Reviews
Weaving a tapestry as colorful as a market flower display, Flanders not only describes such things as changes in transportation but takes us right into the streets, to battle the mud and to be smothered in dust. The Victorian City is social history at its finest, a must-read for Dickens fans or anyone who loves London. It reminds us why this time period is endlessly fascinating to read about, but probably not a place we'd really want to live., Flanders ( The Invention of Murder ) successfully recreates the feel of London at Dickens's peak as she delves deep into the rhythms and architecture of particular neighborhoods.... Flanders's expertise shines when exposing Dickens's embellishments, particularly when his character Fagin faces execution rather than the less powerful but more realistic punishment of deportment. This well-researched sociological overview provides highly detailed context for cultural touchstones, while shattering the popular yet inauthentic image of a pristine Victorian age that never existed., Full of detail and colour about everyday life in Dickens's London, and leaves you with a sense not only of how hard life was then, but how strange. Even if you've read Dickens and the contemporary historians of the poor, there is still more to marvel at here., With infectious enthusiasm Judith Flanders dives into the sights, smells, sounds and grit of what was then the largest city the world had ever known: London., A well-stuffed compendium on the transformational era in the history of London that fed both Charles Dickens' imagination and his well of outrage.... Flanders writes with bubbling enthusiasm about the old markets, Covent Garden and Smithfield, with their accompanying din and smells, and the plethora of life we only know through Dickens' eyes: the street vendors and artists, matchstick sellers, slum dwellers, prostitutes, habitués of gin palaces and prisoners. A terrific companion while reading Boz himself., Flanders uses secondary historical sources alongside Dickens's own impressions of the city to take us on a dazzling journey through an imperial city plagued by poverty and deeply divided by class... Flanders must be given credit for doing an astounding job of recreating every nook and cranny of London in this richly detailed compendium. Shying away from academic pretension, Flanders tells the epic story of this biggest and boldest Victorian city in all its complexity, with verve, color and a straightforward approach to language that still manages to give a voice to ordinary Londoners something Dickens would no doubt approve of., Recreates the textures of everyday life with an anthropologist's understanding of human behaviour alongside a storyteller's eye for character., [Flanders'] imagery is often intense and striking... The streets of London were a constant assault on the senses with their noise and smell. This is a superb portrait of an exciting, thriving, and dangerous city., Judith Flanders is giving famed English novelist and historian Peter Ackroyd a run for his money in their joint delight over all things London. In this new work, Victorian expert Flanders fields just about every question the intelligent reader might have about Dickensian London., Judith Flanders's erudite and vivid look at 19th-century London is a reminder that what Charles Dickens --an unflinching observer of urban wretchedness, whom Ms. Flanders rightly hails as 'the greatest recorder the London streets has ever known chronicled in his novels and journalism was merely life as most people then lived it...Ms. Flanders is a beguiling guide, drawing on Dickens's writings to create an irresistible portrait of the English capital at a time of unprecedented expansion... The Victorian City is the perfect companion to Dickens's work., The teeming, bustling, hand-to-mouth and often smelly facts of mid-19th century urban life have seldom been more vividly presented than in this book., A quite extraordinary book, which I read with much enjoyment: an intoxicating blend of London, life and literature... I think it's Judith Flanders' best book yet, which is saying something., Meticulous and gripping... Flanders says that Dickens appealed to contemporaries because he gave them a voyage into the unknown: into parts of London they did not know and where they would not venture. She does something similar for us. The strangeness remains, but the voyage is unforgettable., Flanders captures the variety and colour of 19th-century London, stirring admiration and indignation by turns. To lead us through the Victorian capital, through its hustle and sprawl, its dangers and entertainments, you couldn't hope for a better guide., Praise for THE VICTORIAN CITY "Outstanding." - Sunday Times (London) "The teeming, bustling, hand-to-mouth and often smelly facts of mid-19th century urban life have seldom been more vividly presented than in this book." - Literary Review "With infectious enthusiasm Judith Flanders dives into the sights, smells, sounds and grit of what was then the largest city the world had ever known: London." - Sunday Telegraph (London) "Full of detail and colour about everyday life in Dickens's London, and leaves you with a sense not only of how hard life was then, but how strange. Even if you've read Dickens and the contemporary historians of the poor, there is still more to marvel at here." --Sebastian Faulks, Mail on Sunday Books of the Year (London) "A quite extraordinary book, which I read with much enjoyment: an intoxicating blend of London, life and literature... I think it's Judith Flanders' best book yet, which is saying something." --Andrew Taylor "Meticulous and gripping... Flanders says that Dickens appealed to contemporaries because he gave them a voyage into the unknown: into parts of London they did not know and where they would not venture. She does something similar for us. The strangeness remains, but the voyage is unforgettable." Independent (UK) "Flanders captures the variety and colour of 19th-century London, stirring admiration and indignation by turns. To lead us through the Victorian capital, through its hustle and sprawl, its dangers and entertainments, you couldn't hope for a better guide." --New Statesman (UK) "Recreates the textures of everyday life with an anthropologist's understanding of human behaviour alongside a storyteller's eye for character." --Daily Telegraph (UK) Praise for THE INVENTION OF MURDER "Judith Flanders's wonderful, sometimes appalling The Invention of Murder: How the Victorians Reveled in Death and Detection and Created Modern Crime, is a guidebook to notably grisly true-life tales… [Flanders] shines in her readings of literary novels containing criminal and detective elements, such as Oliver Twist, Mary Barton and Tess of the D'Urbervilles, but can be sharp and very funny about the vagaries of melodramatic and sensational plotting. Holmes once chided Watson, 'You see but you don't observe.' Ms. Flanders does both. This is an enticing book for any reader who, like the genteel lady in Emily Eden's The Semi-Detached House (1859), admits: 'There is such a grand murder in the paper . . . a whole family poisoned . . . it is very shocking, but I like to hear about it.'" Wall Street Journal "Flanders' meticulous research, personable style and keen insights are bliss for anyone interested in the Victorians and their quirks." Seattle Times "Superb… Flanders's convincing and smart synthesis of the evolution of an official police force, fictional detectives, and real-life cause célèbres will appeal to devotees of true crime and detective fiction alike." Publishers Weekly, starred review "Brilliantly researched and rendered, this is an indispensible read for anyone-scholars and the general public alike-who harbors an interest in the evolution of the notion and representation of murder….Flanders presents a fascinating narrative in well-crafted and at times suitably ironic praise." Library Journal, starred review
