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FUNDAMENTALS OF AUDIO PRODUCTION By Drew O. Mcdaniel & Rick C. Shriver **Mint** - Picture 1 of 1

Fundamentals of Audio Production by Rick C. Shriver, Drew O. McDaniel and Kenneth R. Collins (2007, Hardcover)

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FUNDAMENTALS OF AUDIO PRODUCTION By Drew O. Mcdaniel, Rick C. Shriver, Kenneth R. Collins - Hardcover **Mint Condition**.

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Product Information

Fundamentals of Audio Productioncovers the entire range of audio production fields, giving special attention to digital techniques and to clear explanations of technical subjects. Fundamentals of Audio Production is a comprehensive text, covering the entire spectrum of audio production activities, with particular attention to digital production techniques, which are a predominant part of this continually expanding and evolving field. Sections of the text are devoted to the recording studio, radio, audio for video, post production, field production, and live sound reinforcement. This is an up-to-date treatment, emphasizing and focusing on the technologies that have revolutionized audio production over the past decade. Detailed, clear explanations of technical topics make them accessible to all students. A team

Product Identifiers

Publisher
Allyn & Bacon, Incorporated
ISBN-10
0205462332
ISBN-13
9780205462339
eBay Product ID (ePID)
58651655

Product Key Features

Author
Kenneth R. Collins, Drew O. Mcdaniel, Rick C. Shriver
Publication Name
Fundamentals of Audio Production
Format
Hardcover
Language
English
Publication Year
2007
Type
Textbook
Number of Pages
320 Pages

Dimensions

Item Length
9.3in
Item Height
0.4in
Item Width
7in
Item Weight
22.9 Oz

Additional Product Features

Lc Classification Number
Tk7881.4.M453 2008
Table of Content
Preface: Our Philosophy Change is Constant Learn to Learn Listen What it All Means Section I Theory of Sound and Its Electronic Representation Chapter 1: Sound and its Nature Sound from Molecular Motion Pitch and Frequency in Sound Sound Amplitude Sound Wave Propagation Sound Timbre Psycho Acoustics and the Principle of Equal Loudness Frequency and Temporal Masking Acoustics Summary Chapter 2: Capturing Sound Electronically Magnetic and Electronic Principles Dynamic Transducers Ribbon Transducers Carbon Particle Transducers Piezoelectric Transducers Reversed Transducers Chapter 3: Digital audio Digital Coding Digital Conversion Data Management Digital Simulation of Analog Effects Section II Sound Tools & Applications Chapter 4: Microphones Technical Features Pickup Patterns Microphone Usage Specialized Microphones Microphone Placement Off-axis Coloration Proximity Effect Acoustic Phase Relationships Distant Miking Chapter 5: Mixers Pre-amplification Peak Indicators Faders and Potentiometers Level Indicators Headroom Signal Routing Signal Sends Split and Inline Mixers Control Room Monitoring Mute and Solo Pan Potentiometers Channelized Mixers Mixer Automation Digital Consoles Broadcast Consoles Automatic Consoles Virtual Mixers Chapter 6: Recording, Storing, and Playback of Sound Phonograph Recording Magnetic Tape Recording Analog Tape Technology Digital Recording and Storage Digital Tape Technology Solid State Recording and Storage Chapter 7: Digital Audio Workstations and Computers Digital Audio Workstations Workstation Architecture Data Storage Interfacing DAWs DAW Software Chapter 8: Audio Editors and Editing Purposes of Editing Foundations of Editing: Analog Tape Editing with Digital Audio Workstations Adjusting Levels Control Surfaces in Editing Chapter 9: Audio Processors and Processing Amplification and Level Control Dynamic Processors Frequency Processors Temporal Processing Digital Signal Processing Noise Reduction Processors Forensic Sound Chapter 10: Monitors and Loudspeakers Dynamic Loudspeakers Loudspeaker Enclosures Electrostatic Loudspeakers Planar Magnetic Loudspeakers Active Loudspeakers Crossover Networks Loudspeaker Monitor Placement Live Sound Speaker Placement Listener Fatigue Some Technical Considerations Section III Production Settings and Techniques Chapter 11: Transporting Sounds Copper Wire Technology Microwave Technology Satellite Technology Fiber Optic Technology Digital Wired Technology Internet-Based Technology Podcasting Broadcast Technology Chapter 12: Live Sound Reinforcement Feedback Control Microphone Usage Tuning a Sound System Loudspeakers and Monitors in Live Sound Systems Pre-performance Setup Level Management Live recording procedures Troubleshooting Ground Loops Audio Connectors Load Impedance Matching A Final Observation Chapter 13: Radio Station Operations Radios Origins The On-Air Control Room/Studio
Copyright Date
2008
Target Audience
College Audience
Topic
Communication Studies, Recording & Reproduction
Lccn
2007-019716
Dewey Decimal
621.389/3
Dewey Edition
22
Illustrated
Yes
Genre
Music, Language Arts & Disciplines

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Fundamentals of Audio Production by Rick C. Shriver, Drew O. McDaniel and Kenneth R. Collins (2007, Hardcover)

About this product

Product Information

Product Identifiers

Product Key Features

Dimensions

Additional Product Features

All listings for this product

item 1 Fundamentals of Audio Production

item 2 Fundamentals of Audio Production [With Student Audio CD-ROM]

item 3 Fundamentals of Audio Production

item 4 Fundamentals of Audio Production - McDaniel, Drew O.|Shriver, Rick C.|Collin...

item 5 Fundamentals of Audio Production [With Student Audio CD-ROM]

item 6 FUNDAMENTALS OF AUDIO PRODUCTION By Drew O. Mcdaniel & Rick C. Shriver Mint

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