Reviews
"Brava/bravo to University of Pittsburgh Press for reissuing Ostriker's seminal work in the gradual accretion of powerful poetry by women about their bodies, their inner lives, their societal positions. Her feminist affirmation of motherhood comes against the backdrop of protests against the Vietnam War, the murders at Kent State, and theNew York Times'srevelation of The Pentagon Papers. Nowhere in late twentieth-century belles lettres has the personal inserted itself so meaningfully into the political." -Maxine Kumin, "Brava/bravo to University of Pittsburgh Press for reissuing Ostriker's seminal work in the gradual accretion of powerful poetry by women about their bodies, their inner lives, their societal positions. Her feminist affirmation of motherhood comes against the backdrop of protests against the Vietnam War, the murders at Kent State, and the New York Times's revelation of The Pentagon Papers. Nowhere in late twentieth-century belles lettres has the personal inserted itself so meaningfully into the political." --Maxine Kumin, "Ostriker's work details the achievement of a connection between personal history and public fact as both present themselves to a very intelligent writer . . . Nothing in the novels of Margaret Drabble is as affecting, as convincing, as a few lines of Ostriker's." -American Poetry Review , "Ostriker's work details the achievement of a connection between personal history and public fact as both present themselves to a very intelligent writer . . . Nothing in the novels of Margaret Drabble is as affecting, as convincing, as a few lines of Ostriker's." -American Poetry Review, "So many women shed shame and took heart fromThe Mother/Child Papers, which feels as fresh and necessary as ever-feminism without dogma, motherhood without sanctimony, the power of the pen dipped in blood, but this time not of battle but of birth. Rejoicing at its return, I recall how far this book-awakening us to all that had been left out of literature-was ahead of the curve: gravity's rainbow, the trajectory of a culture's once heaven-bound imagination, headed back to Earth." -Eleanor Wilner, Past praise for The Mother/Child Papers "It is startling to read the early pages of this book: where, before this, was the literature of squalid bliss and righteous woe of taking care of an infant? It is alive in Ostriker . . . one of the most intelligent and lyrical of American poets." -Iowa Review, Past praise for The Mother/Child Papers "It is startling to read the early pages of this book: where, before this, was the literature of squalid bliss and righteous woe of taking care of an infant? It is alive in Ostriker . . . one of the most intelligent and lyrical of American poets." --Iowa Review, "Ostriker's work details the achievement of a connection between personal history and public fact as both present themselves to a very intelligent writer . . . Nothing in the novels of Margaret Drabble is as affecting, as convincing, as a few lines of Ostriker's." --American Poetry Review, "Ostriker's work details the achievement of a connection between personal history and public fact as both present themselves to a very intelligent writer . . . Nothing in the novels of Margaret Drabble is as affecting, as convincing, as a few lines of Ostriker's." --American Poetry Review , Past praise forThe Mother/Child Papers "It is startling to read the early pages of this book: where, before this, was the literature of squalid bliss and righteous woe of taking care of an infant? It is alive in Ostriker . . . one of the most intelligent and lyrical of American poets." -Iowa Review, "Brava/bravo to University of Pittsburgh Press for reissuing Ostriker's seminal work in the gradual accretion of powerful poetry by women about their bodies, their inner lives, their societal positions. Her feminist affirmation of motherhood comes against the backdrop of protests against the Vietnam War, the murders at Kent State, and the New York Times's revelation of The Pentagon Papers. Nowhere in late twentieth-century belles lettres has the personal inserted itself so meaningfully into the political." -Maxine Kumin
