Reviews
"Perspective is a funny thing. It can make a small farm community in upstate New York seem isolating and suffocating for one person, a liberating paradise for another. In Cara Hoffman's debut novel, So Much Pretty , this jarring disconnect is one of the story's most intriguing undercurrents. . . . the novel effectively frames a compelling murder mystery with provocative, troubling issues, exploring adolescent violence, the victimization of women, revenge, and societal pressure to favor the good of the community over the rights of the individual. . . . Hoffman ambitiously mines fertile, controversial ground and asks a lot of tough, unanswerable questions; the most heartrending is simply, 'Why?'" - The Boston Globe, " So Much Pretty delivers a skillful, psychologically acute tale of how violence affects a small town . . . To say more about Hoffman's constantly surprising story is to reveal too much, but the payoff is more than worth the slow-building suspense." - Los Angeles Times, "A dark but powerful debut . . . Hoffman maps the atmosphere of paranoia that descends on the formerly tranquil town as she moves deftly between its inhabitants." -The New Yorker (Books Pick), "Cara Hoffman has written an intriguing, tangled puzzle of a novel that defies categorization. . . . As haunting and disturbing as Alice Sebold's Lovely Bones . . . . So Much Pretty will be equally provocative and unforgettable for teen readers, especially those who love solving a good puzzle." - School Library Journal, "So Much Prettyis certain to be talked about-not merely because it is a profound meditation on both public and private violence in small-town America, but for its captivating storytelling which draws you in on a visceral level and leaves you feeling haunted, in the best of ways."-Philipp Meyer, author ofAmerican Rust, "Hoffman takes on the poverty, drug abuse, environmental disasters and violence against women that are endemic to a small town in upstate New York. And she does it brilliantly, in stark and poetic prose, expressing a variety of viewpoints on the murder around which the story turns. And she does it in a way that lodges in the corner of your mind and just won't leave. . . . Alice Piper just may be the blonder, less-punk version of Lisbeth Salander, that girl of the dragon tattoo. . . . Everything counts in Hoffman's toned work, as even the tiniest plot point becomes important to the unfolding narrative. Pay attention to So Much Pretty . It's mesmerizing." - New Orleans Times-Picayune, "So Much Prettyis a compelling whodunit, an unnerving portrait of just what the back of nowhere looks like, and an arresting meditation on our culture's ongoing acceptance of violence against women. It's powered by both a despairing tenderness and an unflinching rage, each of which, as the novel makes heartbreakingly clear, are more than justified."Jim Shepard, author ofYou Think That's BadandLike You'd Understand, Anyway, "The theme of So Much Pretty is innocence lost and idealism gone wrong. . . . In the rundown little town of Haeden, things are never what they seem, as the tone of the novel grows more sinister and a young woman disappears. . . . The pace quickens as Hoffman brings the story to its dark and chilling conclusion. VERDICT: This gripping novel asks readers to judge whether a horrible crime can ever justify a terrible act of revenge. It will engage individuals and book groups interested in debating this tough topic." Library Journal, " So Much Pretty is certain to be talked aboutnot merely because it is a profound meditation on both public and private violence in small-town America, but for its captivating storytelling which draws you in on a visceral level and leaves you feeling haunted, in the best of ways." Philipp Meyer, author of American Rust, “In this remarkable debut, Hoffman addresses serious injustices in present-day America. . . . This searing novel will linger long in the reader's memory.� Publishers Weekly (starred review), "Captivating . . . Hoffman's careful weaving of each storyline is seamless. . . . The eyewitness accounts, and police interviews provide the most compelling material, as Hoffman creates a magnificent buildup to the conclusion. The story slowly evolves, making the reader anxious, and posing the question, does an act of vengeance equal justice?" -Manhattan Literature Examiner (Examiner.com), "An extraordinarily smart and beautifully written page turner. . . . suspenseful and highly charged . . . Hoffman passionately blends the issue of violence against women that lurks unacknowledged at the dark edges of our culture with a narrative that paints a grim picture of any-town America. Hoffman's literary voice is a force and this novel will leave you reeling." -Powells.com, “Hoffman takes on the poverty, drug abuse, environmental disasters and violence against women that are endemic to a small town in upstate New York. And she does it brilliantly, in stark and poetic prose, expressing a variety of viewpoints on the murder around which the story turns. And she does it in a way that lodges in the corner of your mind and just won't leave. . . . brilliant outsider Alice has a command of logic, a perfect memory and a sense of justice to match. She lives the philosophy that Gene and Claire's friend Michelle, a Doctors Without Borders physician, likes to quote from George Orwell: ‘The responsibility of every intelligent person is to pay attention to the obvious.’ Alice just may be the blonder, less-punk version of Lisbeth Salander, that girl of the dragon tattoo. . . . Everything counts in Hoffman's toned work, as even the tiniest plot point becomes important to the unfolding narrative. The book, based on a real case that Hoffman covered when she worked for a small upstate New York newspaper, shines a harsh light on violence against women and the men who live within the ugly banality of this evil. Its climactic scenes are simultaneously shocking and inevitable. Pay attention to So Much Pretty . It's mesmerizing.� New Orleans Times-Picayune, " So Much Pretty is everything I love in a noveldark, fascinating, beautifully written, impossible to put down. It marks the beginning of what promises to be an indelible literary career for Cara Hoffman." Lauren Grodstein, author of A Friend of the Family and Reproduction is the Flaw of Love, "The theme of So Much Pretty is innocence lost and idealism gone wrong. . . . In the rundown little town of Haeden, things are never what they seem, as the tone of the novel grows more sinister and a young woman disappears. . . . The pace quickens as Hoffman brings the story to its dark and chilling conclusion. VERDICT: This gripping novel asks readers to judge whether a horrible crime can ever justify a terrible act of revenge. It will engage individuals and book groups interested in debating this tough topic."