Reviews
City Folk brings matters of class, nation, and whiteness front and center, reframing the kinds of questions that can be fairly asked of English Country Dancing in the twentieth-century U.S. and Britain. Turning a keen eye on urban cohorts who embraced this dancing, Walkowitz provides a model for joining consideration of things political with things cultural-specifically with practices of the body-and for doing so across disciplinary divides., "Walkowitz brings the joy of a dancer together with the analytical acuity of a scholar to create a fascinating picture of how English Country Dance reflected the shifting terrain of twentieth-century liberalism.City Folkis a model study of culture and politics." Lizabeth Cohen, author ofA Consumers' Republic: The Politics of Mass Consumption in Postwar America "City Folkbrings matters of class, nation, and whiteness front and centre, reframing the kinds of questions that can be fairly asked of English Country Dancing in the twentieth-century U.S. and Britain. Turning a keen eye on urban cohorts who embraced this dancing, Walkowitz provides a model for joining consideration of things political with things cultural - specifically with practices of the body - and for doing so across disciplinary divides." Linda J. Tomko, University of California, Riverside, City Folk brings matters of class, nation, and whiteness front and center, reframing the kinds of questions that can be fairly asked of English Country Dancing in the twentieth-century U.S. and Britain. Turning a keen eye on urban cohorts who embraced this dancing, Walkowitz provides a model for joining consideration of things political with things culturalspecifically with practices of the bodyand for doing so across disciplinary divides., Richly informative, conceptually exciting, and strikingly original. Walkowitz narrates the stories of compelling characters in the history of English Country Dance, particularly Cecil Sharp and the various figures, mostly women, with whom he dances through the complexities of organizing a movement in two countries. Walkowitz follows this story up to the present, combining analytic, ethnographic, and autobiographical reflections on the recent and contemporary folk dance scene. His authorial stance permits him to engage major questions about modern society, the middle class, and the role culture and cultures play in how people negotiate structural change over time. City Folk will be of interest to a diverse readership that stretches from general readers interested in folk dance and dancers and modern cultural history more broadly, to academic readers in fields including folklore, anthropology, performance, cultural studies, social history, and transatlantic perspectives., ("Walkowitz has drawn from a plethora of primary and secondary sources, and from his own experience, to produce a fascinating, wide-ranging history of English country dance in Great Britain and the US... The transatlantic approach is groundbreaking; no comparable studies exist. The book includes numerous illustrations, detailed endnotes, and a helpful bibliography. Summing Up: Highly Recommended.")-(CHOICE),(), Walkowitz has drawn from a plethora of primary and secondary sources, and from his own experience, to produce a fascinating, wide-ranging history of English country dance in Great Britain and the US. . .The transatlantic approach is groundbreaking; no comparable studies exist. The book includes numerous illustrations, detailed endnotes, and a helpful bibliography. Summing Up: Highly Recommended., "Richly informative, conceptually exciting, and strikingly original. Walkowitz narrates the stories of compelling characters in the history of English Country Dance, particularly Cecil Sharp and the various figures, mostly women, with whom he dances through the complexities of organizing a movement in two countries. Walkowitz follows this story up to the present, combining analytic, ethnographic, and autobiographical reflections on the recent and contemporary folk dance scene. His authorial stance permits him to engage major questions about modern society, the middle class, and the role culture and cultures play in how people negotiate structural change over time. City Folk will be of interest to a diverse readership that stretches from general readers interested in folk dance and dancers and modern cultural history more broadly, to academic readers in fields including folklore, anthropology, performance, cultural studies, social history, and transatlantic perspectives." - Michael Frisch, University at Buffalo, State University of New York, "Walkowitz has drawn from a plethora of primary and secondary sources, and from his own experience, to produce a fascinating, wide-ranging history of English country dance in Great Britain and the US. . .The transatlantic approach is groundbreaking; no comparable studies exist. The book includes numerous illustrations, detailed endnotes, and a helpful bibliography. Summing Up: Highly Recommended."- Choice ,, Walkowitz brings the joy of a dancer together with the analytical acuity of a scholar to create a fascinating picture of how English Country Dance reflected the shifting terrain of twentieth-century liberalism. City Folk is a model study of culture and politics., "Walkowitz brings the joy of a dancer together with the analytical acuity of a scholar to create a fascinating picture of how English Country Dance reflected the shifting terrain of twentieth-century liberalism.City Folkis a model study of culture and politics." - Lizabeth Cohen, author ofA Consumers' Republic: The Politics of Mass Consumption in Postwar America, [] Walkowitzs conclusion that the English Folk Revival emerged from belief in & the redemptive power essential Englishness is both succinct and credible; his summary of attitudes within its American equivalentis persuasive., " City Folk brings matters of class, nation, and whiteness front