Product Key Features
Book TitleHerzog by Ebert
Number of Pages224 Pages
LanguageEnglish
Publication Year2017
TopicEntertainment & Performing Arts, Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / History & Criticism
GenrePerforming Arts, Biography & Autobiography
AuthorRoger Ebert
FormatHardcover
Additional Product Features
Intended AudienceTrade
LCCN2017-003539
Dewey Edition23
ReviewsTwo of the most admired and beloved figures in cinema are celebrated in this slim volume that collects all the material the late Roger Ebert wrote about his friend, director Werner Herzog. Fans of either or both men will find this essential reading, This excellent collection will lead readers to revisit, or experience for the first time, Herzog's unique imagery, which was likely Ebert's wish.
Dewey Decimal791.430233092
Table Of ContentForeword by Werner Herzog Editorial Note Part 1: Facets Multimedia, 1979 Images at the Horizon 3 Notes Part 2: Reviews Aguirre, the Wrath of God Nosferatu the Vampyre Fitzcarraldo Burden of Dreams (directed by Les Blank) Where the Green Ants Dream Little Dieter Needs to Fly My Best Fiend Invincible Grizzly Man The White Diamond Rescue Dawn Walking to Werner (directed by Linas Phillips) Encounters at the End of the World Bad Lieutenant: Port of Call, New Orleans My Son, My Son, What Have Ye Done Cave of Forgotten Dreams Into the Abyss Part 3: Interviews At Cannes Film Festival, May 1982 Herzog Defies Death for His Films, May 20, 1984 Herzog Finds Truth beyond Fact, September 29, 1998 A Conversation with Werner Herzog, August 28, 2005 "Tell Me about the Iceberg, Tell Me about Your Dreams," July 7, 2008 The Ecstasy of the Filmmaker Herzog, April 6, 2010 Part 4: The Great Movies Aguirre, the Wrath of God The Enigma of Kaspar Hauser Heart of Glass Stroszek Nosferatu the Vampyre Fitzcarraldo Part 5: Summing Up A Letter to Werner Herzog: In Praise of Rapturous Truth, November 17, 2007 Herzog and the Forms of Madness, July 20, 2008 Comments The Great Ecstasy of the Sculptor Herzog, January 26, 2013 Appendix: Walker Art Center, 1999 Note concerning Herzog's Films Herzog's "Minnesota Declaration" Index
SynopsisRoger Ebert was the most influential film critic in the United States, the first to win a Pulitzer Prize. For almost fifty years, he wrote with plainspoken eloquence about the films he loved for the Chicago Sun-Times , his vast cinematic knowledge matched by a sheer love of life that bolstered his appreciation of films. Ebert had particular admiration for the work of director Werner Herzog, whom he first encountered at the New York Film Festival in 1968, the start of a long and productive relationship between the filmmaker and the film critic. Herzog by Ebert is a comprehensive collection of Ebert's writings about the legendary director, featuring all of his reviews of individual films, as well as longer essays he wrote for his Great Movies series. The book also brings together other essays, letters, and interviews, including a letter Ebert wrote Herzog upon learning of the dedication to him of "Encounters at the End of the World;" a multifaceted profile written at the 1982 Cannes Film Festival; and an interview with Herzog at Facet's Multimedia in 1979 that has previously been available only in a difficult-to-obtain pamphlet. Herzog himself contributes a foreword in which he discusses his relationship with Ebert. Brimming with insights from both filmmaker and film critic, Herzog by Ebert will be essential for fans of either of their prolific bodies of work., At the time of his death in 2013, Roger Ebert was arguably the most influential writer about movies in the United States. He had been film critic for the "Chicago Sun-Times" for over 45 years, reviewing more movies than any other critic active during that time and pioneering in both television reporting and reviewing. In 1975 he was the first film critic to win the Pulitzer Prize for criticism. Among the film directors who started working at about the same time Ebert started writing for the "Sun-Times," two inspired a particularly intense devotion. One was Martin Scorsese, the subject of "Scorsese by Ebert" (published in 2008). The other was Werner Herzog--Ebert first saw one of his films at the New York Film Festival in 1968. This volume gathers together all Ebert's reviews of individual films (as well as longer pieces he wrote for "The Great Movies" series), free-wheeling interviews, and essays in which he discusses various aspects of Herzog's achievement. It also includes a longer interview/discussion with Herzog at Facet's Multimedia in 1979 ("Images at the Horizon"), which offers fascinating details about Herzog's early career. Herzog himself has contributed a Foreword in which he discusses their long relationship. As one of the readers of the manuscript noted, "'Herzog by Ebert' documents a unique and productive relationship between a filmmaker and a film critic. Anyone who watches Herzog's films will surely benefit from Ebert's insights." It will be an essential book for all who admire Herzog's (and Ebert's) work.
LC Classification NumberPN1998.3.H477E24