Reviews
"Hip-hop, like all living artistic expression, constantly regenerates, turning innovation into convention, 'datcourse' into discourse, vernacularisms into commodity or the precious art object. As this second edition of the groundbreaking That's the Joint!shows, hip-hop scholarship has done the same: moving, grooving, breaking, and sampling the best ideas from an interdisciplinary community theater of writers whose insights chart a vibrant sector of the American musical landscape." --Guthrie P. Ramsey, Jr., Edmund J. and Louise W. Kahn Term Professor of Music, University of Pennsylvania "A standard bearer text in Hip Hop Studies. Sweeping in scope and rigorous in analyses." --T. Denean Sharpley-Whiting, Gertrude Conaway Vanderbilt Distinguished Professor of African American Diaspora Studies and French, Vanderbilt University "I'm going use this book when I teach US history to high school students from now on. In the past decade there's been a mania for all the music and fashions of the early 1980's, which none of the aficionados are old enough to remember. It would be wonderful for them to learn where it all originated." --Ben Wolinsky, Blogger onOlive Branch United an American Diaspora Studies and French, Vanderbilt University "I'm going use this book when I teach US history to high school students from now on. In the past decade there's been a mania for all the music and fashions of the early 1980's, which none of the aficionados are old enough to remember. It would be wonderful for them to learn where it all originated." --Ben Wolinsky, Blogger onOlive Branch United, "Hip-hop, like all living artistic expression, constantly regenerates, turning innovation into convention, 'datcourse' into discourse, vernacularisms into commodity or the precious art object. As this second edition of the groundbreaking That's the Joint!shows, hip-hop scholarship has done the same: moving, grooving, breaking, and sampling the best ideas from an interdisciplinary community theater of writers whose insights chart a vibrant sector of the American musical landscape." --Guthrie P. Ramsey, Jr., Edmund J. and Louise W. Kahn Term Professor of Music, University of Pennsylvania "A standard bearer text in Hip Hop Studies. Sweeping in scope and rigorous in analyses." --T. Denean Sharpley-Whiting, Gertrude Conaway Vanderbilt Distinguished Professor of African American Diaspora Studies and French, Vanderbilt University "I'm going use this book when I teach US history to high school students from now on. In the past decade there's been a mania for all the music and fashions of the early 1980's, which none of the aficionados are old enough to remember. It would be wonderful for them to learn where it all originated." --Ben Wolinsky, Blogger onOlive Branch United, "Hip-hop, like all living artistic expression, constantly regenerates, turning innovation into convention, 'datcourse' into discourse, vernacularisms into commodity or the precious art object. As this second edition of the groundbreaking That's the Joint! shows, hip-hop scholarship has done the same: moving, grooving, breaking, and sampling the best ideas from an interdisciplinary community theater of writers whose insights chart a vibrant sector of the American musical landscape." --Guthrie P. Ramsey, Jr., Edmund J. and Louise W. Kahn Term Professor of Music, University of Pennsylvania "A standard bearer text in Hip Hop Studies. Sweeping in scope and rigorous in analyses." --T. Denean Sharpley-Whiting, Gertrude Conaway Vanderbilt Distinguished Professor of African American Diaspora Studies and French, Vanderbilt University "I'm going use this book when I teach US history to high school students from now on. In the past decade there's been a mania for all the music and fashions of the early 1980's, which none of the aficionados are old enough to remember. It would be wonderful for them to learn where it all originated." --Ben Wolinsky, Blogger on Olive Branch United, "Hip-hop, like all living artistic expression, constantly regenerates, turning innovation into convention, datcourse " into discourse, vernacularisms into commodity or the precious art object. As this second edition of the groundbreaking That "s the Joint!shows, hip-hop scholarship has done the same: moving, grooving, breaking, and sampling the best ideas from an interdisciplinary community theater of writers whose insights chart a vibrant sector of the American musical landscape." --Guthrie P. Ramsey, Jr., Edmund J. and Louise W. Kahn Term Professor of Music, University of Pennsylvania "A standard bearer text in Hip Hop Studies. Sweeping in scope and rigorous in analyses." --T. Denean Sharpley-Whiting, Gertrude Conaway Vanderbilt Distinguished Professor of African American Diaspora Studies and French, Vanderbilt University, "Hip-hop, like all living artistic expression, constantly regenerates, turning innovation into convention, 'datcourse' into discourse, vernacularisms into commodity or the precious art object. As this second edition of the groundbreaking That's the Joint!shows, hip-hop scholarship has done the same: moving, grooving, breaking, and sampling the best ideas from an interdisciplinary community theater of writers whose insights chart a vibrant sector of the American musical landscape." --Guthrie P. Ramsey, Jr., Edmund J. and Louise W. Kahn Term Professor of Music, University of Pennsylvania "A standard bearer text in Hip Hop Studies. Sweeping in scope and rigorous in analyses." --T. Denean Sharpley-Whiting, Gertrude Conaway Vanderbilt Distinguished Professor of African American Diaspora Studies and French, Vanderbilt University
