Number of Volumes
1 Vol.
Edition Description
New Edition
Table of Content
Contents: Mario Dunkel/Emily Petermann/Burkhard Sauerwald: Introduction - Adrian Paterson: Worded or Sung? The Thirteen Teeth of Joyce's «Pomes Penyeach» - John McGrath: Musical Repetition in Samuel Beckett's «Ill Seen Ill Said» - Isabel Wagner: Aeolian Harps and Creators of Acoustic Spaces. Gert Jonke's Self-Reflexive Soundscapes - Emily Petermann: The Concept of Time Implied by the Theme and Variations Form. Novels Based on Bach's «Goldberg Variations» - Markus Huss: The Soundtrack of Exile. Towards an Intermedial Interpretation of Peter Weiss's Literary Works - Christin Hoene: Sounding through Time and Space. Music in Postcolonial South-Asian Literature - Sarah Fekadu: Ezra Pound's Spatial Aesthetics of Music - Beate Schirrmacher: The Use of Musical Intermediality in Creating Spatial Temporality. Günter Grass's Novel «Ein weites Feld» (1995) - Hannah Ianniello: Violence in Narratives about Jazz Musicians. Performance in Michael Ondaatje's «Coming Through Slaughter» - Helen Abbott: Poetic Time and Space, or What Fauré Learns from Baudelaire - Burkhard Sauerwald: A Song and Its Checkered History of Reception and Effect. «Der gute Kamerad» by Ludwig Uhland and Friedrich Silcher - D. Kupfer: A Cycle of Songs, Sorrow and Citations. Earl Kim's «Now and Then» (1981) - Maria Ristani: Carving Time in Rhythm. Samuel Beckett and Minimalist Music - Judith Crispin: The Transcendence of Musical Time. Text and Temporality in Busoni's «Doktor Faust» and Messiaen's «Saint François d'Assise» - Tyler Cassidy-Heacock: Poetry Traced in the Air. Electronic Mediation, Musicalized Language, and Embodiment in Leroux's «Voi(rex)».
Copyright Date
2013
Topic
European / German, American / General, Lyrics, Instruction & Study / Theory, Subjects & Themes / General, European / English, Irish, Scottish, Welsh
Intended Audience
Scholarly & Professional
Genre
Literary Criticism, Music
