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About this product
Product Identifiers
PublisherAcademica Press
ISBN-101930901895
ISBN-139781930901896
eBay Product ID (ePID)30880931
Product Key Features
Number of Pages364 Pages
Publication NameNicholas Rowe and the Beginnings of Feminism on the London Stage
LanguageEnglish
Publication Year2005
SubjectDrama, Poetry
TypeTextbook
AuthorHerbert Sennett
Subject AreaLiterary Criticism
FormatHardcover
Dimensions
Item Height0.9 in
Item Weight16.2 Oz
Item Length9.1 in
Item Width5.9 in
Additional Product Features
Intended AudienceScholarly & Professional
LCCN2004-013562
Dewey Edition22
Dewey Decimal822/.5
SynopsisNicholas Rowe flourished during the first quarter of the 18thc: he was poet laureate to George I, the author of eight plays (three of which were great successes) and he was the esteemed translator of Lucan's PHARSALIA as well as the first modern editor of Shakespeare's plays. But most of all he was known as a playwright. Rowe's 'She-tragedies"" gave great prominence to women characters and further developed the Whig virtues of the ruling political elite: individual freedom and a belief in a strong parliament which would bring the cause of the people before a constitutionally limited, reasonable monarchy. Professor Sennett's new monograph discusses Rowe's vision of women caught up by tragic, unreasonable threat or menace. He also explores the literary and the political stakes in late Stuart and early Hanoverian theatre.. New material on Rowe's life and his attempt to include ideas that can be described as incipient feminism are brought forward. While not a biography, Sennett's new work is a contribution to the scholarship that has called for a new examination of Rowe and the theatre of early 18th century Whig London., Nicholas Rowe flourished during the first quarter of the 18thc: he was poet laureate to George I, the author of eight plays(three of which were great successes) and he was the esteemed translator of Lucan's PHARSALIA as well as the first modern editor of Shakespeare's plays. But most of all he was known as a playwright. Rowe's 'She-tragedies" gave great prominence to women characters and further developed the Whig virtues of the ruling political elite: individual freedom and a belief in a strong parliament which would bring the cause of the people before a constitutionally limited, reasonable monarchy. Professor Sennett's new monograph discusses Rowe's vision of women caught up by tragic, unreasonable threat or menace. He also explores the literary and the political stakes in late Stuart and early Hanoverian theatre.. New material on Rowe's life and his attempt to include ideas that can be described as incipient feminism are brought forward. While not a general biography, Sennett's new work is a contribution to the scholarship that has called for a new examination of Rowe and the Whig London of the early 18th century.