Reviews
"Aaron Freundschuh's investigation of the Pranzini case stretches the limits of the genre, illuminating the urban landscape, social life, and political context of 1880s Paris and the role of the so-called 'demi-monde' in the French imaginary. His concept of 'imperial insecurity' is a major insight that brightly renews our understanding of fin-de-siècle societies."--Dominique Kalifa, Université Paris 1 Panthéon Sorbonne, "An intriguing tale, told with insight...a good read about the great city in a time of transition."--John Merriman, Yale University, author of Massacre: The Life and Death of the Paris Commune, "This well-reasoned analysis is eminently readable and accessible for those with absolutely no background in the period."--Starred Review Publishers Weekly, [Pranzini's] case caused cultural currents and careers to intersect in ways that both reflected and reinforced the political turmoil and social tensions of the time. Freundschuh's adept use of microhistory succeeds in exposing the decade's complexities through one galvanizing cause clbre ...Freundschuh's careful reconstruction of the Pranzini affair both achieves and justifies its rescue from historical oblivion., " The Courtesan and the Gigolo presents a fascinating history of late nineteenth-century Paris as it was becoming a cosmopolitan seat of a transnational empire. Aaron Freundschuh explores questions of criminality, sexual deviance, and national identity as they gripped a society both fearful and desirous of exotic masculinity, and all that colonialism introduced. Its parallels with our own time are chilling."--Tyler Stovall, University of California, Santa Cruz
Synopsis
The intrigue began with a triple homicide in a luxury apartment building just steps from the Champs-Elyseés, in March 1887. A high-class prostitute and two others, one of them a child, had been stabbed to death--the latest in a string of unsolved murders targeting women of the Parisian demimonde. Newspapers eagerly reported the lurid details, and when the police arrested Enrico Pranzini, a charismatic and handsome Egyptian migrant, the story became an international sensation. As the case descended into scandal and papers fanned the flames of anti-immigrant politics, the investigation became thoroughly enmeshed with the crisis-driven political climate of the French Third Republic and the rise of xenophobic right-wing movements. Aaron Freundschuh's account of the "Pranzini Affair" recreates not just the intricacies of the investigation and the raucous courtroom trial, but also the jockeying for status among rival players--reporters, police detectives, doctors, and magistrates--who all stood to gain professional advantage and prestige. Freundschuh deftly weaves together the sensational details of the case with the social and political undercurrents of the time, arguing that the racially charged portrayal of Pranzini reflects a mounting anxiety about the colonial "Other" within France's own borders. Pranzini's case provides a window into a transformational decade for the history of immigration, nationalism, and empire in France., The intrigue began with a triple homicide in a luxury apartment building just steps from the Champs-Elyse s, in March 1887. A high-class prostitute and two others, one of them a child, had been stabbed to death--the latest in a string of unsolved murders targeting women of the Parisian demimonde. Newspapers eagerly reported the lurid details, and when the police arrested Enrico Pranzini, a charismatic and handsome Egyptian migrant, the story became an international sensation. As the case descended into scandal and papers fanned the flames of anti-immigrant politics, the investigation became thoroughly enmeshed with the crisis-driven political climate of the French Third Republic and the rise of xenophobic right-wing movements. Aaron Freundschuh's account of the "Pranzini Affair" recreates not just the intricacies of the investigation and the raucous courtroom trial, but also the jockeying for status among rival players--reporters, police detectives, doctors, and magistrates--who all stood to gain professional advantage and prestige. Freundschuh deftly weaves together the sensational details of the case with the social and political undercurrents of the time, arguing that the racially charged portrayal of Pranzini reflects a mounting anxiety about the colonial "Other" within France's own borders. Pranzini's case provides a window into a transformational decade for the history of immigration, nationalism, and empire in France., The intrigue began with a triple homicide in a luxury apartment building just steps from the Champs-Elyses, in March 1887. A high-class prostitute and two others, one of them a child, had been stabbed to death--the latest in a string of unsolved murders targeting women of the Parisian demimonde. Newspapers eagerly reported the lurid details, and when the police arrested Enrico Pranzini, a charismatic and handsome Egyptian migrant, the story became an international sensation. As the case descended into scandal and papers fanned the flames of anti-immigrant politics, the investigation became thoroughly enmeshed with the crisis-driven political climate of the French Third Republic and the rise of xenophobic right-wing movements.Aaron Freundschuh's account of the "Pranzini Affair" recreates not just the intricacies of the investigation and the raucous courtroom trial, but also the jockeying for status among rival players--reporters, police detectives, doctors, and magistrates--who all stood to gain professional advantage and prestige. Freundschuh deftly weaves together the sensational details of the case with the social and political undercurrents of the time, arguing that the racially charged portrayal of Pranzini reflects a mounting anxiety about the colonial "Other" within France's own borders. Pranzini's case provides a window into a transformational decade for the history of immigration, nationalism, and empire in France.
