Reviews
"Travels with Mae is a series of vignettes at once tender and full of doubt. Eileen Julien tells the story of her girlhood, young womanhood, and cultural and political awakening against the backdrop of New Orleans in the 1950's and 60's. Not only the story of the author's coming of age, this is a loving portrait of family life. Julien gives an insider's perspective on New Orleans culture. With her we attend Carnival balls and parades, family picnics and swimming parties, and survive hurricanes Betsy and Katrina. Along the way, we meet countless aunts, uncles and cousins, and are privy to family spats, her mother's upstairs closet, and kitchens stretched from New Orleans to Washington, D.C., rural Louisiana to New York, Paris to Bordeaux and Dakar.Equally impressive are the accompanying visuals. Chockfull of family photographs and reproductions of the brilliant paintings of Kalidou Sy, Julien serves up an interplay of words and images that makes Travels with Mae a compelling keepsake." -- Brenda Marie Osbey, author of All Saints: New and Selected Poems and Louisiana Poet Laureate, 2005-07, Deeply moving, beautifully written stories about her family by an Afro-Louisiana Creole scholar. Although most of the people in her stories are no longer with us, they will now live on forever just as their indomitable culture lives on everywhere, not just in Louisiana., "Deeply moving, beautifully written stories about her family by an Afro-Louisiana Creole scholar. Although most of the people in her stories are no longer with us, they will now live on forever just as their indomitable culture lives on everywhere, not just in Louisiana." -- Gwendolyn Midlo Hall, author of Africans in Colonial Louisiana: The Development of Afro-Creole Culture in Louisiana, To travel with Mae is to be well-traveled indeed; Julien honors her mother's spirit, her family's strength, with this affectionate, graceful portrait., Travels with Mae is a series of vignettes at once tender and full of doubt. Eileen Julien tells the story of her girlhood, young womanhood, and cultural and political awakening against the backdrop of New Orleans in the 1950's and 60's. Not only the story of the author's coming of age, this is a loving portrait of family life. Julien gives an insider's perspective on New Orleans culture. With her we attend Carnival balls and parades, family picnics and swimming parties, and survive hurricanes Betsy and Katrina. Along the way, we meet countless aunts, uncles and cousins, and are privy to family spats, her mother's upstairs closet, and kitchens stretched from New Orleans to Washington, D.C., rural Louisiana to New York, Paris to Bordeaux and Dakar. Equally impressive are the accompanying visuals. Chockfull of family photographs and reproductions of the brilliant paintings of Kalidou Sy, Julien serves up an interplay of words and images that makes Travels with Mae a compelling keepsake. --Brenda Marie Osbey, author of All Saints: New and Selected Poems and Louisiana Poet Laureate, 2005-07, "To travel with Mae is to be well-traveled indeed; Julien honors her mother's spirit, her family's strength, with this affectionate, graceful portrait." -- The Times-Picayune, August 5, 2009, "Travels with Mae is a series of vignettes at once tender and full of doubt. Eileen Julien tells the story of her girlhood, young womanhood, and cultural and political awakening against the backdrop of New Orleans in the 1950's and 60's. Not only the story of the author's coming of age, this is a loving portrait of family life. Julien gives an insider's perspective on New Orleans culture. With her we attend Carnival balls and parades, family picnics and swimming parties, and survive hurricanes Betsy and Katrina. Along the way, we meet countless aunts, uncles and cousins, and are privy to family spats, her mother's upstairs closet, and kitchens stretched from New Orleans to Washington, D.C., rural Louisiana to New York, Paris to Bordeaux and Dakar. Equally impressive are the accompanying visuals. Chockfull of family photographs and reproductions of the brilliant paintings of Kalidou Sy, Julien serves up an interplay of words and images that makes Travels with Mae a compelling keepsake." -Brenda Marie Osbey, author of All Saints: New and Selected Poems and Louisiana Poet Laureate, 2005-07, "Julien recalls a culture and space... recollected by those who knew it before and knew it as home." -- Angeletta Gourdine, author of The Difference Place Makes, "This is a book to love, To savor like one of the Julien family gumbos. . . . A wonderful portrait of middle-class blacks in a city usually portrayed by the poverty of its black population and the decadence of its whites. This is real life in New Orleans, In both its unique qualities and the universality of people in their common experiences, As well as a moving depiction of a loving relationship between a mother and a daughter." ÑChristine Wiltz, author ofThe Last Madam: A Life in the New Orleans Underworld "Julien recalls a culture and space threatened by erasure, that will for the most part be 'memory' or 'memoried,' recollected by those who knew it before and knew it as home." ÑAngeletta Gourdine, author ofThe Difference Place Makes, "To travel with Mae is to be well-traveled indeed; Julien honors her mother's spirit, her family's strength, with this affectionate, graceful portrait." -- The Times-Picayune, "This is a book to love, to savor like one of the Julien family gumbos.... A wonderful portrait of middle-class blacks in a city usually portrayed by the poverty of its black population and the decadence of its whites. This is real life in New Orleans, in both its unique qualities and the universality of people in their common experiences, as well as a moving depiction of a loving relationship between a mother and a daughter." -- Christine Wiltz, author of The Last Madam: A Life in the New Orleans Underworld, "This is a book to love, to savor like one of the Julien family gumbos. . . . A wonderful portrait of middle-class blacks in a city usually portrayed by the poverty of its black population and the decadence of its whites. This is real life in New Orleans, in both its unique qualities and the universality of people in their common experiences, as well as a moving depiction of a loving relationship between a mother and a daughter." ÑChristine Wiltz, author ofThe Last Madam: A Life in the New Orleans Underworld"Julien recalls a culture and space threatened by erasure, that will for the most part be 'memory' or 'memoried,' recollected by those who knew it before and knew it as home." ÑAngeletta Gourdine, author ofThe Difference Place Makes, "Julien recalls a culture and space... recollected by those who knew it before and knew it as home." -Angeletta Gourdine, author of The Difference Place Makes, "This is a book to love, to savor like one of the Julien family gumbos.... A wonderful portrait of middle-class blacks in a city usually portrayed by the poverty of its black population and the decadence of its whites. This is real life in New Orleans, in both its unique qualities and the universality of people in their common experiences, as well as a moving depiction of a loving relationship between a mother and a daughter." -Christine Wiltz, author of The Last Madam: A Life in the New Orleans Underworld, "Deeply moving, beautifully written stories about her family by an Afro-Louisiana Creole scholar. Although most of the people in her stories are no longer with us, they will now live on forever just as their indomitable culture lives on everywhere, not just in Louisiana." -Gwendolyn Midlo Hall, author of Africans in Colonial Louisiana: The Development of Afro-Creole Culture in Louisiana, "To travel with Mae is to be well-traveled indeed; Julien honors her mother's spirit, her family's strength, with this affectionate, graceful portrait." -The Times-Picayune, This is a book to love, to savor like one of the Julien family gumbos.... A wonderful portrait of middle-class blacks in a city usually portrayed by the poverty of its black population and the decadence of its whites. This is real life in New Orleans, in both its unique qualities and the universality of people in their common experiences, as well as a moving depiction of a loving relationship between a mother and a daughter.