- Library Journal, "[A] dark and sometimes polemical debut, in which the disappearance of a local waitress . . . foments an atmosphere of paranoia. . . . the book's eerie finale delivers the most potent message, showing that in any community the 'responsibility of every intelligent person is to pay attention to the obvious.'" - The New Yorker, "In this remarkable debut, Hoffman addresses serious injustices in present-day America. . . . This searing novel will linger long in the reader's memory."- Publishers Weekly (starred review), "A spectacular debut: This beautifully constructed mystery, with its engaging characters and intriguing premise, has everything a reader wants." -The Globe and Mail (Canada), "[A] fearless first novel& For all the passion in this intense narrative, Hoffman writes with a restraint that makes poetry of pain. She also shows a mastery of her craft by developing the story over 17 years and narrating it from multiple perspectives. While each has a different take on the horrific events that no one saw coming, the people who live in this insular place remain willfully blind to their own contributions to the deeper causes that made this tragedy almost inevitable." - New York Times Book Review, "So Much Prettyunravels a narrative that's rich with suspense and moral complexity. Delicately balancing two story lines, Cara Hoffman dramatizes a death and a disappearance. Along the way, we get caught up in her portraits of those who belong, those who don't, and the irreversible consequences of lives coming together. This story of violence begetting violence is a fine debut."Lee Martin, author ofThe Bright Forever, a finalist for the Pulitzer Prize, "So Much Pretty is a haunting, gloomy novel that defies genre - it is one part crime thriller, one part ambitious novel, one part prose poem. . . . [The novel] raises questions about denial, violence against women and when a citizen should speak up, even if it puts another at risk." -NPR.org, “The way investigative reporter Hoffman navigates the line between what is spoken and unspoken, and portrays a community's desire to address any crisis but the one next door make So Much Pretty a staggering read.� Huffington Post, "A mixture of The Lovely Bones and The Girl with the Dragon Tattoo . . . Hoffman's narrative oscillates between various characters, carefully building suspense, depth, and new insight with every chapter. Let's hope we will be seeing more of this talented new writer."- Booklist, "This beautiful, stealthy novel creeps up on the mesmerized reader, subtly drawing new strands into itself until what begins as the suspenseful story of a rural American murder grows into a dark, disquieting and urgently fascinating examination of the violence and concealment practiced by a whole society. . . Hoffman never surrenders the compassion, insightfulness and humor that make her a masterful navigator of the human heart. This is an impassioned, intelligent and important work of art." -Chris Cleave, #1 New York Times bestselling author of Little Bee and Incendiary, "The way investigative reporter Hoffman navigates the line between what is spoken and unspoken, and portrays a community's desire to address any crisis but the one next door make So Much Pretty a staggering read." - Huffington Post, "Very good and very hard to put down . . . If we're forcing comparisons, I'd add . . . Daniel Woodrell's 2006 novel Winter's Bone for the hardscrabble grit of Smalltown, USA. . . . So Much Pretty looks searingly at the questions of justice and revenge. Many readers will find some of the answers shocking." - January Magazine, “ So Much Pretty is a compelling whodunit, an unnerving portrait of just what the back of nowhere looks like, and an arresting meditation on our culture's ongoing acceptance of violence against women. It's powered by both a despairing tenderness and an unflinching rage, each of which, as the novel makes heartbreakingly clear, are more than justified.� Jim Shepard, author of You Think That’s Bad and Like You’d Understand, Anyway, "A haunting suspense novel about a murder mystery based on a real-life missing-persons case." - Entertainment Weekly , #3 on "The Must List", The Pipers are a family built on optimism. Claire and Gene moved with their precocious, beguiling daughter Alice to Haeden, New York for a fresh start. In doing so, they unwittingly re-write the story of her life. Wendy White has strong roots in Haeden, a late-blooming young woman, mindful of family and home. Her story has a beginning and an end, but is missing the most important piece the middle. What happened to Wendy White? Stacey Flynn is a reporter, both a seeker and a teller of stories. It is gritty, relentless and ultimately reckless Flynn who will chronicle Wendy White's existence from all the fragments she can find, and forge a path toward the end. But only we will ever know the whole story., "This beautiful, stealthy novel creeps up on the mesmerized reader, subtly drawing new strands into itself until what begins as the suspenseful story of a rural American murder grows into a dark, disquieting and urgently fascinating examination of the violence and concealment practiced by a whole society. By choosing a small town canvas on which to paint her big picture, Hoffman achieves a focused intensity which she holds on the very edge of anger, without once giving in to it. She never surrenders the compassion, insightfulness and humor that make her a masterful navigator of the human heart. This is an impassioned, intelligent and important work of art, and with it Hoffman takes her place in that select group of American novelists including Philipp Meyer and Adam Haslett who, eschewing nihilism and hauteur, write with urgency and passion about what is really going on out there."Chris Cleave, #1New York Timesbestselling author ofLittle BeeandIncendiary, "[A] fearless first novel… For all the passion in this intense narrative, Hoffman writes with a restraint that makes poetry of pain. She also shows a mastery of her craft by developing the story over 17 years and narrating it from multiple perspectives. While each has a different take on the horrific events that no one saw coming, the people who live in this insular place remain willfully blind to their own contributions to the deeper causes that made this tragedy almost inevitable." - New York Times Book Review, “So Much Pretty unravels a narrative that's rich with suspense and moral complexity. Delicately balancing two story lines, Cara Hoffman dramatizes a death and a disappearance. Along the way, we get caught up in her portraits of those who belong, those who don't, and the irreversible consequences of lives coming together. This story of violence begetting violence is a fine debut.� Lee Martin, author of The Bright Forever , a finalist for the Pulitzer Prize