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|Pickup Pattern:||Omnidirectional, Cardioid||Professional Compatibility:||Video Filming, Broadcast, Musical Instruments, Recording|
|Built In On/Off Switch:||Without On/Off Switch||Sound Mode:||Mono|
|Non-Domestic Product:||No||Type:||Condenser Microphone|
|Nimble and dynamic, this Soundelux microphone is a solid solution for indulging you with clear audio tracks during long performances. Veteran comedians, musicians, and announcers alike can take pleasure in the reliability and specifications of this Soundelux microphone. Capture sounds from the front of the mic while filtering out unwanted noise from the back or equally well from any direction around the mic with the help of the directivity found on this condenser microphone. Weighing just 25.3 ounces, the Soundelux Elux 251 is compact, enabling you to confidently transport it as part of your kit to events or rehearsals. This Soundelux microphone is intended for broadcast, recording, video production, and musical instruments, enabling you to use it for announcements, studio sessions, dialog, and recitals. This condenser microphone is very sensitive, so you can pick up all kinds of sounds from the subtle to the loud. Furthermore, the Soundelux Elux 251 has a sweeping 10 Hz to 18 kHz frequency response, so you can easily catch powerful bass tones and clean treble tones.|
|eBay Product ID (ePID)||69826480|
|Product Key Features|
|Professional Compatibility||Video Filming, Broadcast, Musical Instruments, Recording|
|Pickup Pattern||Omnidirectional, Cardioid|
|Built In On/Off Switch||Without On/Off Switch|
|Additional Product Features|
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Worth every penny
Quite simply this is the "star" mic of my studio, sitting along Korby, Neumann, and Pearlman mics. It's character is what gives this mic its "magic" sound - most of vocals I track through it require NO EQ. It simply sounds great on its own, gently boosting the highs in a musical and pleasant manner. This mic is fantastic for POP/ROCK where airy presence is needed. Check out the sample "Here we come" at melodylab.com - it was recorded with the ELAM 251 - I only took down a few db in lower-end - otherwise, no EQ.