way of bridging these two opposing approaches and, in doing so, he offers us a new and fresh way to understand film music. Written with intellectual grace and scholarly elegance, these analyses of selected films will incite readers to revisit them with a new eye and ear.
Illustrated
Yes
Dewey Decimal
781.542
Table Of Content
Foreword Susan Hayward, Cinema Studies, University of Exeter, UK Chapter One: Introduction Chapter Two: Methodology Chapter Three: Deleuzian Sensation and Maurice Jaubert's Score for L'Atalante Chapter Four: The Division of the One: Leonard Rosenman and the Score for East of Eden Chapter Five: Dmitri Shostakovich's Score for Kozinstev's Hamlet Chapter Six: Fragments of a Life: Becoming-Music/Woman In Kryzysztof Kieslowski's Blue Chapter Seven: The Changing Conception of Space As a Delineator In Film Score Style: A Comparative Analysis of the Scores for Things to Come and Scott of the Antarctic Chapter Eight: Conclusion References Corpus of Films Films Cited in Text
Synopsis
The analysis of film music is emerging as one of the fastest-growing areas of interest in film studies. Yet scholarship in this up-and-coming field has been beset by the lack of a common language and methodology between film and music theory. Drawing on the philosophy of Gilles Deleuze, film studies scholar Gregg Redner provides a much-needed analysis of the problem which then forms the basis of his exploration of the function of the film score and its relation to film's other elements. Not just a groundbreaking examination of persistent difficulties in this new area of study, Deleuze and Film Music also offers a solution -- a methodological bridge -- that will take film music analysis to a new level., The analysis of film music is emerging as one of the fastest-growing areas of interest in film studies, but the lack of common language and methodology affects it. Drawing on the philosophy of Gilles Deleuze, Gregg Redner analyses the problem and offers a solution - a methodological bridge - that will take film music analysis to a new level.

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