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Tinker Belles and Evil Queens : The Walt Disney Company from the Inside Out by Sean P. Griffin (2000, Trade Paperback)
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TINKER BELLES AND EVIL QUEENS: THE WALT DISNEY COMPANY FROM THE INSIDE OUT By Sean P. Griffin **BRAND NEW**.
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About this product
Product Identifiers
PublisherNew York University Press
ISBN-100814731236
ISBN-139780814731239
eBay Product ID (ePID)1156598
Product Key Features
Number of Pages292 Pages
LanguageEnglish
Publication NameTinker Belles and Evil Queens : the Walt Disney Company from the inside Out
Publication Year2000
SubjectFilm / Genres / Animated, Lgbt Studies / Gay Studies, Film / History & Criticism
TypeTextbook
AuthorSean P. Griffin
Subject AreaPerforming Arts, Social Science
FormatTrade Paperback
Dimensions
Item Height0.7 in
Item Weight16 Oz
Item Length9 in
Item Width6 in
Additional Product Features
Intended AudienceScholarly & Professional
LCCN99-050550
Dewey Edition21
Reviews"In this sprightly analysis of classical and contemporary Disney fare, queer theorist Griffin breaks new ground in media and cultural studies while outdoing right-wing politicians and fundamentalists who see homosexuality everywhere. . . Griffin is careful in building his argument that Disney images have been enormously influenced by gay culture and in showing how gay culture has, in turn, claimed and appropriated those images." - Publishers Weekly ,, Presents Disney culture-so often thought of as a bastion of mainstream, heterosexual family values-in a fascinating and illuminating new light. Tinker Belles and Evil Queens is sharp and rigorously researched work. A veritable alternative history of Disney., "Presents Disney culture-so often thought of as a bastion of mainstream, heterosexual family values-in a fascinating and illuminating new light. Tinker Belles and Evil Queens is sharp and rigorously researched work. A veritable alternative history of Disney." -Dana Polan,University of Southern California, In this sprightly analysis of classical and contemporary Disney fare, queer theorist Griffin breaks new ground in media and cultural studies while outdoing right-wing politicians and fundamentalists who see homosexuality everywhere. . . Griffin is careful in building his argument that Disney images have been enormously influenced by gay culture and in showing how gay culture has, in turn, claimed and appropriated those images., "Presents Disney culture-so often thought of as a bastion of mainstream, heterosexual family values-in a fascinating and illuminating new light. Tinker Belles and Evil Queens is sharp and rigorously researched work. A veritable alternative history of Disney." - Dana Polan, University of Southern California, "In this sprightly analysis of classical and contemporary Disney fare, queer theorist Griffin breaks new ground in media and cultural studies while outdoing right-wing politicians and fundamentalists who see homosexuality everywhere. . . Griffin is careful in building his argument that Disney images have been enormously influenced by gay culture and in showing how gay culture has, in turn, claimed and appropriated those images." -Publishers Weekly, "In this sprightly analysis of classical and contemporary Disney fare, queer theorist Griffin breaks new ground in media and cultural studies while outdoing right-wing politicians and fundamentalists who see homosexuality everywhere. . . Griffin is careful in building his argument that Disney images have been enormously influenced by gay culture and in showing how gay culture has, in turn, claimed and appropriated those images." - Publishers Weekly
IllustratedYes
Dewey Decimal384/.8/06579794
SynopsisFrom its Magic Kingdom theme parks to its udderless cows, the Walt Disney Company has successfully maintained itself as the brand name of conservative American family values. But the Walt Disney Company has also had a long and complex relationship to the gay and lesbian community that is only now becoming visible. In Tinker Belles and Evil Queens, Sean Griffin traces the evolution of this interaction between the company and gay communities, from the 1930s use of Mickey Mouse as a code phrase for gay to the 1990s "Gay Nights" at the Magic Kingdom. Armed with first-person accounts from Disney audiences, Griffin demonstrates how Disney animation, live-action films, television series, theme parks, and merchandise provide varied motifs and characteristics that readily lend themselves to use by gay culture. But Griffin delves further to explore the role of gays and lesbians within the company, through an examination of the background of early studio personnel, an account of sexual activism within the firm, and the story of the company's own concrete efforts to give recognition to gay voices and desires. The first book to address the history of the gay community and Disney, Tinker Belles and Evil Queens broadly examines the ambiguous legacy of how modern consumerism and advertising have affected the ways lesbians and gay men have expressed their sexuality. Disney itself is shown as sensitive to gay and lesbian audiences, while exploiting those same audiences as a niche market with strong buying power. Finally, Griffin demonstrates how queer audiences have co-opted Disney products for themselves-and in turn how Disney's corporate strategies have influenced our very definitions of sexuality., The Walt Disney company is the brand name of conservative American family values, but also has a long and complex relationship with the gay and lesbian community. This text examines that relationship from the 1930s, to the 1990s Gay Nights at the Magic Kingdom., The first book to address the interaction between the Walt Disney Company and the gay community From its Magic Kingdom theme parks to its udderless cows, the Walt Disney Company has successfully maintained itself as the brand name of conservative American family values. But the Walt Disney Company has also had a long and complex relationship to the gay and lesbian community that is only now becoming visible. In Tinker Belles and Evil Queens , Sean Griffin traces the evolution of this interaction between the company and gay communities, from the 1930s use of Mickey Mouse as a code phrase for gay to the 1990s "Gay Nights" at the Magic Kingdom. Armed with first-person accounts from Disney audiences, Griffin demonstrates how Disney animation, live-action films, television series, theme parks, and merchandise provide varied motifs and characteristics that readily lend themselves to use by gay culture. But Griffin delves further to explore the role of gays and lesbians within the company, through an examination of the background of early studio personnel, an account of sexual activism within the firm, and the story of the company's own concrete efforts to give recognition to gay voices and desires. The first book to address the history of the gay community and Disney, Tinker Belles and Evil Queens broadly examines the ambiguous legacy of how modern consumerism and advertising have affected the ways lesbians and gay men have expressed their sexuality. Disney itself is shown as sensitive to gay and lesbian audiences, while exploiting those same audiences as a niche market with strong buying power. Finally, Griffin demonstrates how queer audiences have co-opted Disney products for themselves-and in turn how Disney's corporate strategies have influenced our very definitions of sexuality.
LC Classification NumberPN1999.W27G75 2000
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