Reviews
Piotrowski's book is dense with information and, while reading it, ones realizes that the history of post-World War II East European art simply cannot be squeezed into one volume. Ultimately, the book is an ambitious attempt at objectivity that nonetheless presents some of the key events and artworks of the period selectively . . . a major contribution to scholarship on Eastern Europe and is a treasure trove of facts, organized and sorted out in a way that has not been done before., "A significant book that builds on a focal theme of Piotrowski's previous publications--the perceived need to 'map' art practices from the Soviet and post-Soviet eras in relation to both western and specifically local historical and cultural contexts . . . an important source in this topic area" -- Slavic Review, Piotrowski demonstrates persuasively that the visual art of Central and Eastern Europe must now become part of the mainstream, global canon of twentieth-century art, even as he vigorously questions whether such a canon can any longer have real meaning. This is the fascinating and problematic crux of Piotrowski's entire volume, and confronting the author's contemplation of such paradoxes is one of the true pleasures of reading In the Shadow of Yalta ., A significant book that builds on a focal theme of Piotrowski's previous publications--the perceived need to 'map' art practices from the Soviet and post-Soviet eras in relation to both Western and specifically local historical and cultural contexts. . . . An important source in this topic area ., "Telling a comprehensive narrative of the visual arts in post-World War II Eastern Europe is an enormous challenge that makes Piotrowski's undertaking nothing short of heroic. . . . Piotrowski's book is a major contribution to scholarship on Eastern Europe and is a treasure trove of facts, organized and sorted out in a way that has not been done before. It is a groundbreaking work that many later publications will build on."--ArtMargins.com, Piotrowski's achievement is to disinter the histories of various forms of modernism, post-modernism and the neo-avant-garde that flourished in Eastern Europe, to disentangle the fruitful misunderstandings on which some of them were based and to explain the originality that lay behind many of the apparent inconsistencies . . . Piotrowski writes clearly and readably, even in translation, and his groundbreaking study is augmented with numerous illustrations, "Piotrowski's book is a truly ground breaking publication, both in its scope and in its critical approach, in its engagement with theory and with artistic practice as well as with the wider geopolitical framework of the Cold War. It provides plenty of illuminating insights into the pages of post-1945 avant-gardes and their discourses . . . Piotrowski contextualizes the shifting kaleidoscope of artworlds in the Other Europe within a wider realm of debates at the heart of contemporary art criticism. Remarkably, the book is not addressed solely to the 'ignorant' western audience, but equally so to the contemporary Eastern European reader, whose knowledge about the art of other 'brotherly countries' is also likely to be minimal."- Reviews in History, Piotrowski's achievement is to disinter the histories of various forms of modernism, post-modernism, and the neo-avant-garde that flourished in Eastern Europe; to disentangle the fruitful misunderstandings on which some of them were based; and to explain the originality that lay behind many of the apparent inconsistencies. . . . Piotrowski writes clearly and readably, even in translation, and his groundbreaking study is augmented with numerous illustrations., This landmark study of postwar art in East-Central Europe by the late art historian Piotrowski, originally published in Polish in 2005, offers a nuanced, comparative overview of experimental art practices in Poland, Yugoslavia, Hungary, Czechoslovakia, Romania, and East Germany under state socialism, accounting for regional commonalities without flattening the distinct social and political circumstances of each country., "Telling a comprehensive narrative of the visual arts in post-World War II Eastern Europe is an enormous challenge that makes Piotrowski''s undertaking nothing short of heroic. . . . Piotrowski''s book is a major contribution to scholarship on Eastern Europe and is a treasure trove of facts, organized and sorted out in a way that has not been done before. It is a groundbreaking work that many later publications will build on."--ArtMargins.com, "Piotrowski's achievement is to disinter the histories of various forms of modernism, post-modernism and the neo-avant-garde that flourished in Eastern Europe, to disentangle the fruitful misunderstandings on which some of them were based and to explain the originality that lay behind many of the apparent inconsistencies . . . Piotrowski writes clearly and readably, even in translation, and his groundbreaking study is augmented with numerous illustrations." Burlington Magazine, "A significant book that builds on a focal theme of Piotrowski's previous publications-the perceived need to 'map' art practices from the Soviet and post-Soviet eras in relation to both western and specifically local historical and cultural contexts . . . an important source in this topic area" - Slavic Review, Analysis of artworks quickly turns into discussion of major issues that will be of value to historians interested in the role of culture in the maintenance of power. What, for instance, is the value of critical practice when it is tolerated and even sponsored by the power structures which it sets out to critique? And what has been the fate of utopian thinking amongst Eastern European intellectuals?, "Piotrowski's achievement is to disinter the histories of various forms of modernism, post-modernism and the neo-avant-garde that flourished in Eastern Europe, to disentangle the fruitful misunderstandings on which some of them were based and to explain the originality that lay behind many of the apparent inconsistencies . . . Piotrowski writes clearly and readably, even in translation, and his groundbreaking study is augmented with numerous illustrations."- Burlington Magazine, "Piotrowski''s achievement is to disinter the histories of various forms of modernism, post-modernism and the neo-avant-garde that flourished in Eastern Europe, to disentangle the fruitful misunderstandings on which some of them were based and to explain the originality that lay behind many of the apparent inconsistencies . . . Piotrowski writes clearly and readably, even in translation, and his groundbreaking study is augmented with numerous illustrations." Burlington Magazine, Piotrowski's book is a truly ground breaking publication, both in its scope and in its critical approach, in its engagement with theory and with artistic practice as well as with the wider geopolitical framework of the Cold War. It provides plenty of illuminating insights into the pages of post-1945 avant-gardes and their discourses . . . Piotrowski contextualizes the shifting kaleidoscope of artworlds in the Other Europe within a wider realm of debates at the heart of contemporary art criticism. Remarkably, the book is not addressed solely to the 'ignorant' western audience, but equally so to the contemporary Eastern European reader, whose knowledge about the art of other 'brotherly countries' is also likely to be minimal., Telling a comprehensive narrative of the visual arts in post-World War II Eastern Europe is an enormous challenge that makes Piotrowski's undertaking nothing short of heroic. . . . Piotrowski's book is a major contribution to scholarship on Eastern Europe and is a treasure trove of facts, organized and sorted out in a way that has not been done before. It is a groundbreaking work that many later publications will build on., "Piotrowski's book is a truly ground breaking publication, both in its scope and in its critical approach, in its engagement with theory and with artistic practice as well as with the wider geopolitical framework of the Cold War. It provides plenty of illuminating insights into the pages of post-1945 avant-gardes and their discourses . . . Piotrowski contextualizes the shifting kaleidoscope of artworlds in the Other Europe within a wider realm of debates at the heart of contemporary art criticism. Remarkably, the book is not addressed solely to the 'ignorant' western audience, but equally so to the contemporary Eastern European reader, whose knowledge about the art of other 'brotherly countries' is also likely to be minimal." Reviews in History, Piotrowski's book is a truly ground breaking publication, both in its scope and in its critical approach, in its engagement with theory and with artistic practice as well as with the wider geopolitical framework of the Cold War. It provides plenty of illuminating insights into the pages of post-1945 avant-gardes and their discourses. . . . Piotrowski contextualizes the shifting kaleidoscope of artworlds in the Other Europe within a wider realm of debates at the heart of contemporary art criticism. Remarkably, the book is not addressed solely to the 'ignorant' Western audience, but equally so to the contemporary Eastern European reader, whose knowledge about the art of other 'brotherly countries' is also likely to be minimal.
