The Casting of Scotsman Gerard Butler made the most believable Phantom as a lover, with the very youthful innocence of Emmy Rossum, as Christine, they were superb choices to create an intriguing triangle of loyalties in this most poignant classical love story...the voices were fittingly superb as well. Interestingly Butler had no previous musical training, beyond his preparation to take the role of the Phantom, but he carried a deep commanding voice that fit the role perfectly juxtaposed with the lilting soprano voiice of Emmy Rossum. Better than the staged productions, the movie lends itself to vast fantasy of flashbacks and beautiful sets not possible in stage presentations of this classic romantic story.
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Many people will look at this film version of Andrew Lloyd Webber's classic musical spectacular, THE PHANTOM OF THE OPERA with mixed emotions. There are people who will be upset that Sarah Brightman and Michael Crawford, who played the original Christine and Phantom respectively, were not allowed to recreate their signature roles. There will also be people who'll be disappointed that this version is not a literal translation of the stage musical. Finally, we have the critics of both Webber and director Joel Schumacher, who have both been accused of wretched excess in previous projects in their individual careers. Taken as a film version however, this PHANTOM stands the test of time, not only as a wonderful musical film, but as one of the more faithful versions of Gaston Laroux's romance/horror novel. Starting with a black and white prologue, the film tells the story of budding opera star Christine Daae and the two men who fight for her heart: the noble Viscount who she knew in childhood, and the mysterious Phantom of the Paris Opera House who hides his ugliness behind a half-mask while sponsoring Christine's career. Like the stage production, this film is awash in glorious colors and sets that would put many epics to shame. It's well balanced by solid performances that help propel the romantic, if melodramatic, story along. Gerard Butler makes for a wonderfully dark and obsessive Phantom, while allowing the character to retain the audience's sympathy. Miranda Richardson is solid as the dour Madame Giry, who knows the Phantom's secret. Minnie Driver easily gets the most laughs as the over-bearing diva, Carlotta. (It's interesting to note that Ms. Driver's singing is dubbed in the film proper, while she actually sings the new closing credits melody "Learn to be Lonely.") Patrick Wilson makes for a stalwart, if somewhat bland, Viscount. But the strongest impression is made by the lovely Emmy Rossum. Only in her late teens when filming, she turns in a fantastic performance with a crystal clear voice that does justice to Webber's score. Joel Schumacher does a strong enough job in directing this film, allowing the music and the screenplay that he co-wrote with Webber to shine. In the end, THE PHANTOM OF THE OPERA is a delightful spectacle that does justice in its own way to both the stage original and Laroux's book. As such, this is a film I highly recommend.Read full review
Ok, maybe I was biased, cause I already loved the Phantom of the Opera, but I was actually very skeptical about this movie. I have been a fan of the Phantom of the Opera since 1989, and I LOVE Michael Crawford as the Phantom. When they were making this movie I remember thinking "Who can ever compare to Michael Crawford?" Then I saw the movie. And I fell in love with the Phantom all over again. Gerard Butler was perfect for this role in the movie. I don't think he would work so well in this role in the stage show, but for the movie he was FANTASTIC. Come on now, we all know Michael Crawford is the ultimate Phantom, but we also all know that he was too old to play the Phantom in the movie. A 65 yr old Phantom wooing a 17 yr old Christine? GROSS! In order for it not to be gross Christine would have to be much much older, and that just would not have worked. So I don't see what the big deal is about having a younger cast. I think it worked extremely well. The chemistry between Gerard Butler and Emmy Rossum was amazing. You can feel the love, the passion, the desire. As for Gerard's singing. I don't know why everyone wants to tear his singing apart. No, he is not a tenor. No, he is not professionally trained. But his singing is powerful and moving. He inflects such raw emotion into the songs, we feel the Phantom's pain and insecurities. He makes us realize that the Phantom is not perfect, in face or in voice, and that makes him more human. His acting is superb, in this movie as in all of his other movies. A heavily dramatic acting performance, such as is required for the Phantom to work in the theater, would have seemed overdone in the movie. Movies and theater are two different mediums, and what works in the theater looks tacky on screen. Emmy Rossum was spectacular. Her voice is beautiful, she is beautiful, and she was the perfect Christine. Young, naive, impressionable, breathless, all the things young girls are when first exposed to love and desire. She made us see Christine's conflict...in love with Raoul, in love (and lust!) with the Phantom, torn between the two. Patrick Wilson is the only Raoul I didn't hate. He gave Raoul a quality that the character doesn't have in the stage show...some small bit of courage. Patrick Wilson's singing was superb as well. The supporting cast was fantastic. The costumes and sets were beautiful. The music, as always, haunts you long after the movie is over. I have seen the stage show and will be going to see it again, but this movie, although different, to me is just as spectacular and moving as the musical on stage.Read full review
Andrew Lloyd Webber's The Phantom of the Opera, in my opinion, is the greatest attempt from stage to movie. From the wonderful (and talented!) cast to the extravagant sets, this movie is one of my all time favorites. Nominated for 3 Oscar's including Best Achievement in Art Direction, Best Achievement in Music Written for Motion Pictures, Original Song and Best Achievement in Cinematography. Golden Globe nominated for Best Motion Picture - Musical or Comedy, Best Performance by an Actress in a Motion Picture - Musical or Comedy and Best Original Song - Motion Picture. Not only was the film a critical success, but die hard theater fans also enjoyed the relevance to the classic stage production and the film's acknowledgment to the original book, The Phantom of the Opera. Whether or not you have seen the stage show or read the book, the film is a must see to anyone who enjoys talent, excellent writing or well thought out sets.Read full review
I love musicals. From my earliest memories, my favorite films have been based on musicals: The Sound of Music, Mary Poppins, Chicago, Beauty and the Beast, Annie..... Well, when this movie came out (without a lot of fanfare), I was a bit concerned that it could never do justice to ALW's stage production. I've seen Phantom live on stage and it would just be hard to compete with that.... However, the film was impressive. In the feature film format, I feel that I appeals to a broader audience, thus possibly creating a new generation of true Phantophiles! My kids loved it, much to my delight, and my girls begged to go and see Phantom on stage when the traveling Broadway troupe came within driving distance of our home. Emmy Rossum plays Christine impeccably and Gerard Butler is my new favorite Phantom. The movie develops the characters in a way that the stage production wasn't permitted to, which I loved. All in all, this has become a family favorite. I've purchased at least 3 copies of the DVD, because we wear them out. My kids want to take them with us on trips to watch in the van, at friends' houses, on vacation, etc. I highly recommend this film to anyone who loves Phantom or who loves musicals or love stories in general!Read full review
Verified purchase: Yes | Condition: Pre-owned
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