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SIGNED Interior, Exterior and Scenic The Paintings of Cynthia Polsky 1963-1974
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Condition:
“Excellent condition. Rare signed copy.”
Like New
A book that looks new but has been read. Cover has no visible wear, and the dust jacket (if applicable) is included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See the seller’s listing for full details and description of any imperfections.
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Located in: Hoboken, New Jersey, United States
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eBay item number:135159407035
Item specifics
- Condition
- Like New
- Seller Notes
- “Excellent condition. Rare signed copy.”
- Subject
- Art & Photography
- Special Attributes
- 1st Edition, Inscribed, Signed
- ISBN
- 9780856676284
- Book Title
- Interior, Exterior and Scenic : the Paintings of Cynthia Polsky, 1963-1974
- Publisher
- I. B. Tauris & Company, The Limited
- Item Length
- 11.5 in
- Publication Year
- 2006
- Format
- Hardcover
- Language
- English
- Illustrator
- Yes
- Item Height
- 0.8 in
- Genre
- Art
- Topic
- Criticism & Theory, General, American / General
- Item Weight
- 37.5 Oz
- Item Width
- 8.9 in
- Number of Pages
- 128 Pages
About this product
Product Identifiers
Publisher
I. B. Tauris & Company, The Limited
ISBN-10
0856676284
ISBN-13
9780856676284
eBay Product ID (ePID)
56979293
Product Key Features
Book Title
Interior, Exterior and Scenic : the Paintings of Cynthia Polsky, 1963-1974
Number of Pages
128 Pages
Language
English
Topic
Criticism & Theory, General, American / General
Publication Year
2006
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Weight
37.5 Oz
Item Length
11.5 in
Item Width
8.9 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
22
TitleLeading
The
Dewey Decimal
759.13
Table Of Content
Essay: Interior, Exterior, and Scenic * Interview with Cynthia Polsky * Catalogue Essay: Interior, Exterior, and Scenic * Interview with Cynthia Polsky * Catalogue
Synopsis
Some of the most ravishing and daring paintings of the 20th century belong to the tradition of all-over, color based abstraction, pioneered by the generation of Color-Field painters in the late 1950s and early 1960s including Morris Louis, Kenneth Noland, and Helen Frankenthaler. This tradition continued to evolve in the work of a subsequent generation throughout the 1970s. Cynthia Polsky, who, between 1962 and 1974, created a group of ambitious, inventive works on paper and large-scale paintings distinguished by eloquent drawing and diaphanous clouds of color, is part of this next generation. Cynthia Polsky's paintings remind us that we can be deeply moved and profoundly stimulated by things that defy language and ideation. In an era when ambitious artists often seem less engaged by the visual than the conceptual, it is reassuring to be confronted by evidence of the potency and complexity of the visual. The essays in this volume by the curator - critic Karen Wilkin and the poet-critic John Yau discuss the rich overtones of Cynthia Polsky's work, from the world o nature and the world of art, including dance, music and Asian calligraphies, and illuminate the varied sources that inform this accomplished and original body of work. Her works are represented in numerous private and public collections including the Allentown Museum of Art, Allentown, Pennsylvania, the Corcoran Museum, Washington DC, the Herbert F. Johnson Museum, Cornell University, Ithaca, New York, and the Metropolitan Museum of Art, New York, New York., Some of the most ravishing and daring paintings of the 20th century belong to the tradition of all-over, color based abstraction, pioneered by the generation of Color-Field painters in the late 1950s and early 1960s including Morris Louis, Kenneth Noland, and Helen Frankenthaler. This tradition continued to evolve in the work of a subsequent generation throughout the 1970s. Cynthia Polsky, who, between 1962 and 1974, created a group of ambitious, inventive works on paper and large-scale paintings distinguished by eloquent drawing and diaphanous clouds of color, is part of this next generation. Cynthia Polsky' s paintings remind us that we can be deeply moved and profoundly stimulated by things that defy language and ideation. In an era when ambitious artists often seem less engaged by the visual than the conceptual, it is reassuring to be confronted by evidence of the potency and complexity of the visual. The essays in this volume by the curator-- critic Karen Wilkin and the poet-critic John Yau discuss the rich overtones of Cynthia Polsky' s work, from the world o nature and the world of art, including dance, music and Asian calligraphies, and illuminate the varied sources that inform this accomplished and original body of work. Her works are represented in numerous private and public collections including the Allentown Museum of Art, Allentown, Pennsylvania, the Corcoran Museum, Washington DC, the Herbert F. Johnson Museum, Cornell University, Ithaca, New York, and the Metropolitan Museum of Art, New York, New York., Some of the most ravishing and daring paintings of the 20th century belong to the tradition of all-over, color based abstraction, pioneered by the generation of Color-Field painters in the late 1950s and early 1960s including Morris Louis, Kenneth Noland, and Helen Frankenthaler. This tradition continued to evolve in the work of a subsequent generation throughout the 1970s. Cynthia Polsky, who, between 1962 and 1974, created a group of ambitious, inventive works on paper and large-scale paintings distinguished by eloquent drawing and diaphanous clouds of color, is part of this next generation. Cynthia Polsky's paintings remind us that we can be deeply moved and profoundly stimulated by things that defy language and ideation. In an era when ambitious artists often seem less engaged by the visual than the conceptual, it is reassuring to be confronted by evidence of the potency and complexity of the visual. The essays in this volume by the curator--critic Karen Wilkin and the poet-critic John Yau discuss the rich overtones of Cynthia Polsky's work, from the world o nature and the world of art, including dance, music and Asian calligraphies, and illuminate the varied sources that inform this accomplished and original body of work. Her works are represented in numerous private and public collections including the Allentown Museum of Art, Allentown, Pennsylvania, the Corcoran Museum, Washington DC, the Herbert F. Johnson Museum, Cornell University, Ithaca, New York, and the Metropolitan Museum of Art, New York, New York.
LC Classification Number
ND237
Item description from the seller
Seller feedback (3,302)
- x***b (987)- Feedback left by buyer.Past 6 monthsVerified purchaseFabulous seller! Great value, quick shipping, lightning fast! Packaging was done right and as described in post. Will certainly be on look out to buy from again. Fantastic transaction and great communication. A+++
- n***l (149)- Feedback left by buyer.Past monthVerified purchaseBetter than described, great quality and value, safe secure packaging, quick shipping, awesome seller! A+++
- r***g (86)- Feedback left by buyer.Past yearVerified purchaseShipping was fast and the item was properly packaged. The item fits the description perfectly. It’s even more more beautiful than I expected. It’s a novelty item, so it has an intrinsic value. I’m very pleased with my purchase. Kudos to the vendor !NEW! Green Day 17B 0205 Rev-Rad Tour Embossed Aluminum License Plate 11.75" X 6" (#145906559084)
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