Weimar and Now: German Cultural Criticism Ser.: Cinema and Experience : Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno by Miriam Hansen (2011, Trade Paperback)

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This book explores in depth their reflections on cinema and photography from the Weimar period up to the 1960s. Miriam Bratu Hansen brings to life an impressive archive of known and, in the case of Kracauer, less known materials and reveals surprising perspectives on canonic texts, including Benjamin’s artwork essay.

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Product Identifiers

PublisherUniversity of California Press
ISBN-100520265602
ISBN-139780520265608
eBay Product ID (ePID)109133512

Product Key Features

Number of Pages408 Pages
LanguageEnglish
Publication NameCinema and Experience : Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno
Publication Year2011
SubjectFilm / General, Individual Philosophers, General, Semiotics & Theory, Film / History & Criticism
TypeTextbook
Subject AreaLiterary Criticism, Art, Philosophy, Performing Arts
AuthorMiriam Hansen
SeriesWeimar and Now: German Cultural Criticism Ser.
FormatTrade Paperback

Dimensions

Item Height1.1 in
Item Weight19.2 Oz
Item Length9 in
Item Width6 in

Additional Product Features

Intended AudienceScholarly & Professional
LCCN2011-017754
Reviews[Hansen_s] reader is amply rewarded by the rich suggestiveness and expansive quality of her insights. . . . A crowning achievement._, [Hansen's] reader is amply rewarded by the rich suggestiveness and expansive quality of her insights. . . . A crowning achievement.", [Hansen's] reader is amply rewarded by the rich suggestiveness and expansive quality of her insights. . . . A crowning achievement."-- Bookforum
Dewey Edition23
Series Volume Number44
Dewey Decimal791.4309
Table Of ContentPreface Acknowledgments Abbreviations Part I. Kracauer 1. Film, Medium of a Disintegrating World 2. Curious Americanism Part II. Benjamin 3. Actuality, Antinomies 4. Aura: The Appropriation of a Concept 5. Mistaking the Moon for a Ball 6. Micky-Maus 7. Room-for-Play Part III. Adorno 8. The Question of Film Aesthetics Part IV. Kracauer in Exile 9. Theory of Film Notes Index
SynopsisSiegfried Kracauer, Walter Benjamin, and Theodor W. Adorno-affiliated through friendship, professional ties, and argument-developed an astute philosophical critique of modernity in which technological media played a key role. This book explores in depth their reflections on cinema and photography from the Weimar period up to the 1960s. Miriam Bratu Hansen brings to life an impressive archive of known and, in the case of Kracauer, less known materials and reveals surprising perspectives on canonic texts, including Benjamin's artwork essay. Her lucid analysis extrapolates from these writings the contours of a theory of cinema and experience that speaks to questions being posed anew as moving image culture evolves in response to digital technology., Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno--affiliated through friendship, professional ties, and argument--developed an astute philosophical critique of modernity in which technological media played a key role. This book explores in depth their reflections on cinema and photography from the Weimar period up to the 1960s. Miriam Bratu Hansen brings to life an impressive archive of known and, in the case of Kracauer, less known materials and reveals surprising perspectives on canonic texts, including Benjamin's artwork essay. Her lucid analysis extrapolates from these writings the contours of a theory of cinema and experience that speaks to questions being posed anew as moving image culture evolves in response to digital technology.
LC Classification NumberPN1994.H265 2012

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