Chinese Wallpaper in Britain and Ireland by Emile de Bruijn (2018, Trade Paperback)

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Chinese Wallpaper in Britain and Ireland by de Bruijn, Emile [Paperback]

About this product

Product Identifiers

PublisherI. B. Tauris & Company, The Limited
ISBN-101781300739
ISBN-139781781300732
eBay Product ID (ePID)243093849

Product Key Features

Book TitleChinese Wallpaper in Britain and Ireland
Number of Pages272 Pages
LanguageEnglish
TopicAsian / Chinese, Interior Design / General, Decorating, Historic Preservation / General
Publication Year2018
IllustratorYes
GenreArt, Architecture, House & Home
AuthorEmile De Bruijn
Book SeriesNational Trust Ser.
FormatTrade Paperback

Dimensions

Item Height1 in
Item Weight51.5 Oz
Item Length10.9 in
Item Width9.1 in

Additional Product Features

Intended AudienceTrade
Dewey Edition23
ReviewsThis is the first volume in a welcome cooperation between The National Trust and Philip Wilson Publishers which, it is planned, will lead to a wider exposure to the public of some of the valuable and unique furnishings and valuables within the properties held by the NT. As usual, Philip Wilson Publishers have excelled with their production of this book on the wallpapers within National Trust properties. Up until now, there was just a slim National Trust brochure on this neglected subject. Now we have a proper book in which the illustration is matched by the scholarship., "'Offers dizzying temptations. After even a cursory flick, it is impossible not to feel one's curiosity piqued by surviving descriptions, for example, of the Countess of Castlemaine's rooms at Wantead House, "finely adorned with China paper, the Figures of Men, Women, Birds, Flowers, the Liveliest I ever saw."'" -- The World of Interiors "'You would be forgiven for turning to Chinese Wallpaper in Britain and Ireland for the pictures alone. Here are tantalising glimpses of private chambers, hung with geometric arrangements of Chinese prints in the mid-18th century. Luxuriate only in the images, though, and you stand to miss de Bruijn's formidable detective work, charting the complex cross-pollination of influences between Western Europe and China.'" -- Art Quarterly "'This is the first volume in a welcome cooperation between The National Trust and Philip Wilson Publishers which, it is planned, will lead to a wider exposure to the public of some of the valuable and unique furnishings and valuables within the properties held by the NT. As usual, Philip Wilson Publishers have excelled with their production of this book on the wallpapers within National Trust properties. Up until now, there was just a slim National Trust brochure on this neglected subject. Now we have a proper book in which the illustration is matched by the scholarship.'" -- Chinese Art Blog "'Chinese wallpaper has been an important element of western interior decoration for three hundred years. As trade between Europe and China flourished in the seventeenth century, Eurpeans developed a strong taste for Chinese art and design. The stunningly beautiful wall coverings now known as Chinese wallpaper were developed by Chinese painting workshops in response to western demand. Despite their spectacular beauty, Chinese wallpapers have not been studied by European scholars in any depth until relatively recently. Chinese Wallpaper in Britain and Ireland, by Emile de Bruijn, changes that. It provides an overview of some of the most significant surviving Chinese wallpapers in private and public ownership in the British Isles. Sumptuously illustrated, it shows how these wallpapers be-came a staple ingredient of high-end interiors.'" -- Asian Books Blog, "'Offers dizzying temptations. After even a cursory flick, it is impossible not to feel one's curiosity piqued by surviving descriptions, for example, of the Countess of Castlemaine's rooms at Wantead House, "finely adorned with China paper, the Figures of Men, Women, Birds, Flowers, the Liveliest I ever saw."'" -- The World of Interiors "'You would be forgiven for turning to Chinese Wallpaper in Britain and Ireland for the pictures alone. Here are tantalising glimpses of private chambers, hung with geometric arrangements of Chinese prints in the mid-18th century. Luxuriate only in the images, though, and you stand to miss de Bruijn's formidable detective work, charting the complex cross-pollination of influences between Western Europe and China.'" -- Art Quarterly "'This is the first volume in a welcome cooperation between The National Trust and Philip Wilson Publishers which, it is planned, will lead to a wider exposure to the public of some of the valuable and unique furnishings and valuables within the properties held by the NT. As usual, Philip Wilson Publishers have excelled with their production of this book on the wallpapers within National Trust properties. Up until now, there was just a slim National Trust brochure on this neglected subject. Now we have a proper book in which the illustration is matched by the scholarship.'" -- Chinese Art Blog "'Chinese wallpaper has been an important element of western interior decoration for three hundred years. As trade between Europe and China flourished in the seventeenth century, Eurpeans developed a strong taste for Chinese art and design. The stunningly beautiful wall coverings now known as Chinese wallpaper were developed by Chinese painting workshops in response to western demand. Despite their spectacular beauty, Chinese wallpapers have not been studied by European scholars in any depth until relatively recently. Chinese Wallpaper in Britain and Ireland, by Emile de Bruijn, changes that. It provides an overview of some of the most significant surviving Chinese wallpapers in private and public ownership in the British Isles. Sumptuously illustrated, it shows how these wallpapers be-came a staple ingredient of high-end interiors.'" -- Asian Books Blog " De Bruijn's book is highly readable, with plenty of appropriately sized, full-page colour illustrations of these exquisite wallpapers, which serve to extend the appeal of the book beyond the academic and professional to a much wider readership." - Institute of Historic Building Conservation, 'This is the first volume