Reviews
"Here finally is the definitive work tracing the reciprocal influences of artists and the garden movement during the Progressive era in America, just as European impressionism reached our shores. With its extraordinary range of expertise, detailing techniques of artistic expression and developments in landscape architecture and horticulture, the book will enlighten its readers on numerous topics--not the least on the place of Philadelphia and its environs as central to these creative relationships in our cultural and intellectual history."--Paula Deitz, author of Of Gardens: Selected Essays, Here finally is the definitive work tracing the reciprocal influences of artists and the garden movement during the Progressive era in America, just as European impressionism reached our shores. With its extraordinary range of expertise, detailing techniques of artistic expression and developments in landscape architecture and horticulture, the book will enlighten its readers on numerous topics-not the least on the place of Philadelphia and its environs as central to these creative relationships in our cultural and intellectual history., An intellectual and visual delight with an impressive scholarly content, this is an important addition to the history of American art, American gardens, and American self-image at the turn of the 19th century., "An intellectual and visual delight with an impressive scholarly content, this is an important addition to the history of American art, American gardens, and American self-image at the turn of the 19th century."-- Library Journal, "Here finally is the definitive work tracing the reciprocal influences of artists and the garden movement during the Progressive era in America, just as European impressionism reached our shores. With its extraordinary range of expertise, detailing techniques of artistic expression and developments in landscape architecture and horticulture, the book will enlighten its readers on numerous topics--not the least on the place of Philadelphia and its environs as central to these creative relationships in our cultural and intellectual history."--Paula Deitz, author of the book Of Gardens: Selected Essays
Synopsis
Inspired by European impressionist paintings of open countryside, private gardens, and urban parks, American artists working in the years between 1887 and 1920 turned their attentions to the new landscapes being created in the fast-changing cities and rapidly emerging suburbs of their own country. Up and down the eastern seaboard, a middle-class idyll was brought to life with the construction of railways, trams, and parkways that connected city centers to commuter suburbs, whose inhabitants increasingly turned to gardening as a leisure--and predominantly female--pursuit. "The two arts of painting and garden design are closely related," landscape architect Beatrix Farrand wrote in 1907, "except that the landscape gardener paints with actual color, line, and perspective to make a composition . . . while the painter has but a flat surface on which to create his illusion." The Artist's Garden tells the intertwined stories of American art and the new American garden movement in the years on either side of the turn of the twentieth century. Anna O. Marley and her contributors showcase more than one hundred beautifully reproduced artworks by Cecilia Beaux, Mary Cassatt, William Merritt Chase, Childe Hassam, and others alongside the books, journals, and ephemeral artifacts that both shaped and were products of the garden movement. The volume's lavishly illustrated text considers topics that range from environmentalism to new printing technologies, from the genres of garden writing to the distinctions between public and domestic spaces or American and French impressionism. Employing the interdisciplinary perspectives of horticultural and art history, The Artist's Garden places special emphasis on the mid-Atlantic region as the epicenter of a national garden movement and offers a new look into the impact of impressionism not on American painting alone, but on the nation's culture at large. Contributors Alan C. Braddock, James Glisson, John Dixon Hunt, Erin Leary, Anna O. Marley, Katie A. Pfohl, Judith B. Tankard, Virginia Grace Tuttle., Lavishly illustrated with more than one hundred stunning American impressionist paintings along with gardening manuals and ephemera, The Artist's Garden tells the intertwining stories of American Art and the Progressive Era garden movement, exploring the ways horticultural and artistic practices shaped American identity., Inspired by European impressionist paintings of open countryside, private gardens, and urban parks, American artists working in the years between 1887 and 1920 turned their attentions to the new landscapes being created in the fast-changing cities and rapidly emerging suburbs of their own country. Up and down the eastern seaboard, a middle-class idyll was brought to life with the construction of railways, trams, and parkways that connected city centers to commuter suburbs, whose inhabitants increasingly turned to gardening as a leisure--and predominantly female--pursuit. The two arts of painting and garden design are closely related, landscape architect Beatrix Farrand wrote in 1907, except that the landscape gardener paints with actual color, line, and perspective to make a composition . . . while the painter has but a flat surface on which to create his illusion. The Artist's Garden tells the intertwined stories of American art and the new American garden movement in the years on either side of the turn of the twentieth century. Anna O. Marley and her contributors showcase more than one hundred beautifully reproduced artworks by Cecilia Beaux, Mary Cassatt, William Merritt Chase, Childe Hassam, and others alongside the books, journals, and ephemeral artifacts that both shaped and were products of the garden movement. The volume's lavishly illustrated text considers topics that range from environmentalism to new printing technologies, from the genres of garden writing to the distinctions between public and domestic spaces or American and French impressionism. Employing the interdisciplinary perspectives of horticultural and art history, The Artist's Garden places special emphasis on the mid-Atlantic region as the epicenter of a national garden movement and offers a new look into the impact of impressionism not on American painting alone, but on the nation's culture at large. Contributors : Alan C. Braddock, James Glisson, John Dixon Hunt, Erin Leary, Anna O. Marley, Katie A. Pfohl, Judith B. Tankard, Virginia Grace Tuttle., Inspired by European impressionist paintings of open countryside, private gardens, and urban parks, American artists working in the years between 1887 and 1920 turned their attentions to the new landscapes being created in the fast-changing cities and rapidly emerging suburbs of their own country. Up and down the eastern seaboard, a middle-class idyll was brought to life with the construction of railways, trams, and parkways that connected city centers to commuter suburbs, whose inhabitants increasingly turned to gardening as a leisure--and predominantly female--pursuit. "The two arts of painting and garden design are closely related," landscape architect Beatrix Farrand wrote in 1907, "except that the landscape gardener paints with actual color, line, and perspective to make a composition . . . while the painter has but a flat surface on which to create his illusion." The Artist's Garden tells the intertwined stories of American art and the new American garden movement in the years on either side of the turn of the twentieth century. Anna O. Marley and her contributors showcase more than one hundred beautifully reproduced artworks by Cecilia Beaux, Mary Cassatt, William Merritt Chase, Childe Hassam, and others alongside the books, journals, and ephemeral artifacts that both shaped and were products of the garden movement. The volume's lavishly illustrated text considers topics that range from environmentalism to new printing technologies, from the genres of garden writing to the distinctions between public and domestic spaces or American and French impressionism. Employing the interdisciplinary perspectives of horticultural and art history, The Artist's Garden places special emphasis on the mid-Atlantic region as the epicenter of a national garden movement and offers a new look into the impact of impressionism not on American painting alone, but on the nation's culture at large. Contributors : Alan C. Braddock, James Glisson, John Dixon Hunt, Erin Leary, Anna O. Marley, Katie A. Pfohl, Judith B. Tankard, Virginia Grace Tuttle.
