About this product

Product Identifiers

PublisherOhio State University Press

ISBN-100814252869

ISBN-139780814252864

eBay Product ID (ePID)219685304

Product Key Features

Book TitleDangerous Lover : Gothic Villians, Byronism, and the Nineteenth-Century Seduction Narrative

Number of Pages130 Pages

LanguageEnglish

Publication Year2016

TopicGothic & Romance, Romance / General, Gothic

GenreLiterary Criticism, Fiction

AuthorDeborah Lutz

FormatTrade Paperback

Dimensions

Item Height0.5 in

Item Weight7.1 Oz

Item Length9 in

Item Width6 in

Additional Product Features

Intended AudienceScholarly & Professional

Dewey Edition22

Reviews"This is an ambitious project . . . . Its argument is elegant and often lyrical, making it a fascinating and highly enjoyable read. Lutz has a writing style to be admired and envied, and there is no doubt that this book is an excellent addition to studies of the novel of romance and to studies in the gothic." -- The Oscholars, "This is a stimulating and original book. Lutz is a compelling writer, persuasive, often epigrammatic, and sometimes stirring in her evocations of existential yearning." --Rachel M. Brownstein, City University of New York, "Deborah Lutz's The Dangerous Lover examines one of the nineteenth-century permutations of gothicism, focusing on the phenomenon of longing as it is manifested in a variety of distinctive nineteenth-century British literary and cultural types. Lutz notes that the figure of 'the dangerous lover' has historically stood at the margin of literary history, occupying a position that parallels the position he (or, less often, she) occupies in fiction, where this lover stands partially concealed by darkness or simply by being kept 'offstage' for much of the time. . . . The Dangerous Lover offers a thought-provoking examination of this aspect of the romantic and post-romantic gothic and its persistence in our contemporary world." -- European Romantic Review

TitleLeadingThe

Dewey Decimal823/.809352

SynopsisThe dangerous lover has haunted our culture for over two hundred years; English, American, and European literature is permeated with his erotic presence. The Dangerous Lover takes seriously the ubiquity of the brooding romantic hero--his dark past, his remorseful and rebellious exile from comfortable everyday living. Deborah Lutz traces the recent history of this figure, through the melancholy iconoclasm of the Romantics, the lost soul redeemed by love of the Brontës, and the tormented individualism of twentieth-century love narratives. Arguing for this character's central influence not only in literature but also in the history of ideas, this book places the dangerous lover firmly within the philosophy of Martin Heidegger, the Modernism of Georg Lukács, and Roland Barthes's theories on love and longing. Working with canonical authors such as Ann Radcliffe, Charles Maturin, Lord Byron, Charles Dickens, George Eliot, and Oscar Wilde, and also with non-canonical texts such as contemporary romance, The Dangerous Lover combines a lyrical, essayistic style with a depth of inquiry that raises questions about the mysteries of desire, death, and eroticism. The Dangerous Lover is the first book-length study of this pervasive literary hero; it also challenges the tendency of sophisticated philosophical readings of popular narratives and culture to focus on male-coded genres. In its conjunction of high and low literary forms, this volume explores new historical and cultural framings for female-coded popular narratives., The dangerous lover has haunted our culture for over two hundred years; English, American, and European literature is permeated with his erotic presence. The Dangerous Lover takes seriously the ubiquity of the brooding romantic hero-his dark past, his remorseful and rebellious exile from comfortable everyday living. Deborah Lutz traces the recent history of this figure, through the melancholy iconoclasm of the Romantics, the lost soul redeemed by love of the Bront s, and the tormented individualism of twentieth-century love narratives. Arguing for this character's central influence not only in literature but also in the history of ideas, this book places the dangerous lover firmly within the philosophy of Martin Heidegger, the Modernism of Georg Luk cs, and Roland Barthes's theories on love and longing. Working with canonical authors such as Ann Radcliffe, Charles Maturin, Lord Byron, Charles Dickens, George Eliot, and Oscar Wilde, and also with non-canonical texts such as contemporary romance, The Dangerous Lover combines a lyrical, essayistic style with a depth of inquiry that raises questions about the mysteries of desire, death, and eroticism. The Dangerous Lover is the first book-length study of this pervasive literary hero; it also challenges the tendency of sophisticated philosophical readings of popular narratives and culture to focus on male-coded genres. In its conjunction of high and low literary forms, this volume explores new historical and cultural framings for female-coded popular narratives. Deborah Lutz is an adjunct associate professor of English at Hunter College.