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Locating Memory: Photographic Acts (Remapping Cultural History Series Vol. 4)
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“Very good text with no underlining”
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A book that does not look new and has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See the seller’s listing for full details and description of any imperfections.
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eBay item number:125947053197
Item specifics
- Condition
- Very Good
- Seller Notes
- “Very good text with no underlining”
- Subject Area
- Social Science, Photography, Science, History
- Educational Level
- Adult & Further Education
- Level
- Advanced
- Subject
- General, Time
- ISBN
- 9781845452278
- Publication Name
- Locating Memory : Photographic Acts
- Publisher
- Berghahn Books, Incorporated
- Item Length
- 9 in
- Publication Year
- 2006
- Series
- Remapping Cultural History Ser.
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.6 in
- Item Weight
- 14.3 Oz
- Item Width
- 6 in
- Number of Pages
- 300 Pages
About this product
Product Identifiers
Publisher
Berghahn Books, Incorporated
ISBN-10
1845452275
ISBN-13
9781845452278
eBay Product ID (ePID)
54367387
Product Key Features
Number of Pages
300 Pages
Publication Name
Locating Memory : Photographic Acts
Language
English
Subject
General, Time
Publication Year
2006
Type
Textbook
Subject Area
Social Science, Photography, Science, History
Series
Remapping Cultural History Ser.
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
14.3 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2006-019693
Dewey Edition
22
Reviews
"...[this volume makes a] strong contribution... to rethinking the limitations and failures of photographic representation and to challenging our own interpretive assumptions driven by desires to see and read photographs in certain ways. Rather, as the volume makes clear in unique and varied sites of research, photographic meaning and memory, unstable and in constant flux, are marked as much by forgetfulness and absence as remembrance and presence." H-Net "...the discursive style of each of the chapters highlights the value of attention to oral histories...There are many chapters worth investigating in this volume, delivering as it does a specific methodological clout for the study of memory and its mutations over time which result in national deliriums, amnesia and all types of cultural disorders." Cultural Studies Review "The successful combination of varied insights, from work on cultural memory and visual culture to analysis of photographic acts, makes this a unique collection of essays, an exemplary model of interdisciplinary scholarship, and a valuable asset to Berghahn Books' 'Remapping Cultural History' series." Canadian Journal of Communication
Series Volume Number
4
Illustrated
Yes
Volume Number
Vol. 4
Dewey Decimal
770
Table Of Content
List of Illustrations Acknowledgements Chapter 1. Locating Memory: Photographic Acts - An Introduction Annette Kuhn and Kirsten Emiko McAllister PART I: IDENTITIES Chapter 2. Re-placing History: Critiquing the Colonial Gaze through Photographic Works by Jeffrey Thomas and Greg Staats Andrea Walsh Chapter 3. Photography, 'Englishness' and Collective Memory: The National Photographic Record Association, 1897-1910 Elizabeth Edwards Chapter 4. A Story of Escape: Family Photographs from Japanese Canadian Internment Camps Kirsten Emiko McAllister PART II: DIS/LOCATIONS Chapter 5. The Return of the Aura: Contemporary Writers Look Back at the First World War Photograph Marlene A. Briggs Chapter 6. 'There Was Never a Camp Here': Searching for Vapniarka Marianne Hirsch and Leo Spitzer Chapter 7. The Space Between: Photography and the Time of Forgetting in the Work of Willie Doherty Andrew Quick Chapter 8. Displaced Events: Photographic Memory and Performance Art Nick Kaye PART III: REFRAMINGS Chapter 9. Vietnam War Photography as a Locus of Memory Patrick Hagopian Chapter 10. Speaking the Album: An Application of the Oral-photographic Framework Martha Langford Chapter 11. Talking Through: This Space Around Four Pictures by Jeff Wall Jerry Zaslove and Glen Lowry Bibliography Notes on Contributors Index
Synopsis
"... this volume makes a] strong contribution... to rethinking the limitations and failures of photographic representation and to challenging our own interpretive assumptions driven by desires to see and read photographs in certain ways. Rather, as the volume makes clear in unique and varied sites of research, photographic meaning and memory, unstable and in constant flux, are marked as much by forgetfulness and absence as remembrance and presence." - H-Net "...the discursive style of each of the chapters highlights the value of attention to oral histories...There are many chapters worth investigating in this volume, delivering as it does a specific methodological clout for the study of memory and its mutations over time which result in national deliriums, amnesia and all types of cultural disorders." - Cultural Studies Review "The successful combination of varied insights, from work on cultural memory and visual culture to analysis of photographic acts, makes this a unique collection of essays, an exemplary model of interdisciplinary scholarship, and a valuable asset to Berghahn Books' 'Remapping Cultural History' series." - Canadian Journal of Communication As a visual medium, the photograph has many culturally resonant properties that it shares with no other medium. These essays develop innovative cultural strategies for reading, re-reading and re-using photographs, as well as for (re)creating photographs and other artworks and evoke varied sites of memory in contemporary landscapes: from sites of war and other violence through the lost places of indigenous peoples to the once-familiar everyday places of home, family, neighborhood and community. Paying close attention to the settings in which such photographs are made and used--family collections, public archives, museums, newspapers, art galleries--the contributors consider how meanings in photographs may be shifted, challenged and renewed over time and for different purposes--from historical inquiry to quests for personal, familial, ethnic and national identity. Annette Kuhn is Professor of Film Studies at Lancaster University, UK, and an editor of the journal Screen. She has written about photographs in The Power of the Image: Essays on Representation and Sexuality (1985) and Family Secrets: Acts of Memory and Imagination (1995). Her most recent book is An Everyday Magic: Cinema and Cultural Memory (2002). Kirsten Emiko McAllister is an Assistant Professor of Communication at Simon Fraser University in Canada. She has written about photographs, visual culture and museum artifacts in West Coast Line, CineAction and Cultural Values, and is currently writing a book on a memorial that marks the site of a World War II Japanese-Canadian internment camp., As a visual medium, the photograph has many culturally resonant properties that it shares with no other medium. These essays develop innovative cultural strategies for reading, re-reading and re-using photographs, as well as for (re)creating photographs and other artworks and evoke varied sites of memory in contemporary landscapes: from sites of war and other violence through the lost places of indigenous peoples to the once-familiar everyday places of home, family, neighborhood and community. Paying close attention to the settings in which such photographs are made and used--family collections, public archives, museums, newspapers, art galleries--the contributors consider how meanings in photographs may be shifted, challenged and renewed over time and for different purposes--from historical inquiry to quests for personal, familial, ethnic and national identity.
LC Classification Number
TR183 .L63 2006
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