Cultural Calisthenics : Writings on Race, Politics, and Theatre by Robert Brustein (1998, Hardcover)

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About this product

Product Identifiers

PublisherDee Publisher, Ivan R.
ISBN-10156663220X
ISBN-139781566632201
eBay Product ID (ePID)24038376975

Product Key Features

Book TitleCultural Calisthenics : Writings on Race, Politics, and Theatre
Number of Pages304 Pages
LanguageEnglish
Publication Year1998
TopicTheater / History & Criticism, General
IllustratorYes
GenreLiterary Criticism, Drama, Performing Arts
AuthorRobert Brustein
FormatHardcover

Dimensions

Item Height1.1 in
Item Weight17.8 Oz
Item Length9 in
Item Width6.5 in

Additional Product Features

Intended AudienceTrade
LCCN98-029317
Dewey Edition21
Reviews"Cutting edge...one hopes that all the heavy breathing in these essays will engender others to join in this vigorous calisthenic workout." -- Dramatist "Passionate!" --Carolyn Clay, Boston Phoenix "Brusteinís writing is good for the artists and good for the ever-dwindling discourse on theatre." --Daniel Mufson, American Theatre "Provocative and controversial...Brustein is unafraid to go against the grain." --Hap Erstein, The Review of Higher Education "Elegant and eloquent...Robert Brustein is the chief Cultural Imperialist." --Robin Lippincott, The New York Times, Cutting edge...one hopes that all the heavy breathing in these essays will engender others to join in this vigorous calisthenic workout.
Dewey Decimal792
SynopsisNew writings on race, politics, and theatre, as well as Mr. Brustein's incisive theatre reviews and deft portraits of stage luminaries. Brustein is an elegant and eloquent voice in the wilderness of contemporary American culture. -Robin Lippincott, New York Times Book Review, New writings on race, politics, and theatre, as well as Mr. Brustein's incisive theatre reviews and deft portraits of stage luminaries. Brustein is an elegant and eloquent voice in the wilderness of contemporary American culture. --Robin Lippincott, New York Times Book Review, Robert Brustein's new book functions as a barometer of our current cultural climate. Never one to shy away from controversy, Brustein includes accounts of his celebrated debate with August Wilson over the issue of segregated casting; his spirited defense of the National Endowment for the Arts; his eloquent response to the impact of political correctness on the theatre and the university; and his forthright criticism of what he calls coercive philanthropy.
LC Classification NumberPN1707.B75 1998

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