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Brand New- Henry Taylor: B Side (Hardback or Cased Book)
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About this item
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eBay item number:205512691625
Item specifics
- Condition
- Brand
- Delmonico Books
- Binding
- TC
- EAN
- 9781636810560
- ISBN
- 163681056X
- Manufacturer
- Delmonico Books
- Book Title
- Henry Taylor: B Side
- Publisher
- D.A.P./Distributed Art Publishers
- Item Length
- 11 in
- Publication Year
- 2022
- Format
- Hardcover
- Language
- English
- Illustrator
- Yes
- Item Height
- 1.1 in
- Genre
- Art
- Topic
- American / African American, Individual Artists / Monographs, General
- Item Weight
- 53.7 Oz
- Item Width
- 9.2 in
- Number of Pages
- 240 Pages
About this product
Product Identifiers
Publisher
D.A.P./Distributed Art Publishers
ISBN-10
163681056X
ISBN-13
9781636810560
eBay Product ID (ePID)
3057260667
Product Key Features
Book Title
Henry Taylor: B Side
Number of Pages
240 Pages
Language
English
Publication Year
2022
Topic
American / African American, Individual Artists / Monographs, General
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
53.7 Oz
Item Length
11 in
Item Width
9.2 in
Additional Product Features
Intended Audience
Trade
LCCN
2022-023610
Reviews
An overall commitment to figurative painting in support of his own tribe, to share their stories of joy and hardship, and, more importantly, to relay his own beautiful and unique vision of Blackness, in all its variable parts., Marvelous catalog...mostly written by artists, poets or artist-poets. Walter Price, inspired to paint by Taylor's example, contributes a poem about his first impressions: "Each painting aggressive, swift, bold/I was pushed.", Henry Taylor: B Side, captures the sweep of Taylor s career thus far, featuring more than 150 pieces that include drawings and for the first time in any meaningful way sculpture, as well as what he calls painted objects on small cigarette packs, cereal boxes and beer crates. [&] Even his older work has a timelessness that makes it feel contemporary., Ever alert to social contradictions, embedded histories, and the gap between public propaganda and private experience, Taylor often graces his subjects with a deliberate equanimity, suggesting only by inference a narrative of quiet, enduring resistance., Taylor's scenes of everyday life perform what might be called stop-motion image-making...The picture sticks in your brain, while your body responds to the painterly scene., Taylor s scenes of everyday life perform what might be called stop-motion image-making...The picture sticks in your brain, while your body responds to the painterly scene., Marvelous catalog...mostly written by artists, poets or artist-poets. Walter Price, inspired to paint by Taylor s example, contributes a poem about his first impressions: Each painting aggressive, swift, bold/I was pushed., Henry Taylor: B Side,' captures the sweep of Taylor's career thus far, featuring more than 150 pieces that include drawings and -- for the first time in any meaningful way -- sculpture, as well as what he calls "painted objects" on small cigarette packs, cereal boxes and beer crates. [...] Even his older work has a timelessness that makes it feel contemporary.
Synopsis
The official catalog accompanying the major retrospective at MoCA LA: Henry Taylor creates a grand pageant of contemporary Black life in America Surveying 30 years of Henry Taylor's work in painting, sculpture and installation, this comprehensive monograph celebrates a Los Angeles artist widely appreciated for his unique aesthetic, social vision and freewheeling experimentation. Taylor's portraits and allegorical tableaux--populated by friends, family members, strangers on the street, athletic stars and entertainers--display flashes of familiarity in their seemingly brash compositions, which nonetheless linger in the imagination with uncanny detail. In his paintings on cigarette packs, cereal boxes and other found supports, Taylor brings his primary medium into the realm of common culture. Similarly, the artist's installations often recode the forms and symbolisms of found materials (bleach bottles, push brooms) to play upon art historical tropes and modernism's appropriations of African or African American culture. Taken together, the various strands of Taylor's practice display a deep observation of Black life in America at the turn of the century, while also inviting a humanist fellowship that pushes outward from the particular. Raised in Oxnard, California, Henry Taylor (born 1958) took art classes at Oxnard College in the 1980s and studied under James Jarvaise, who became a mentor. From 1984 through 1995 Henry Taylor worked as a psychiatric technician at Camarillo State Mental Hospital (a facility that is now California State University Channel Islands) while concurrently attending the California Institute of the Arts (CalArts) in Valencia, where he obtained his Bachelor of Fine Art degree in 1995. Taylor has had institutional solo exhibitions at MoMA PS1 and the Studio Museum in Harlem. He lives and works in Los Angeles., The official catalog accompanying the major retrospective at MoCA LA: Henry Taylor creates a grand pageant of contemporary Black life in America Published with The Museum of Contemporary Art, Los Angeles. Surveying 30 years of Henry Taylor's work in painting, sculpture and installation, this comprehensive monograph celebrates a Los Angeles artist widely appreciated for his unique aesthetic, social vision and freewheeling experimentation. Taylor's portraits and allegorical tableaux--populated by friends, family members, strangers on the street, athletic stars and entertainers--display flashes of familiarity in their seemingly brash compositions, which nonetheless linger in the imagination with uncanny detail. In his paintings on cigarette packs, cereal boxes and other found supports, Taylor brings his primary medium into the realm of common culture. Similarly, the artist's installations often recode the forms and symbolisms of found materials (bleach bottles, push brooms) to play upon art historical tropes and modernism's appropriations of African or African American culture. Taken together, the various strands of Taylor's practice display a deep observation of Black life in America at the turn of the century, while also inviting a humanist fellowship that pushes outward from the particular. Raised in Oxnard, California, Henry Taylor (born 1958) took art classes at Oxnard College in the 1980s and studied under James Jarvaise, who became a mentor. From 1984 through 1995 Henry Taylor worked as a psychiatric technician at Camarillo State Mental Hospital (a facility that is now California State University Channel Islands) while concurrently attending the California Institute of the Arts (CalArts) in Valencia, where he obtained his Bachelor of Fine Art degree in 1995. Taylor has had institutional solo exhibitions at MoMA PS1 and the Studio Museum in Harlem. He lives and works in Los Angeles.
LC Classification Number
N6537.T387A4 2022
Text by
Coleman, Wanda, Gaines, Charles
Item description from the seller
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Most relevant reviews
- Nov 18, 2023
Amazing art and and amazing price!
Verified purchase: YesCondition: Pre-OwnedSold by: booksrun
- Jun 07, 2023
Good
Verified purchase: YesCondition: NewSold by: booksrun
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