Reviews
[A] powerfully insightful and often devastatingly funny debut…. Double Feature constantly walks the line between tragedy and comedy, between love and loathing, between friendship and strained codependency, between art and what's only posing as art., King's first novel, about facing reality and failed aspirations, is irreverent and ambitious. Its sweeping scope covers several generations in a humorous and cynical narrative that bounces between decades. Entertaining and thought-provoking..., eoeI didn't believe the species existed any more: a fun, goodhearted and readable to the point of being addictive epic, contemporary novel. To delve this smoothly into the film world, art, this winningly into the complex mess between sons and fathers, this compassionately into life after a man has taken his shot and is no longer the talented, bright-eyed prodigy... it just doesn't happen. Owen King is some kind of impressive novelist, and Double Feature is a goddamn unicorn.e, King strikes a balance between the grand narratives of popular storytelling-there are affairs and phone sex, jilted lovers and enraged cuckolds, budding romance, emotionally unstable teenagers, fights both verbal and physical, and of course a satisfying resolution in the end-and the small, sharp details of higher-brow, character-driven, artsy fare....The literary and the popular can coexist. Double Feature makes this point, and proves it too., eoeOwen King's Double Feature is an ingeniously structured novel about fathers and sons, good art and bad art, success and failure, fight or flight. It manages both to redeem and condemn the overconfidence of youth, and introduces us to a wonderfully, tragically lovable cast of characters. This is terrific book.e, Owen King has spun a story with great compassion and humor. And in examining the creative process, it's also horrifyingly accurate., eoeOwen King shows incredible heart, humor and structural mastery in his debut novel. Double Feature, as the title might suggest, has both glorious comic sweep and poignant intimacy.e, Epic, ambitious, and dedicated to the uncontainable…[King] has a captivating energy, a precision and a fondness for people that are rare…King loves people as well as words, and he has the reach of a novelist…this is the real stuff, I think, and there's plenty of it., Double Feature is a many-headed comic monster. Its concerns are varied; it's hilarious first and foremost, but it's also a heartbreaking and poignant meditation on the vagaries of art. The sweep of the novel is epic., King strikes a balance between the grand narratives of popular storytelling--there are affairs and phone sex, jilted lovers and enraged cuckolds, budding romance, emotionally unstable teenagers, fights both verbal and physical, and of course a satisfying resolution in the end--and the small, sharp details of higher-brow, character-driven, artsy fare....The literary and the popular can coexist. Double Feature makes this point, and proves it too., ... Samuel Dolan graduated from a liberal arts college in upstate New York. His girlfriend, Polly, left to live with her parents in Florida. Same(tm)s mother is dead, and Sam doesne(tm)t much like his father, Booth. Booth Dolan has made a career out of scenery-chewing in B-moviese"and doing what he wants, including chasing skirts. Same(tm)s passionate ambition is his indie film, Who We Are, "about the costs of growing upe"and the costs of not growing up. And that was heavy stuff." Sam makes his film, but the film that finds its way into print isne(tm)t the film he made... Kinge(tm)s characters are both attractive and realistic, not only larger-than-life Booth and disaffected Sam, but also Allie, Same(tm)s mother, who was always cool and accepting, even of Boothe(tm)s "blithe selfishness." Theree(tm)s Mina, Same(tm)s wise and fragile half sister; Polly, who still beds Sam even after marrying a buffoonish retired Yankee baseball player; Rick Savini, an eccentric yet successful character actor who treats Sam as an equal; and television producer Tess, earnest and bossy, whom Sam meets as he films a wedding. The narrative blossoms and unfolds and expands, Sam becoming wiser and more likable, even as he reconciles with his world at a happily-enough-ever-after homecoming. Unique in concept and execution, with much mention of Orson Welles and Dog Day Afternoon, King's novel is winning. Superbly imagined lit-fic about family, fathers and film., [A] powerfully insightful and often devastatingly funny debut.... Double Feature constantly walks the line between tragedy and comedy, between love and loathing, between friendship and strained codependency, between art and what's only posing as art., ... Samuel Dolan graduated from a liberal arts college in upstate New York. His girlfriend, Polly, left to live with her parents in Florida. Sam's mother is dead, and Sam doesn't much like his father, Booth. Booth Dolan has made a career out of scenery-chewing in B-movies--and doing what he wants, including chasing skirts. Sam's passionate ambition is his indie film, Who We Are, "about the costs of growing up--and the costs of not growing up. And that was heavy stuff." Sam makes his film, but the film that finds its way into print isn't the film he made... King's characters are both attractive and realistic, not only larger-than-life Booth and disaffected Sam, but also Allie, Sam's mother, who was always cool and accepting, even of Booth's "blithe