This recording of Bach's Art of Fugue, BWV 1080, is unique for several reasons: First, it was the FIRST stereo recording made in 1956 by Deutsche Grammaphon, and in my opinion, Walcha's finest performances. Walcha, unlike other organists, decided to just play the final contapuntus as far as Bach went with it. It is unfinished, and the notes trail off and that's it! Other organists try to speculate, and finish what THEY think Bach would have done...undramatic! Second: This is a stunning digital transfer. The recording sounds just as new and fresh as it did when released in stereo in 1960. The great organ of St. Laurens Church, in Holland, is a fine Schnitger organ of about 60 stops,lovingly cared for by D.A. Flentrop. The organ dates from Bach's time, so it is probable that these were the types of sounds that Bach would have had at his disposal, if he played this work on the organ. There is great speculation of what Bach's intended performance medium consisted of: organ, strings, harpsichord, etc. In the words of the late Virgil Fox, Bach figured that if you were a good musician, his music would be interpreted as you, the musician, saw fit. The price is right on this re-issue, and if you are new to this, you will not regret spending the time and modest price. If you remember this from the '60's, sit down and be prepared to meet an old friend!Read full review
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