Thomas Salmon: Writings on Music: Volume I: An Essay to the Advancement of: New

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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
Book Title
Thomas Salmon: Writings on Music: Volume I: An Essay to the Advan
Publication Date
2013-08-13
Pages
290
ISBN
9780754668442
Subject Area
Music
Publication Name
Thomas Salmon: Writings on Music Vol. 1 : Volume I: an Essay to the Advancement of Musick and the Ensuing Controversy, 1672-3
Publisher
Routledge
Item Length
9.4 in
Subject
History & Criticism, General, Instruction & Study / Theory
Publication Year
2013
Series
Music Theory in Britain, 1500-1700: Critical Editions Ser.
Type
Textbook
Format
Hardcover
Language
English
Item Height
0.9 in
Author
Benjamin Wardhaugh
Item Weight
23.2 Oz
Item Width
6.1 in
Number of Pages
290 Pages

About this product

Product Identifiers

Publisher
Routledge
ISBN-10
0754668444
ISBN-13
9780754668442
eBay Product ID (ePID)
117310910

Product Key Features

Number of Pages
290 Pages
Language
English
Publication Name
Thomas Salmon: Writings on Music Vol. 1 : Volume I: an Essay to the Advancement of Musick and the Ensuing Controversy, 1672-3
Subject
History & Criticism, General, Instruction & Study / Theory
Publication Year
2013
Type
Textbook
Author
Benjamin Wardhaugh
Subject Area
Music
Series
Music Theory in Britain, 1500-1700: Critical Editions Ser.
Format
Hardcover

Dimensions

Item Height
0.9 in
Item Weight
23.2 Oz
Item Length
9.4 in
Item Width
6.1 in

Additional Product Features

Intended Audience
College Audience
Dewey Edition
23
Number of Volumes
2 vols.
Illustrated
Yes
Dewey Decimal
780.1092
Table Of Content
Contents: Introduction. Thomas Salmon, An essay to the advancement of musick (1672); Matthew Locke, Observations upon a late book (1672); Thomas Salmon, A vindication of an essay (1672); Matthew Locke, The present practice of musick vindicated (1673); Select bibliography; Index.
Synopsis
Thomas Salmon (16471706) is remembered today for the fury with which Matthew Locke greeted his first foray into musical writing, the Essay to the Advancement of Musick (1672), and the near-farcical level to which the subsequent pamphlet dispute quickly descended. Beneath the unedifying invective employed by Salmon, Locke and their supporters however, serious and novel statements were being made about what constituted musical knowledge and what was the proper way to acquire it. This volume is the first published scholarly edition of Salmon's writings on notation, previously available only in microfilm and online facsimiles., Thomas Salmon (16471706) is remembered today for the fury with which Matthew Locke greeted his first foray into musical writing, the Essay to the Advancement of Musick (1672), and the near-farcical level to which the subsequent pamphlet dispute quickly descended. Salmon proposed a radical reform of musical notation, involving a new set of clefs which he claimed, and Locke denied, would make learning and performing music much easier. The incident has tended to be passed over rather briefly in the scholarly literature, but beneath the unedifying invective employed by Salmon, Locke and their supporters, serious and novel statements were being made about what constituted musical knowledge and what was the proper way to acquire it. This volume is the first published scholarly edition of Salmon's writings on notation, previously available only in microfilm and online facsimiles. A second volume to follow will present Salmon's writings on pitch previously only available mostly in manuscript., Thomas Salmon (1647-1706) is remembered today for the fury with which Matthew Locke greeted his first foray into musical writing, the Essay to the Advancement of Musick (1672), and the near-farcical level to which the subsequent pamphlet dispute quickly descended. Salmon proposed a radical reform of musical notation, involving a new set of clefs which he claimed, and Locke denied, would make learning and performing music much easier. The incident has tended to be passed over rather briefly in the scholarly literature, but beneath the unedifying invective employed by Salmon, Locke and their supporters, serious and novel statements were being made about what constituted musical knowledge and what was the proper way to acquire it. This volume is the first published scholarly edition of Salmon's writings on notation, previously available only in microfilm and online facsimiles. A second volume to follow will present Salmon's writings on pitch - previously only available mostly in manuscript.
LC Classification Number
ML432

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