Problem Solving for Oil Painters: Recognizing Wha... by Kreutz, Gregg 0823040976

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Item specifics

Condition
Good: A book that has been read but is in good condition. Very minimal damage to the cover including ...
Artist
Kreutz, G
Brand
N/A
Date of Publication
1997-04-01
Type
Paperback / softback
EAN
9780823040971
ISBN
0823040976
Publication Name
N/A
Release Title
Problem Solving for Oil Painters: Recognizing What's Gone Wron...
Colour
N/A
Book Title
Problem Solving for Oil Painters : Recognizing What's Gone Wrong and How to Make It Right
Publisher
Potter/Ten SPEED/Harmony/Rodale
Item Length
11 in
Publication Year
1997
Format
Trade Paperback
Language
English
Illustrator
Yes
Item Height
0.4 in
Author
Gregg Kreutz
Genre
Art
Topic
Techniques / Painting, Techniques / Oil Painting
Item Weight
22 Oz
Item Width
8.3 in
Number of Pages
144 Pages
Category

About this product

Product Identifiers

Publisher
Potter/Ten SPEED/Harmony/Rodale
ISBN-10
0823040976
ISBN-13
9780823040971
eBay Product ID (ePID)
351505

Product Key Features

Book Title
Problem Solving for Oil Painters : Recognizing What's Gone Wrong and How to Make It Right
Number of Pages
144 Pages
Language
English
Publication Year
1997
Topic
Techniques / Painting, Techniques / Oil Painting
Illustrator
Yes
Genre
Art
Author
Gregg Kreutz
Format
Trade Paperback

Dimensions

Item Height
0.4 in
Item Weight
22 Oz
Item Length
11 in
Item Width
8.3 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
21
Dewey Decimal
751.4/5
Synopsis
Finally - a book to help you solve all your painting problems! Inside you'll learn how to study a painting and correct problematic areas. Study topics include: Ideas - Is there a good abstract idea underlying the picture? - What details could be eliminated to strengthen the composition? - Does the painting have a focus? - Are the unessential parts subbordinated? - Does the painting "read"? - Could you finish any part of the painting? Shapes - Are the dominant shapes as strong and simple as possible? - Are the shapes too similiar? Value - Could the value range be increased? - Could the number of values be reduced? Light - Is the subject effectively lit? - Is the light area big enough? - Would the light look stronger with a suggestion of burnout? - Do the lights have a continuous flow? - Is the light gradiated? Shadows - Do the shadow shapes describe the form? - Are the shadows warm enough? Depth - Would the addition of foreground material deepen the space? - Does the background recede far enough? - Are the halftones properly related to the background? Solidity - Is the underlying form being communicated? - Is the symmetry in perspective? Color - Is there a color strategy? - Could a purer color be used? - Do the whites have enough color in them? - Are the colors overbended on the canvas? - would the color look brighter if it were saturated into its adjacent area? Paint - Is your palette efficiently organized? - Is the painting surface too absorbent? - Are you using the palette knife as much as you could? - Are you painting lines when you should be painting masses? - Are the edges dynamic enough? - Is there enough variation in the texture of the paint?, Finally - a book to help you solve all your painting problems Inside you'll learn how to study a painting and correct problematic areas. Study topics include: Ideas - Is there a good abstract idea underlying the picture? - What details could be eliminated to strengthen the composition? - Does the painting have a focus? - Are the unessential parts subbordinated? - Does the painting "read"? - Could you finish any part of the painting? Shapes - Are the dominant shapes as strong and simple as possible? - Are the shapes too similiar? Value - Could the value range be increased? - Could the number of values be reduced? Light - Is the subject effectively lit? - Is the light area big enough? - Would the light look stronger with a suggestion of burnout? - Do the lights have a continuous flow? - Is the light gradiated? Shadows - Do the shadow shapes describe the form? - Are the shadows warm enough? Depth - Would the addition of foreground material deepen the space? - Does the background recede far enough? - Are the halftones properly related to the background? Solidity - Is the underlying form being communicated? - Is the symmetry in perspective? Color - Is there a color strategy? - Could a purer color be used? - Do the whites have enough color in them? - Are the colors overbended on the canvas? - would the color look brighter if it were saturated into its adjacent area? Paint - Is your palette efficiently organized? - Is the painting surface too absorbent? - Are you using the palette knife as much as you could? - Are you painting lines when you should be painting masses? - Are the edges dynamic enough? - Is there enough variation in the texture of the paint?

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  • apt title

    good reading

    Verified purchase: YesCondition: Pre-OwnedSold by: goodwillexpress