selfishness." There's Mina, Sam's wise and fragile half sister; Polly, who still beds Sam even after marrying a buffoonish retired Yankee baseball player; Rick Savini, an eccentric yet successful character actor who treats Sam as an equal; and television producer Tess, earnest and bossy, whom Sam meets as he films a wedding. The narrative blossoms and unfolds and expands, Sam becoming wiser and more likable, even as he reconciles with his world at a happily-enough-ever-after homecoming. Unique in concept and execution, with much mention of Orson Welles and Dog Day Afternoon, King's novel is winning. Superbly imagined lit-fic about family, fathers and film., eoe Double Feature is a beautiful, wrenching beginning, and Owen King is a young writer of immense promise.e, "Sharp, hilarious, and irreverent, Double Feature is not only a love-letter to cinema, but also a moving exploration of what it means to be an artist. This novel is brilliant, and Owen King is a magician.", What a kinetic, joyful, gonzo ride--Double Feature made me laugh so loudly on a plane that I had to describe the plot of Sam's Spruce Moose of a debut film (it stars a satyr) to my seatmate by way of explanation. Booth and Sam are an unforgettable Oedipal duo. A book that delivers walloping pleasures to its lucky readers., Owen King has a generous heart and a devious mind; there's no other possibility that would explain the ways this novel turns from the beautiful and the true right into the bizarre and hilarious. Tackling the act of creation (parents and children, artists and art), King writes with such assurance that the only option for me, once I finished this epic tale, was to start over and hope to experience it anew., eoeWhat a kinetic, joyful, gonzo ridee"Double Feature made me laugh so loudly on a plane that I had to describe the plot of Sam's Spruce Moose of a debut film (it stars a satyr) to my seatmate by way of explanation. Booth and Sam are an unforgettable Oedipal duo. A book that delivers walloping pleasures to its lucky readers.e, Owen King shows incredible heart, humor and structural mastery in his debut novel. Double Feature, as the title might suggest, has both glorious comic sweep and poignant intimacy., The son of horror master Stephen, the younger King delivers a darkly humorous and often heartfelt work that's part ode to low-budget movies, part family drama and part screwball comedy with a slew of oddball characters… the only scary thing here is the new novelist's potential as a writer., The son of horror master Stephen, the younger King delivers a darkly humorous and often heartfelt work that's part ode to low-budget movies, part family drama and part screwball comedy with a slew of oddball characters... the only scary thing here is the new novelist's potential as a writer., I didn't believe the species existed any more: a fun, goodhearted and readable to the point of being addictive epic, contemporary novel. To delve this smoothly into the film world, art, this winningly into the complex mess between sons and fathers, this compassionately into life after a man has taken his shot and is no longer the talented, bright-eyed prodigy... it just doesn't happen. Owen King is some kind of impressive novelist, and Double Feature is a goddamn unicorn., Sharp, hilarious, and irreverent, Double Feature is not only a love-letter to cinema, but also a moving exploration of what it means to be an artist. This novel is brilliant, and Owen King is a magician., Dear Reader: With this amazing tour de force, Owen King hasmore than lived up to the great promise of his debut collection. You will fallin love with Booth Dolan (just try not to) even as you're giving thanks he'snot your father. This is a big, generous American novel from a dazzlingnovelist I'll be watching for years., "Dear Reader: With this amazing tour de force, Owen King hasmore than lived up to the great promise of his debut collection. You will fallin love with Booth Dolan (just try not to) even as you're giving thanks he'snot your father. This is a big, generous American novel from a dazzlingnovelist I'll be watching for years." , Double Feature is a many-headed comic monster. Its concerns are varied; ite(tm)s hilarious first and foremost, but ite(tm)s also a heartbreaking and poignant meditation on the vagaries of art. The sweep of the novel is epic., eoeKinge(tm)s first novel, about facing reality and failed aspirations, is irreverent and ambitious. Its sweeping scope covers several generations in a humorous and cynical narrative that bounces between decades. Entertaining and thought-provokingee, eoeEpic, ambitious, and dedicated to the uncontainablee[King] has a captivating energy, a precision and a fondness for people that are rareeKing loves people as well as words, and he has the reach of a novelistethis is the real stuff, I think, and theree(tm)s plenty of it.e, eoeOwen King has a generous heart and a devious mind; theree(tm)s no other possibility that would explain the ways this novel turns from the beautiful and the true right into the bizarre and hilarious. Tackling the act of creation (parents and children, artists and art), King writes with such assurance that the only option for me, once I finished this epic tale, was to start over and hope to experience it anew.e, eoe[A] powerfully insightful and often devastatingly funny debute. Double Feature constantly walks the line between tragedy and comedy, between love and loathing, between friendship and strained codependency, between art and whate(tm)s only posing as art.e, King's first novel, about facing reality and failed aspirations, is irreverent and ambitious. Its sweeping scope covers several generations in a humorous and cynical narrative that bounces between decades. Entertaining and thought-provoking…, Double Feature is a beautiful, wrenching beginning, and Owen King is a young writer of immense promise., Epic, ambitious, and dedicated to the uncontainable...