in a welcome cooperation between The National Trust and Philip Wilson Publishers which, it is planned, will lead to a wider exposure to the public of some of the valuable and unique furnishings and valuables within the properties held by the NT. As usual, Philip Wilson Publishers have excelled with their production of this book on the wallpapers within National Trust properties. Up until now, there was just a slim National Trust brochure on this neglected subject. Now we have a proper book in which the illustration is matched by the scholarship.', You would be forgiven for turning to Chinese Wallpaper in Britain and Ireland for the pictures alone. Here are tantalising glimpses of private chambers, hung with geometric arrangements of Chinese prints in the mid-18th century. Luxuriate only in the images, though, and you stand to miss de Bruijn's formidable detective work, charting the complex cross-pollination of influences between Western Europe and China., Chinese wallpaper has been an important element of western interior decoration for three hundred years. As trade between Europe and China flourished in the seventeenth century, Eurpeans developed a strong taste for Chinese art and design. The stunningly beautiful wall coverings now known as Chinese wallpaper were developed by Chinese painting workshops in response to western demand. Despite their spectacular beauty, Chinese wallpapers have not been studied by European scholars in any depth until relatively recently. Chinese Wallpaper in Britain and Ireland, by Emile de Bruijn, changes that. It provides an overview of some of the most significant surviving Chinese wallpapers in private and public ownership in the British Isles. Sumptuously illustrated, it shows how these wallpapers be-came a staple ingredient of high-end interiors., 'Offers dizzying temptations. After even a cursory flick, it is impossible not to feel one's curiosity piqued by surviving descriptions, for example, of the Countess of Castlemaine's rooms at Wantead House, "finely adorned with China paper, the Figures of Men, Women, Birds, Flowers, the Liveliest I ever saw."', 'Chinese wallpaper has been an important element of western interior decoration for three hundred years. As trade between Europe and China flourished in the seventeenth century, Eurpeans developed a strong taste for Chinese art and design. The stunningly beautiful wall coverings now known as Chinese wallpaper were developed by Chinese painting workshops in response to western demand. Despite their spectacular beauty, Chinese wallpapers have not been studied by European scholars in any depth until relatively recently. Chinese Wallpaper in Britain and Ireland, by Emile de Bruijn, changes that. It provides an overview of some of the most significant surviving Chinese wallpapers in private and public ownership in the British Isles. Sumptuously illustrated, it shows how these wallpapers be-came a staple ingredient of high-end interiors.', De Bruijn's book is highly readable, with plenty of appropriately sized, full-page colour illustrations of these exquisite wallpapers, which serve to extend the appeal of the book beyond the academic and professional to a much wider readership., 'You would be forgiven for turning to Chinese Wallpaper in Britain and Ireland for the pictures alone. Here are tantalising glimpses of private chambers, hung with geometric arrangements of Chinese prints in the mid-18th century. Luxuriate only in the images, though, and you stand to miss de Bruijn's formidable detective work, charting the complex cross-pollination of influences between Western Europe and China.', Offers dizzying temptations. After even a cursory flick, it is impossible not to feel one's curiosity piqued by surviving descriptions, for example, of the Countess of Castlemaine's rooms at Wantead House, "finely adorned with China paper, the Figures of Men, Women, Birds, Flowers, the Liveliest I ever saw."
Dewey Decimal747.30951
Table Of ContentAcknowledgements Map Introduction: A global product 1. The British taste for things Chinese 1600-1740 2. India pictures 1690-1760 3. The emergence of Chinese wallpaper 1740-1765 4. Realms of virtue and harmony 1750-1810 5. Auspicious Gardens 1765-1790 6. Print Rooms 1760-1815 7. Variations on a Theme 1790-1835 8. A Late Flowering 1830-1890 9. Revival 1870-1970 10. A Living Tradition: Chinese Wallpaper Now Notes Bibliography Picture credits Index
SynopsisChinese wallpaper has been an important element of western interior decoration for three hundred years. As trade between Europe and China flourished in the seventeenth century, Europeans developed a strong taste for Chinese art and design. The stunningly beautiful wall coverings now known as 'Chinese wallpaper' were developed by Chinese painting workshops in response to western demand. In spite of their spectacular beauty, Chinese wallpapers have not been studied in any depth until relatively recently. This book provides an overview of some of the most significant Chinese wallpapers surviving in the British Isles. Sumptuously illustrated, it shows how these wallpapers became a staple ingredient of high-end interiors while always retaining a touch of the exotic., Nominated for the 2019 Karel van Mander prize Chinese wallpaper has been an important element of western interior decoration for three hundred years. As trade between Europe and China flourished in the seventeenth century, Europeans developed a strong taste for Chinese art and design. The stunningly beautiful wall coverings now known as 'Chinese wallpaper' were developed by Chinese painting workshops in response to western demand. In spite of their spectacular beauty, Chinese wallpapers have not been studied in any depth until relatively recently. This book provides an overview of some of the most significant Chinese wallpapers surviving in the British Isles. Sumptuously illustrated, it shows how these wallpapers became a staple ingredient of high-end interiors while always retaining a touch of the exotic.

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    Presents Chinese wallpaper as an artistic expression and not merely a utilitarian object. Beautifully photographed examples.

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