and center, reframing the kinds of questions that can be fairly asked of English Country Dancing in the twentieth-century U.S. and Britain. Turning a keen eye on urban cohorts who embraced this dancing, Walkowitz provides a model for joining consideration of things political with things culturalspecifically with practices of the bodyand for doing so across disciplinary divides." - Linda J. Tomko, University of California, Riverside, "Walkowitz brings the joy of a dancer together with the analytical acuity of a scholar to create a fascinating picture of how English Country Dance reflected the shifting terrain of twentieth-century liberalism. City Folk is a model study of culture and politics." -Lizabeth Cohen,author of A Consumers' Republic: The Politics of Mass Consumption in Postwar America, "Richly informative, conceptually exciting, and strikingly original. Walkowitz narrates the stories of compelling characters in the history of English Country Dance, particularly Cecil Sharp and the various figures, mostly women, with whom he dances through the complexities of organizing a movement in two countries. Walkowitz follows this story up to the present, combining analytic, ethnographic, and autobiographical reflections on the recent and contemporary folk dance scene. His authorial stance permits him to engage major questions about modern society, the middle class, and the role culture and cultures play in how people negotiate structural change over time.City Folkwill be of interest to a diverse readership that stretches from general readers interested in folk dance and dancers and modern cultural history more broadly, to academic readers in fields including folklore, anthropology, performance, cultural studies, social history, and transatlantic perspectives." - Michael Frisch, University at Buffalo, State University of New York, "Richly informative, conceptually exciting, and strikingly original. Walkowitz narrates the stories of compelling characters in the history of English Country Dance, particularly Cecil Sharp and the various figures, mostly women, with whom he dances through the complexities of organizing a movement in two countries. Walkowitz follows this story up to the present, combining analytic, ethnographic, and autobiographical reflections on the recent and contemporary folk dance scene. His authorial stance permits him to engage major questions about modern society, the middle class, and the role culture and cultures play in how people negotiate structural change over time. City Folk will be of interest to a diverse readership that stretches from general readers interested in folk dance and dancers and modern cultural history more broadly, to academic readers in fields including folklore, anthropology, performance, cultural studies, social history, and transatlantic perspectives." -Michael Frisch,University at Buffalo, State University of New York, New Yorker Daniel Walkowitz draws on his extensive knowledge and experience from the USA, but by the nature and origin of his subject matter, he has to consider England as well... He accepts that the scene in England is more varied, yet highlights an absence of teaching dance technique, a failure to train dance teachers, and the 'relatively thin' music. So, England, is this true? And if so, what are we going to do about it?, " City Folk brings matters of class, nation, and whiteness front and center, reframing the kinds of questions that can be fairly asked of English Country Dancing in the twentieth-century U.S. and Britain. Turning a keen eye on urban cohorts who embraced this dancing, Walkowitz provides a model for joining consideration of things political with things cultural-specifically with practices of the body-and for doing so across disciplinary divides." -Linda J. Tomko,University of California, Riverside, "City Folkbrings matters of class, nation, and whiteness front and center, reframing the kinds of questions that can be fairly asked of English Country Dancing in the twentieth-century U.S. and Britain. Turning a keen eye on urban cohorts who embraced this dancing, Walkowitz provides a model for joining consideration of things political with things cultural-specifically with practices of the body-and for doing so across disciplinary divides." - Linda J. Tomko, University of California, Riverside, "City Folk brings matters of class, nation, and whiteness front and center, reframing the kinds of questions that can be fairly asked of English Country Dancing in the twentieth-century U.S. and Britain. Turning a keen eye on urban cohorts who embraced this dancing, Walkowitz provides a model for joining consideration of things political with things cultural-specifically with practices of the body-and for doing so across disciplinary divides." -Linda J. Tomko,University of California, Riverside, "[…] Walkowitz's conclusion that the English Folk Revival emerged from belief in 'the redemptive power essential Englishness' is both succinct and credib≤ his summary of attitudes within its American equivalent…is persuasive."- Folklore, "Walkowitz has drawn from a plethora of primary and secondary sources, and from his own experience, to produce a fascinating, wide-ranging history of English country dance in Great Britain and the US. . .The transatlantic approach is groundbreaking; no comparable studies exist. The book includes numerous illustrations, detailed endnotes, and a helpful bibliography. Summing Up: Highly Recommended."- Choice, ("New Yorker Daniel Walkowitz draws on his extensive knowledge and experience from the USA, but by the nature and origin of his subject matter, he has to consider England as well... He accepts that the scene in England is more varied, yet highlights an absence of teaching dance technique, a failure to train dance teachers, and the 'relatively thin' music. So, England, is this true? And if so, what are we going to do about it?")-(English Dance and Song),()
