Reviews
In a nod to geek pride, illustrator Mann, in her debut as an author, doesn't portray Lyla as a needy, sad wallflower--instead, Lyla is entirely self-assured and independent (though she's also open to making a new friend in Ginger). Mann understands well how peers can disappoint and parties can go wrong, and her scraggly-lined drawings, filled in with washes of soft color and set against white backgrounds, give a strong sense of Ginger's emotional vulnerability and the unanticipated possibilities offered by Lyla's friendship. --Publishers Weekly The nicely paced story creates a series of small moments that make Ginger's emotional shifts seem natural and inevitable. Created with pencil, gouache, and digital collage in a simple style, the expressive illustrations capture awkward, sad, tender, funny, and happy times with equal facility. ... A fine picture book for reading aloud. --Booklist Mann's pencil, gouache and digital collage illustrations keep the focus on the girls, their bright clothes and accessories standing out against the white background. ... Readers may not look at their classmates the same again. --Kirkus Reviews Penciled figures keep the facial expressions simple, while the gouache illustrations soften digital collage elements like the playground pavement, the tablecloth, and patterned couch, complementing the expected but sweet and satisfying story. --School Library Journal The illustrations, pencil and gouache with a few digital elements and collage-type layering, has a wide airiness, with even the full-bleed scenes gleaming with white space, and spare dot-and-squiggle features turning big balloon kid heads into faces. Lyla gently stands out from the springily colored crowd in her more saturated brown outfit and glasses, underscoring the text's championing of individuality. ... Young Gingers may benefit from a reminder that when it comes to inclusion, moms know what they're talking about. --Bulletin of the Center for Children's Books This is a kindhearted story about unexpected friendships and a celebration of being unique. Through the use of digital collage, pastel colors, and rounded images, Mann's characters and scenes pop and invite the reader to the birthday party. --Library Media Connection 'Two Speckled Eggs' gives us the flavor of childhood as we actually live it -- that high-tension mix of sweet and the sour, terrific and the terrible. Author-illustrator Jennifer K. Mann conveys all this almost telegraphically in the sparest language, the most off-hand images. ... 'Two Speckled Eggs' is not so much old-fashioned as it is ageless and timeless. ... Mann has made her debut as a writer-and-artist with a genuine picture book classic. --The Boston Globe Mann's bright illustrations of cheerful, round-headed girls capture the mayhem of parties and the joy of a new friendship. --The Seattle Times, In a nod to geek pride, illustrator Mann, in her debut as an author, doesn't portray Lyla as a needy, sad wallflower-instead, Lyla is entirely self-assured and independent (though she's also open to making a new friend in Ginger). Mann understands well how peers can disappoint and parties can go wrong, and her scraggly-lined drawings, filled in with washes of soft color and set against white backgrounds, give a strong sense of Ginger's emotional vulnerability and the unanticipated possibilities offered by Lyla's friendship. -Publishers Weekly The nicely paced story creates a series of small moments that make Ginger's emotional shifts seem natural and inevitable. Created with pencil, gouache, and digital collage in a simple style, the expressive illustrations capture awkward, sad, tender, funny, and happy times with equal facility. ... A fine picture book for reading aloud. -Booklist Mann's pencil, gouache and digital collage illustrations keep the focus on the girls, their bright clothes and accessories standing out against the white background. ... Readers may not look at their classmates the same again. -Kirkus Reviews Penciled figures keep the facial expressions simple, while the gouache illustrations soften digital collage elements like the playground pavement, the tablecloth, and patterned couch, complementing the expected but sweet and satisfying story. -School Library Journal The illustrations, pencil and gouache with a few digital elements and collage-type layering, has a wide airiness, with even the full-bleed scenes gleaming with white space, and spare dot-and-squiggle features turning big balloon kid heads into faces. Lyla gently stands out from the springily colored crowd in her more saturated brown outfit and glasses, underscoring the text's championing of individuality. ... Young Gingers may benefit from a reminder that when it comes to inclusion, moms know what they're talking about. -Bulletin of