[King] has a captivating energy, a precision and a fondness for people that are rare...King loves people as well as words, and he has the reach of a novelist...this is the real stuff, I think, and there's plenty of it., eoeThe son of horror master Stephen, the younger King delivers a darkly humorous and often heartfelt work that's part ode to low-budget movies, part family drama and part screwball comedy with a slew of oddball characterse the only scary thing here is the new novelist's potential as a writer.e, Owen King's Double Feature is an ingeniously structured novel about fathers and sons, good art and bad art, success and failure, fight or flight. It manages both to redeem and condemn the overconfidence of youth, and introduces us to a wonderfully, tragically lovable cast of characters. This is terrific book., "King strikes a balance between the grand narratives of popular storytellinge"there are affairs and phone sex, jilted lovers and enraged cuckolds, budding romance, emotionally unstable teenagers, fights both verbal and physical, and of course a satisfying resolution in the ende"and the small, sharp details of higher-brow, character-driven, artsy faree.The literary and the popular can coexist. Double Feature makes this point, and proves it too.", eoeSharp, hilarious, and irreverent, Double Feature is not only a love-letter to cinema, but also a moving exploration of what it means to be an artist. This novel is brilliant, and Owen King is a magician.e, eoeDear Reader: With this amazing tour de force, Owen King hasmore than lived up to the great promise of his debut collection. You will fallin love with Booth Dolan (just try not to) even as youe(tm)re giving thanks hee(tm)snot your father. This is a big, generous American novel from a dazzlingnovelist Ie(tm)ll be watching for years.e, What a kinetic, joyful, gonzo ride-Double Feature made me laugh so loudly on a plane that I had to describe the plot of Sam's Spruce Moose of a debut film (it stars a satyr) to my seatmate by way of explanation. Booth and Sam are an unforgettable Oedipal duo. A book that delivers walloping pleasures to its lucky readers., ... Samuel Dolan graduated from a liberal arts college in upstate New York. His girlfriend, Polly, left to live with her parents in Florida. Sam's mother is dead, and Sam doesn't much like his father, Booth. Booth Dolan has made a career out of scenery-chewing in B-movies--and doing what he wants, including chasing skirts. Sam's passionate ambition is his indie film, Who We Are, "about the costs of growing up--and the costs of not growing up. And that was heavy stuff." Sam makes his film, but the film that finds its way into print isn't the film he made... King's characters are both attractive and realistic, not only larger-than-life Booth and disaffected Sam, but also Allie, Sam's mother, who was always cool and accepting, even of Booth's "blithe selfishness." There's Mina, Sam's wise and fragile half sister; Polly, who still beds Sam even after marrying a buffoonish retired Yankee baseball player; Rick Savini, an eccentric yet successful character actor who treats Sam as an equal; and television producer Tess, earnest and bossy, whom Sam meets as he films a wedding. The narrative blossoms and unfolds and expands, Sam becoming wiser and more likable, even as he reconciles with his world at a happily-enough-ever-after homecoming. Unique in concept and execution, with much mention of Orson Welles and Dog Day Afternoon, King's novel is winning. Superbly imagined lit-fic about family, fathers and film., ... Samuel Dolan graduated from a liberal arts college in upstate New York. His girlfriend, Polly, left to live with her parents in Florida. Sam's mother is dead, and Sam doesn't much like his father, Booth. Booth Dolan has made a career out of scenery-chewing in B-movies-and doing what he wants, including chasing skirts. Sam's passionate ambition is his indie film, Who We Are, "about the costs of growing up-and the costs of not growing up. And that was heavy stuff." Sam makes his film, but the film that finds its way into print isn't the film he made... King's characters are both attractive and realistic, not only larger-than-life Booth and disaffected Sam, but also Allie, Sam's mother, who was always cool and accepting, even of Booth's "blithe selfishness." There's Mina, Sam's wise and fragile half sister; Polly, who still beds Sam even after marrying a buffoonish retired Yankee baseball player; Rick Savini, an eccentric yet successful character actor who treats Sam as an equal; and television producer Tess, earnest and bossy, whom Sam meets as he films a wedding. The narrative blossoms and unfolds and expands, Sam becoming wiser and more likable, even as he reconciles with his world at a happily-enough-ever-after homecoming. Unique in concept and execution, with much mention of Orson Welles and Dog Day Afternoon, King's novel is winning. Superbly imagined lit-fic about family, fathers and film.
