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Critical Ethnic Studies and Visual Culture Ser.: Reenvisioning Histories of American Art : Transforming Museum Practice by Michael Hartman (2025, Trade Paperback)

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About this product

Product Identifiers

PublisherUniversity of Washington Press

ISBN-100295753382

ISBN-139780295753386

eBay Product ID (ePID)8067377580

Product Key Features

Number of Pages272 Pages

Publication NameReenvisioning Histories of American Art : Transforming Museum Practice

LanguageEnglish

Publication Year2025

SubjectMuseum Studies, General, Ethnic Studies / Native American Studies, History / General

TypeTextbook

Subject AreaArt, Social Science

AuthorMichael Hartman

SeriesCritical Ethnic Studies and Visual Culture Ser.

FormatTrade Paperback

Dimensions

Item Height0.7 in

Item Weight21.7 Oz

Item Length9 in

Item Width7.2 in

Additional Product Features

Intended AudienceScholarly & Professional

LCCN2024-023390

Grade FromCollege Graduate Student

IllustratedYes

Table Of ContentIntroduction. Beyond the Land Acknowledgement, by Michael W. Hartman & Jami C. Powell Section 1: Complicating Histories: Curating Across Disciplinary Boundaries 1. Collaborative Methodologies for an Expanded American Art: This Land: American Engagement with the Natural World, by Morgan E. Freeman & Thomas H. Price 2. A Site of Struggle, A Methodology of Accord, by Janet Dees & Alisa Swindell 3. Generative Collaboration: Toward a More Expansive American Art, by Karen Kramer & Austen Barron Bailly, with Michael Hartman & Jami Powell Section 2: Reframing Collection Practices and Care 4. Reflection and Representation: Native Art Acquisitions for the 50th Anniversary of the Smithsonian's Renwick Gallery, by Anya Montiel 5. Recontextualizing and Reckoning Historic American Art, by Mindy N. Besaw 6. Feke's Kincemoss: Collaboratively Rewriting a Colonial Painting, by Layla Bermeo & Roger Paul Section 3: Interrupting Colonial Structures 7. "Guess Who's Coming to Dinner?": The Aesthetic and Curatorial Politics of Invitation and Interruption in Imperial Museums, by Kirsten Pai Buick 8. Imagining Otherwise, by Hazel V. Carby 9. Braiding, Stitching, Sweeping: Black Feminist Domesticity and Art History, by Alexandra M. Thomas 10. Tyrus Wong's Asian Americana, by Yinshi Lerman-Tan Conclusion. An Invitation, by Michael W. Hartman and Jami C. Powell

SynopsisHow museums are changing to embrace a more inclusive vision of American art US museums have faced increasing pressure to reckon with their histories in light of movements against racism, violence, and the erosion of human rights here and abroad. Self-reflection and transformation have emerged in tandem with a focus on incorporating antiracism and decolonization in museum practice. Fundamental to these shifts is the idea that one cannot tell the story of American art without Native American, African American, Asian American, and Latinx art. Featuring innovative scholarship and approaches from art history, anthropology, gender and sexuality studies, history, and ethnic studies, the curators and scholars in this volume write about transforming theory and methodology into museum practice as they reflect on the challenges and possibilities for expanding the canon of American art. Beyond the shortcomings of traditional curatorial approaches, they demonstrate how sustained dialogue, community engagement, and curatorial collaboration have fueled important changes to art curation. A progress report and a how-to guide, this collection considers the flawed past and inclusive future for how American art is displayed and taught., Us Muslims Have Faced Increasing Pressure to reckon with their histories in light of movements against racism, violence, and the erosion of human rights here and abroad. Self-reflection and transformation have emerged in tandem with a focus on incorporating antiracism and decolonization in museum practice. Fundamental to these shifts is the idea that one cannot tell the story of American art without Native American, African American, Asian American, and Latinx art. Featuring innovative scholarship and approaches from art history, anthropology, gender and sexuality studies, history, and ethnic studies, the curators and scholars in this volume write about transforming theory and methodology into museum practice as they reflect on the challenges and possibilities for expanding the canon of American art. Beyond the shortcomings of traditional curatorial approaches, they demonstrate how sustained dialogue, community engagement, and curatorial collaboration have fueled important changes to art curation. A progress report and ahow-to guide, this collection considers the flawed past and inclusive future for how American art is displayed and taught.

LC Classification NumberN430.R43 2025