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Condition: |
New other (see details): A new, unused item with absolutely no signs of wear. The item may be missing the original packaging,
... Read moreabout the condition
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Non-Domestic Product: | No |
Number of Buses: | 12 | Model: |
L-12 |
Inputs/Outputs: | TRS 6.35 mm (1/4 in) In, USB Interface, Analog XLR In, Analog RCA/Coaxial In, TRS 6.35 mm (1/4 in) Out | Number of Line Inputs: | 4 |
Brand: |
Zoom |
Powered/Non-Powered: | Powered |
Number of Mic Inputs: | 2 | Suited For: | Recording & Live Sound, Monitor, Home Recording, Stage/Live Sound, Front of House (FOH) |
Modified Item: | No | Features: | 3-Band Equalizer, Phantom Power, PC/Mac Compatible, Built-In Power Amplifier, Rack-Mountable |
Analog/Digital: | Digital | Type: | Mixing Console |
MPN: |
ZL12 |
Number of Phono Inputs: | 2 |
UPC: |
0884354018054 |
Product Identifiers | |
GTIN | 0884354018054 |
BRAND | Zoom |
MPN | ZL12 |
UPC | 0884354018054 |
eBay Product ID (ePID) | 8011037166 |
Product Key Features | |
Non-Domestic Product | No |
Model | L-12 |
Number of Line Inputs | 4 |
Powered/Non-Powered | Powered |
Suited For | Recording & Live Sound, Monitor, Home Recording, Stage/Live Sound, Front of House (FOH) |
Features | 3-Band Equalizer, Phantom Power, PC/Mac Compatible, Built-In Power Amplifier, Rack-Mountable |
Type | Mixing Console |
Number of Phono Inputs | 2 |
Number of Buses | 12 |
Inputs/Outputs | TRS 6.35 mm (1/4 in) In, USB Interface, Analog XLR In, Analog RCA/Coaxial In, TRS 6.35 mm (1/4 in) Out |
Number of Mic Inputs | 2 |
Modified Item | No |
Analog/Digital | Digital |
Dimensions | |
Weight | 8 lbs. |
Width | 17.5 in |
Height | 2.8 in |
Depth | 11.1 in |
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Shipping and handling |
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Service |
Delivery* |
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Free shipping
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United States
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Standard Shipping (FedEx Ground or FedEx Home Delivery®)
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Estimated between Tue. Feb. 26 and Tue. Mar. 5
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US $79.99
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United States
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Expedited Shipping
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Estimated between Tue. Feb. 26 and Fri. Mar. 1
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Handling time
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Will usually ship within 1 business day of receiving cleared payment - opens in a new window or tab.
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Taxes
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Sales tax may apply when shipping to: IA*, MN*, NY*(8.0%), WA*.
* Tax applies to subtotal + S&H for these states only
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After receiving the item, contact seller within
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Refund will be given as
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Return shipping
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30 days
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Money back or replacement (buyer's choice)
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Buyer pays for return shipping
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Payment method | ||
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Special financing available
Select PayPal Credit at checkout to have the option to pay over time.
Qualifying purchases could enjoy No Interest if paid in full in 6 months on purchases of $99 or more. Other offers may also be available.
Interest will be charged to your account from the purchase date if the balance is not paid in full within 6 months. Minimum monthly payments are required. Subject to credit approval. See terms - opens in a new window or tab
The PayPal Credit account is issued by Synchrony Bank.
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5
4
3
2
1
Good sound quality
Easy to use
Versatile
THE ZOOM L-12 IS A MASTERPIECE
This is a no-brainer! The Zoom L-12 has no equal at any price with one possible exception from Presonus. The Zoom L-12 covers so much ground that it is an absolute “must have” for those of us who need a mixer, recorder, effects module and headphone amp for on location audio projects. There are enough things to carry and set up such as mics, cables, snakes, monitors, effects pedals and direct boxes. Even recording and sound reinforcement for a small group can get frustrating with short available time to set-up and tear-down. Enter the Zoom L-12 which combines full mixing capability, 5 headphone jacks which can be used as monitor sends and has full multi track recording capability. Adding to all that, it has a pretty good effects section. Everything is packaged in a single light weight unit. The build quality is substantial. My only criticism is the lack of some kind of handles for picking it up without putting pressure on the controls or jacks. The sound quality seems quite good. Ease of use is very intuitive. As a digital mixer, I'm delighted you don't control everything from menus. It has a very analog feel. If there is only one omission, it would be the lack of ability to play mp3's during breaks. For that, you need to connect a player to one of the line-in jacks. That brings me to the Presonus I alluded to earlier. The Presonus AR series of mixers do record but only as 2 track stereo and they have one single headphone jack. The Presonus does however have bluetooth and mp3 capability via the USB port. That may be an option if you don't need all the other great features of the Zoom. The zoom isn't cheap but it is very reasonable. It's “affordable” in snob terms. For the rest of us, we need to stay away from Starbucks for a few weeks to save-up the 6 hundred cash bucks. For all that the Zoom does, it's a real bargain. Zoom always seems to hit one out of the park for us real world audio people. I love it.
Verified purchase: Yes | Condition: pre-owned | Sold by: pro-sound-gear-com
Love it.
Really like the recording capability of the Zoom L-12. Live mixing is pretty good but takes some getting used to because of selecting individual channels for EFX and response curves. I especially like the 5- headphone output that can be set to individual preferences per channel. Overdub works great and easy to adjust individual channel outputs to get a good mix. Not crazy about the computer/ipad USB interface yet but haven't worked with it enough yet to know it's capabilities. Very happy so far.
Verified purchase: Yes | Condition: pre-owned | Sold by: sweetwatersound