About this product

Product Identifiers

PublisherPennsylvania STATE University Press

ISBN-100271009284

ISBN-139780271009285

eBay Product ID (ePID)89670

Product Key Features

Number of Pages336 Pages

Publication NameTriumph of Pierrot : the Commedia Dell'arte and the Modern Imagination

LanguageEnglish

Publication Year2001

SubjectDrama, Theater / History & Criticism, European / General, Comedy, Semiotics & Theory, History / General

FeaturesReprint

TypeTextbook

AuthorMartin Green, John Swan

Subject AreaLiterary Criticism, Art, Performing Arts

FormatTrade Paperback

Dimensions

Item Height0.9 in

Item Weight16 Oz

Item Length9 in

Item Width6 in

Additional Product Features

Intended AudienceScholarly & Professional

LCCN92-034785

Reviews"What do Stravinsky, Degas, Chaplin, Isak Dinesen, Meyerhold, Monty Python, and T. S. Eliot have in common? What do such disparate work as Picasso's Family of Saltimbanques," Bergman's Sawdust and Tinsel, Waugh's Put Out More Flags, and Pirandello's Six Characters in Search of an Author share? As [Green and Swan] persuasively argue in their new book, all have been influenced by the Italian commedia dell'arte. . . . Exaggeration, artifice, and a self-conscious theatricality are commedia's hallmarks; impertinence, mockery, and irony its weapons against the serious threats of the real world. No wonder, then, that commedia (along with the archetypes it supplies) exerted a fierce hold on the modernist imagination, and according to [the authors] left its imprint on virtually every area of Western culture from 1890 to 1930." -Michiko Kakutani, in The New York Times, &"What do Stravinsky, Degas, Chaplin, Isak Dinesen, Meyerhold, Monty Python, and T. S. Eliot have in common? What do such disparate work as Picasso&'s Family of Saltimbanques," Bergman&'s Sawdust and Tinsel, Waugh&'s Put Out More Flags, and Pirandello&'s Six Characters in Search of an Author share? As [Green and Swan] persuasively argue in their new book, all have been influenced by the Italian commedia dell'arte. . . . Exaggeration, artifice, and a self-conscious theatricality are commedia&'s hallmarks; impertinence, mockery, and irony its weapons against the serious threats of the real world. No wonder, then, that commedia (along with the archetypes it supplies) exerted a fierce hold on the modernist imagination, and according to [the authors] left its imprint on virtually every area of Western culture from 1890 to 1930.&" &-Michiko Kakutani, in The New York Times, "Green and Swan have given us an extraordinary interdisciplinary work. Using Diaghilev's Ballets Russes, the saltimbanque paintings of Picasso and Schoenberg's musical experiments as the starting point, they examine the modernist consciousness, which evolved from the 16th-century concept of the commedia dell'arte character of Pierrot, the original free-spirited revolutionary of European improvisational theater. Green and Swan are sweeping and occasionally breathtaking as they link the masters of modern literary culture to the tragicomic, grotesque traditions of the Harlequin: in literature, Rilke, Kafka, Brecht, and Weill; in art, Chagall and Rouault; in music, Stravinsky and Ravel; in film, Keaton, Chaplin, and the German expressionist montage of Lang and Wiene. From commedia to Caligari, the theme of this enormously provocative book is revolt and the modern spirit. . . . an intellectual tour de force." -Choice, "Green and Swan have given us an extraordinary interdisciplinary work. Using Diaghilev's Ballets Russes, the saltimbanque paintings of Picasso and Schoenberg's musical experiments as the starting point, they examine the modernist consciousness, which evolved from the 16th-century concept of the commedia dell'arte character of Pierrot, the original free-spirited revolutionary of European improvisational theater. Green and Swan are sweeping and occasionally breathtaking as they link the masters of modern literary culture to the tragicomic, grotesque traditions of the Harlequin: in literature, Rilke, Kafka, Brecht, and Weill; in art, Chagall and Rouault; in music, Stravinsky and Ravel; in film, Keaton, Chaplin, and the German expressionist montage of Lang and Wiene. From commedia to Caligari, the theme of this enormously provocative book is revolt and the modern spirit. . . . an intellectual tour de force." --Choice, &"Green and Swan have given us an extraordinary interdisciplinary work. Using Diaghilev&'s Ballets Russes, the saltimbanque paintings of Picasso and Schoenberg&'s musical experiments as the starting point, they examine the modernist consciousness, which evolved from the 16th-century concept of the commedia dell&'arte character of Pierrot, the original free-spirited revolutionary of European improvisational theater. Green and Swan are sweeping and occasionally breathtaking as they link the masters of modern literary culture to the tragicomic, grotesque traditions of the Harlequin: in literature, Rilke, Kafka, Brecht, and Weill; in art, Chagall and Rouau< in music, Stravinsky and Ravel; in film, Keaton, Chaplin, and the German expressionist montage of Lang and Wiene. From commedia to Caligari, the theme of this enormously provocative book is revolt and the modern spirit. . . . an intellectual tour de force.&" &-Choice

TitleLeadingThe

Edition DescriptionReprint

SynopsisThis text is an investigation of the influence of the Commedia dell'Arte on the work of many artists of the late 19th and early 20th centuries and on Western art and culture to this day.

LC Classification NumberNX456.G74 1993