Reviews
"Erudite, elegant, enthralling. This is a wonderful book. Toby Lester understands, and makes us understand, the unique intensity with which Leonardo saw the world. He saw it not only in its infinite diversity but also as an impression of his own self, an explanation of what it means to be human. Hence Vitruvian Man." -Sister Wendy Beckett, author of The Story of Painting, "An intellectual detective story. By using the [WaldseemÜller] map as a lens through which to view a nexus of myth, imagination, technology, stupidity, and imperial ambition, Lester has penned a provocative, disarming testament to human ambition and ingenuity." - The Boston Globe, "Like Da Vinci's famous drawing, Toby Lester's book is a small wonder-a work of brilliant compression that illuminates a whole world of life and thought. Lester proves himself to be the perfect guide to the Renaissance and beyond-affable, knowledgeable, funny. Leonardo's Virtruvian Man turns out to be a road map that can take us to remarkable places-once you learn how to read it." -Cullen Murphy, editor at large, Vanity Fair, " Da Vinci's Ghost is as ingeniously crafted as one of its namesake's famous inventions. Like Leonardo himself, Toby Lester can take a single sheet of paper-in this case, the most famous drawing in all of art history-and make it teem with stories, characters, insights, and ideas." -Adam Goodheart, author of 1861: A Civil War Awakening, "Every once in a while that rare book comes along that is not only wonderfully written and utterly compelling but also alters the way you perceive the world. Toby Lester's "Da Vinci's Ghost" is such a book. Like a detective, Lester uncovers the secrets of an iconic drawing and pieces together a magisterial history of art and ideas and beauty." -David Grann, author of The Lost City of Z, Praise for Toby Lester's Fourth Part of the World "Marvelously imaginative, exhaustively researched. . . . Guiding the reader Virgil-like through the Age of Discovery, Lester introduces a chronologically and conceptually vast array of Great Men (Columbus, Vespucci, Polo, Copernicus, et al.), competing theories, monastic sages, forgotten poets, opportunistic merchants, unfortunate slaves, and more. That he relates it all so cleanly and cogently-via elegant prose, relaxed erudition, measured pacing, and purposeful architecture-is a feat. That he proffers plentiful visual delights, including detailed views of the legendary document, is a gift. This map, Lester writes, 'draws you in, reveals itself in stages, and doesn't let go.' Nor does this splendid volume." - The Atlantic, " Da Vinci's Ghost is both a beautiful and a brilliant book. After reading Lester's account, you will never be able to look at Leonardo's Vitruvian Man the same way again." -Howard Markel, author of An Anatomy of Addiction, "In reconstructing the forgotten story of Vitruvian Man, Toby Lester, a canny decoder of images and a great storyteller, sheds new light on the enigmatic Leonardo DaVinci." -Chris Anderson, Editor in Chief of Wired, author of The Long Tail and Free, " Da Vinci's Ghost is as ingeniously crafted as one of its namesake's famous inventions. Like Leonardo himself, Toby Lester can take a single sheet of paper-in this case, the most famous drawing in all of art history-and make it teem with stories, characters, insights, and ideas." -Adam Goodheart, author of 1861: The Civil War Awakening, "Like almost everyone, I've seen Leonardo's drawing of the nude man in the circle. But until I read Toby Lester's terrific new book, I had no idea about the story behind the picture-or even that there *was* a story behind the picture. Deftly weaving together art, architecture, history, theology and much else, Da Vinci's Ghost is a first-rate intellectual enchantment." -Charles Mann, author of 1493, "One of the great contributions of books like this is to keep the reader from taking for granted a familiar object. Lester's detective story has a satisfying number of insights…covers a broad swath of history…[and] braids intellectual threads-philosophy, anatomy, architecture, and art-together in a way that reaffirms not only Leonardo's genius but also re-establishes the significance of historical context in understanding great works of art." -Publishers Weekly, STARRED Review