the Center for Children's Books, In a nod to geek pride, illustrator Mann, in her debut as an author, doesn't portray Lyla as a needy, sad wallflower-instead, Lyla is entirely self-assured and independent (though she's also open to making a new friend in Ginger). Mann understands well how peers can disappoint and parties can go wrong, and her scraggly-lined drawings, filled in with washes of soft color and set against white backgrounds, give a strong sense of Ginger's emotional vulnerability and the unanticipated possibilities offered by Lyla's friendship. -Publishers Weekly The nicely paced story creates a series of small moments that make Ginger's emotional shifts seem natural and inevitable. Created with pencil, gouache, and digital collage in a simple style, the expressive illustrations capture awkward, sad, tender, funny, and happy times with equal facility. ... A fine picture book for reading aloud. -Booklist Mann's pencil, gouache and digital collage illustrations keep the focus on the girls, their bright clothes and accessories standing out against the white background. ... Readers may not look at their classmates the same again. -Kirkus Reviews Penciled figures keep the facial expressions simple, while the gouache illustrations soften digital collage elements like the playground pavement, the tablecloth, and patterned couch, complementing the expected but sweet and satisfying story. -School Library Journal, In a nod to geek pride, illustrator Mann, in her debut as an author, doesn't portray Lyla as a needy, sad wallflower-instead, Lyla is entirely self-assured and independent (though she's also open to making a new friend in Ginger). Mann understands well how peers can disappoint and parties can go wrong, and her scraggly-lined drawings, filled in with washes of soft color and set against white backgrounds, give a strong sense of Ginger's emotional vulnerability and the unanticipated possibilities offered by Lyla's friendship. -Publishers Weekly The nicely paced story creates a series of small moments that make Ginger's emotional shifts seem natural and inevitable. Created with pencil, gouache, and digital collage in a simple style, the expressive illustrations capture awkward, sad, tender, funny, and happy times with equal facility. ... A fine picture book for reading aloud. -Booklist Mann's pencil, gouache and digital collage illustrations keep the focus on the girls, their bright clothes and accessories standing out against the white background. ... Readers may not look at their classmates the same again. -Kirkus Reviews Penciled figures keep the facial expressions simple, while the gouache illustrations soften digital collage elements like the playground pavement, the tablecloth, and patterned couch, complementing the expected but sweet and satisfying story. -School Library Journal The illustrations, pencil and gouache with a few digital elements and collage-type layering, has a wide airiness, with even the full-bleed scenes gleaming with white space, and spare dot-and-squiggle features turning big balloon kid heads into faces. Lyla gently stands out from the springily colored crowd in her more saturated brown outfit and glasses, underscoring the text's championing of individuality. ... Young Gingers may benefit from a reminder that when it comes to inclusion, moms know what they're talking about. -Bulletin of the Center for Children's Books 'Two Speckled Eggs' gives us the flavor of childhood as we actually live it -- that high-tension mix of sweet and the sour, terrific and the terrible. Author-illustrator Jennifer K. Mann conveys all this almost telegraphically in the sparest language, the most off-hand images. ... 'Two Speckled Eggs' is not so much old-fashioned as it is ageless and timeless. ... Mann has made her debut as a writer-and-artist with a genuine picture book classic. -The Boston Globe Mann's bright illustrations of cheerful, round-headed girls capture the mayhem of parties and the joy of a new friendship. -The Seattle Times, In a nod to geek pride, illustrator Mann, in her debut as an author, doesn't portray Lyla as a needy, sad wallflower-instead, Lyla is entirely self-assured and independent (though she's also open to making a new friend in Ginger). Mann understands well how peers can disappoint and parties can go wrong, and her scraggly-lined drawings, filled in with washes of soft color and set against white backgrounds, give a strong sense of Ginger's emotional vulnerability and the unanticipated possibilities offered by Lyla's friendship. -Publishers Weekly Mann's pencil, gouache and digital collage illustrations keep the focus on the girls, their bright clothes and accessories standing out against the white background. ... Readers may not look at their classmates the same again. -Kirkus Reviews
