Reviews"Not every raving maniac is a genius. Many are called but few are chosen. It's a pretty exclusive club, but Bernhard made it... Like Swift, Bernhard writes like a sacred monster... He is a remarkable literary performer: a man who goes to extremes in ways that vivify our sense of human possibilities. however destructive." -- Richard Locke, Wall Street Journal "To date America has been sadly immune to the charm and challenge of Bernhard's work and the American public has deprived itself of the deep and serious pleasure of reading one of the great writers of this century... Already in Europe The Loser is known as one of the great works of world literature. Its arrival on these shores is a significant literary event." -- Thomas McGonigle, New York Newsday "The book is an exemplar of linguistics scholar Roman Jakobson's 'axis of combination,' the stuff, the very bones of prose. This faith in what might be called the 'candor' of prose gives the book an enormous verve and power." -- Gilbert Sorrentino, Washington Post Book World "The appearance in English of The Loser two years after Bernhard's death is an occasion for both celebration and sadness. Celebration, because it provides yet another opportunity to draw attention to one of the century's most gifted writers: sadness, because it reminds one yet again how few people, and not only those in the English-speaking world, have read him." -- David Plott, Philadelphia Inquirer From the Hardcover edition., "Grand, imposing, awe-inspiring." - Los Angeles Times "Strangely gripping. . . . A highly original kind of writing that resembles musical patterns of theme, variations and recapitulation. . . . A fine and compelling prose accomplishment." - The Washington Times "With a breathtaking sustained intensity . . . Bernhard assaults through the voice of Murau the modern world, as exemplified by his birthplace, Austria." - Chicago Tribune "The particular fineness of Extinction lies in its depiction of a consciousness in action: Murau, it turns out, can be weak, admirable, reprehensible or mean-spirited, but his mind, as depicted on the page, seems absolutely true to life." - Washington Post Book World "Not every raving maniac is a genius. Many are called but few are chosen. It's a pretty exclusive club, but Bernhard made it. . . . Like Swift, Bernhard writes like a sacred monster. . . . He is a remarkable literary performer: a man who goes to extremes in ways that vivify our sense of human possibilities, however destructive." - The Wall Street Journal, "Grand, imposing, awe-inspiring." -Los Angeles Times "Strangely gripping. . . . A highly original kind of writing that resembles musical patterns of theme, variations and recapitulation. . . . A fine and compelling prose accomplishment." -The Washington Times "With a breathtaking sustained intensity . . . Bernhard assaults through the voice of Murau the modern world, as exemplified by his birthplace, Austria." -Chicago Tribune "The particular fineness ofExtinctionlies in its depiction of a consciousness in action: Murau, it turns out, can be weak, admirable, reprehensible or mean-spirited, but his mind, as depicted on the page, seems absolutely true to life." -Washington Post Book World "Not every raving maniac is a genius. Many are called but few are chosen. It's a pretty exclusive club, but Bernhard made it. . . . Like Swift, Bernhard writes like a sacred monster. . . . He is a remarkable literary performer: a man who goes to extremes in ways that vivify our sense of human possibilities, however destructive." -The Wall Street Journal
Dewey Decimal833.914
SynopsisThe last work of fiction by one of the twentieth century's greatest artists, Extinction is widely considered Thomas Bernhard's magnum opus. Franz-Josef Murau-the intellectual black sheep of a powerful Austrian land-owning family-lives in Rome in self-imposed exile, surrounded by a coterie of artistic and intellectual friends. On returning from his sister's wedding on the family estate of Wolfsegg, having resolved never to go home again, Murau receives a telegram informing him of the death of his parents and brother in a car crash. Not only must he now go back, he must do so as the master of Wolfsegg. And he must decide its fate. Written in the seamless, mesmerizing style for which Bernhard was famous, Extinction is the ultimate proof of his extraordinary literary genius., The last work of fiction by one of the twentieth century's greatest artists, Extinction is widely considered Thomas Bernhard's magnum opus. Franz-Josef Murau--the intellectual black sheep of a powerful Austrian land-owning family--lives in Rome in self-imposed exile, surrounded by a coterie of artistic and intellectual friends. On returning from his sister's wedding on the family estate of Wolfsegg, having resolved never to go home again, Murau receives a telegram informing him of the death of his parents and brother in a car crash. Not only must he now go back, he must do so as the master of Wolfsegg. And he must decide its fate. Written in the seamless, mesmerizing style for which Bernhard was famous, Extinction is the ultimate proof of his extraordinary literary genius.
LC Classification NumberPT2662.E7A8 2011