Shakespeare the Thinker by A D Nuttall: New

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eBay item number:404235912292
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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
Publication Date
2008-04-01
Pages
448
ISBN
9780300136296
Book Title
Shakespeare the Thinker
Publisher
Yale University Press
Item Length
8.8 in
Publication Year
2008
Format
Perfect
Language
English
Illustrator
Yes
Item Height
1 in
Author
A. D. Nuttall
Genre
Literary Criticism
Topic
Shakespeare
Item Weight
20 oz
Item Width
6.6 in
Number of Pages
448 Pages

About this product

Product Identifiers

Publisher
Yale University Press
ISBN-10
0300136293
ISBN-13
9780300136296
eBay Product ID (ePID)
63635525

Product Key Features

Book Title
Shakespeare the Thinker
Number of Pages
448 Pages
Language
English
Publication Year
2008
Topic
Shakespeare
Illustrator
Yes
Genre
Literary Criticism
Author
A. D. Nuttall
Format
Perfect

Dimensions

Item Height
1 in
Item Weight
20 oz
Item Length
8.8 in
Item Width
6.6 in

Additional Product Features

Intended Audience
Trade
Reviews
" Tony Nuttall is my hero! . . . Nuttall' s gifts all come together here: wisdom, sheer intelligence, immense learning, and a lifelong descent into the Shakespearean abyss." -- Harold Bloom, "Tony Nuttall is my hero! . . . Nuttall's gifts all come together here: wisdom, sheer intelligence, immense learning, and a lifelong descent into the Shakespearean abyss."--Harold Bloom, "Superlatives should not be squandered, but I would unhesitatingly choose this book as the best single-volume account of Shakespeare for students and general readers on either side of the Atlantic."--Graham Bradshaw, author of "Shakespeare's Scepticism", "The best single-volume account of Shakespeare for students and general readers on either side of the Atlantic."-Graham Bradshaw, author of "Shakespeare's Scepticism", " Superlatives should not be squandered, but I would unhesitatingly choose this book as the best single-volume account of Shakespeare for students and general readers on either side of the Atlantic." -- Graham Bradshaw, author of "Shakespeare' s Scepticism", " Tony Nuttall is my hero! . . . Nuttall ' s gifts all come together here: wisdom, sheer intelligence, immense learning, and a lifelong descent into the Shakespearean abyss. " -- Harold Bloom
Dewey Edition
22
Dewey Decimal
822.3/3
Synopsis
A. D. Nuttall7;s study of Shakespeare7;s intellectual preoccupations is a literary tour de force and comes to crown the distinguished career of a Shakespeare scholar. Certain questions engross Shakespeare from his early plays to the late romances: the nature of motive, cause, personal identity and relation, the proper status of imagination, ethics and subjectivity, language and its capacity to occlude and to communicate. Yet Shakespeare7;s thought, Nuttall demonstrates, is anything but static. The plays keep returning to, modifying, and complicating his creative preoccupations. Nuttall allows us to hear and appreciate the emergent cathedral choir of play speaking to play. By the later stages of Nuttall7;s book this choir is nearly overwhelming in its power and dimensions. The author does not limit discussion to moments of crucial intellection but gives himself ample space in which to get at the distinctive "essence" of each work. Much recent historicist criticism has tended to 0;flatten1; Shakespeare by confining him to the thought-cliches of his time, and this in its turn has led to an implicitly patronizing view of him as unthinkingly racist, sexist, and so on. Nuttall shows us that, on the contrary, Shakespeare proves again and again to be more intelligent and perceptive than his 21st-century readers. This book challenges us to reconsider the relation of great literature to its social and historical matrix. It is also, perhaps, the best guide to Shakespeare7;s plays available in English., "A close reading of the plays that tries to map the creases and folds in Shakespeare's mysterious, elusive brain."-- New York Times Book Review A. D. Nuttall's study of Shakespeare's intellectual preoccupations is a literary tour de force and comes to crown the distinguished career of a Shakespeare scholar. Certain questions engross Shakespeare from his early plays to the late romances: the nature of motive, cause, personal identity and relation, the proper status of imagination, ethics and subjectivity, language and its capacity to occlude and to communicate. Yet Shakespeare's thought, Nuttall demonstrates, is anything but static. The plays keep returning to, modifying, and complicating his creative preoccupations. Nuttall allows us to hear and appreciate the emergent cathedral choir of play speaking to play. By the later stages of Nuttall's book this choir is nearly overwhelming in its power and dimensions. The author does not limit discussion to moments of crucial intellection but gives himself ample space in which to get at the distinctive essence of each work. Much recent historicist criticism has tended to "flatten" Shakespeare by confining him to the thought-clich s of his time, and this in its turn has led to an implicitly patronizing view of him as unthinkingly racist, sexist, and so on. Nuttall shows us that, on the contrary, Shakespeare proves again and again to be more intelligent and perceptive than his 21st-century readers. This book challenges us to reconsider the relation of great literature to its social and historical matrix. It is also, perhaps, the best guide to Shakespeare's plays available in English., "A close reading of the plays that tries to map the creases and folds in Shakespeare's mysterious, elusive brain."-- New York Times Book Review A. D. Nuttall's study of Shakespeare's intellectual preoccupations is a literary tour de force and comes to crown the distinguished career of a Shakespeare scholar. Certain questions engross Shakespeare from his early plays to the late romances: the nature of motive, cause, personal identity and relation, the proper status of imagination, ethics and subjectivity, language and its capacity to occlude and to communicate. Yet Shakespeare's thought, Nuttall demonstrates, is anything but static. The plays keep returning to, modifying, and complicating his creative preoccupations. Nuttall allows us to hear and appreciate the emergent cathedral choir of play speaking to play. By the later stages of Nuttall's book this choir is nearly overwhelming in its power and dimensions. The author does not limit discussion to moments of crucial intellection but gives himself ample space in which to get at the distinctive essence of each work. Much recent historicist criticism has tended to "flatten" Shakespeare by confining him to the thought-clichés of his time, and this in its turn has led to an implicitly patronizing view of him as unthinkingly racist, sexist, and so on. Nuttall shows us that, on the contrary, Shakespeare proves again and again to be more intelligent and perceptive than his 21st-century readers. This book challenges us to reconsider the relation of great literature to its social and historical matrix. It is also, perhaps, the best guide to Shakespeare's plays available in English., In one of the best guides to Shakespeare's plays, Nuttall studies the intellectual preoccupations and questions that engross Shakespeare from his early plays to the late romances and illustrates how the plays return to, modify, and complicate these preoccupations.
LC Classification Number
PR3000.N88 2008

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