Reviews
"Daniel Woodrell is the American writer we increasingly look to for the latest urgent news on the American soul. The Maid's Version is a beautiful engine of a novel, whose cogs were not entirely made by human agency, one might hazard to say. As regards the level of reading pleasure, the highest. As regards the level of literary achievement, the highest."--Sebastian Barry, "Woodrell is, like every truly great novelist, a mythmaker with both eyes on the absolute.... The Maid's Version is one more resplendent trophy on the shelf of an American master."-- William Giraldi, The Daily Beast, "In prose both taut and lyrical, Winter's Bone vividly evokes the spirit of one little woman warrior."--Edna O'Brien, "Compact and soulful.... The Maid's Version 's worth is also in its luminous prose. Woodrell's sentences bristle with finely tuned language and almost biblical rhythms of his characters' speech....Further proof, as if we needed it, that Woodrell is a writer to cherish."-- Adam Woog, Seattle Times, In prose both taut and lyrical, Winter's Bone vividly evokes the spirit of one little woman warrior., " The Maid's Version shows one of America's best writers at the top of his game."-- Kevin Nguyen, Grantland, "I'd gladly sign a petition to see Mr. Woodrell included on any roll call of America's finest living writers. He conveys a sense of the past with the stringent affection of Katherine Anne Porter; his turns at bedlam humor are worthy of Charles Portis; and his gorgeously tangled prose is all his own."--Sam Sacks, Wall Street Journal, " The Maid's Version is stunning. Daniel Woodrell writes flowing, cataclysmic prose with the irresistible aura of fate about it."--Sam Shepard, "Woodrell's language echoes melodically with the vernacular of the Ozarks, traces of folk song, the cadences of the Bible. Sometimes he offers, seemingly with little effort, as if from a bottomless repository, pithy similes. This of Alma: "grief has chomped on her like wolves do a calf". At other times, sentences leisurely unspool: "The Missouri river floated sixty yards from the street, and there was a small crotchety tavern on the corner." [Woodrell] belongs within a great, predominantly male tradition of American writing that stretches back to Mark Twain and runs on through Willa Cather, William Faulkner, James Dickey, Larry McMurtry to Cormac McCarthy. From the vantage of their willed exile they have produced, down the generations, some of their country's finest fiction and poetry."-- Peter Pierce, the Australian, Praise for The Outlaw Album: "Daniel Woodrell has published his first story collection, The Outlaw Album, and for readers of both crime and literary fiction, there is much to celebrate....Most of the stories deal with the darkest recesses of the human heart, and once you begin reading them, you can't stop.", "Woodrell is, like every truly great novelist, a mythmaker with both eyes on the absolute.... The Maid's Version is one more resplendent trophy on the shelf of an American master."--William Giraldi, The Daily Beast, Praise for Winter's Bone: "If William Faulkner lived in the Ozark Mountains today and wrote short, powerful novels set in that little understood, much-maligned swath of rural America, he might sound a lot like Daniel Woodrell.", "The author of nine widely-praised novels is sometimes described as a master of Ozark noir, but his gripping narratives and pitch-perfect language transcend genre."-- Reader's Digest, "23 Contemporary Writers You Should Have Read by Now", "For readers new to Daniel Woodrell's work, The Maid's Version is a perfect introduction and an invitation to read more. It's a short book...but there are lifetimes captured here....Throughout this remarkable book, Woodrell is an unsentimental narrator of an era that is rendered both kinder and infinitely less forgiving than our own."-- Ellah Allfrey, NPR Books, " The Maid's Version is able to tell a community's history in stunning second-, third-, and even fourth-hand recollection."-- Mesha Maren, LA Review of Books, " The Maid's Version is stunning. Daniel Woodrell writes flowing, cataclysmic prose with the irresistible aura of fate about it."-- Sam Shepard, Praise for Winter's Bone: "If William Faulkner lived in the Ozark Mountains today and wrote short, powerful novels set in that little understood, much-maligned swath of rural America, he might sound a lot like Daniel Woodrell."--Los Angeles Times Book Review, "Compact and soulful....The Maid's Version's worth is also in its luminous prose. Woodrell's sentences bristle with finely tuned language and almost biblical rhythms of his characters' speech....Further proof, as if we needed it, that Woodrell is a writer to cherish."--Adam Woog, Seattle Times, " The Maid's Version shows one of America's best writers at the top of his game."--Kevin Nguyen, Grantland, "I'd gladly sign a petition to see Mr. Woodrell included on any roll call of America's finest living writers. He conveys a sense of the past with the stringent affection of Katherine Anne Porter; his turns at bedlam humor are worthy of Charles Portis; and his gorgeously tangled prose is all his own."-- Sam Sacks, Wall Street Journal, "Daniel Woodrell is the American writer we increasingly look to for the latest urgent news on the American soul. The Maid's Version is a beautiful engine of a novel, whose cogs were not entirely made by human agency, one might hazard to say. As regards the level of reading pleasure, the highest. As regards the level of literary achievement, the highest."-- Sebastian Barry
Synopsis
The American master's first novel since Winter's Bone tells of a deadly dance hall fire and its impact over several generations. Alma DeGeer Dunahew, the mother of three young boys, works as the maid for a prominent citizen and his family in West Table, Missouri. Her husband is mostly absent, and, in 1929, her scandalous, beloved younger sister is one of the 42 killed in an explosion at the local dance hall. Who is to blame? Mobsters from St. Louis? The embittered local gypsies? The preacher who railed against the loose morals of the waltzing couples? Or could it have been a colossal accident? Alma thinks she knows the answer-and that its roots lie in a dangerous love affair. Her dogged pursuit of justice makes her an outcast and causes a long-standing rift with her own son. By telling her story to her grandson, she finally gains some solace-and peace for her sister. He is advised to "Tell it. Go on and tell it"-tell the story of his family's struggles, suspicions, secrets, and triumphs., The American master's first novel since Winter's Bone (2006) tells of a deadly dance hall fire and its impact over several generations. Alma DeGeer Dunahew, the mother of three young boys, works as the maid for a prominent citizen and his family in West Table, Missouri. Her husband is mostly absent, and, in 1929, her scandalous, beloved younger sister is one of the 42 killed in an explosion at the local dance hall. Who is to blame? Mobsters from St. Louis? The embittered local gypsies? The preacher who railed against the loose morals of the waltzing couples? Or could it have been a colossal accident? Alma thinks she knows the answer-and that its roots lie in a dangerous love affair. Her dogged pursuit of justice makes her an outcast and causes a long-standing rift with her own son. By telling her story to her grandson, she finally gains some solace-and peace for her sister. He is advised to "Tell it. Go on and tell it"-tell the story of his family's struggles, suspicions, secrets, and triumphs.
