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Performing Libertinism in Charles II's Court: Politics, Drama, Sexuality by J. W
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Item specifics
- Condition
- ISBN-13
- 9781403967190
- Book Title
- Performing Libertinism in Charles II's Court
- ISBN
- 9781403967190
- Subject Area
- Literary Criticism, Biography & Autobiography, History
- Publication Name
- Performing Libertinism in Charles Ii's Court : Politics, Drama, Sexuality
- Publisher
- Palgrave Macmillan
- Item Length
- 8.5 in
- Subject
- Royalty, European / General, Modern / 19th Century, Europe / Great Britain / General
- Publication Year
- 2005
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.8 in
- Item Weight
- 17 Oz
- Item Width
- 5.5 in
- Number of Pages
- IX, 251 Pages
About this product
Product Identifiers
Publisher
Palgrave Macmillan
ISBN-10
1403967199
ISBN-13
9781403967190
eBay Product ID (ePID)
30782166
Product Key Features
Number of Pages
IX, 251 Pages
Language
English
Publication Name
Performing Libertinism in Charles Ii's Court : Politics, Drama, Sexuality
Subject
Royalty, European / General, Modern / 19th Century, Europe / Great Britain / General
Publication Year
2005
Type
Textbook
Subject Area
Literary Criticism, Biography & Autobiography, History
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Weight
17 Oz
Item Length
8.5 in
Item Width
5.5 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2004-063453
Reviews
"Performing Libertinismis a well-written and thoroughly researched study that makes a genuine contribution to our understanding of libertinism at the Stuart court between 1660 and 1685. By discussing the performative aspect of the lives and literary careers of figures such as Rochester, Buckingham, Etherege, and Wycherley, Professor Webster offers an original and useful analysis of the ways in which the theater, politics, and social life intersect in the 1660s and 1670s. In emphasizing the complex ways in which libertine literature both challenged and reinforced the sociopolitical prerogatives of the court, Professor Webster has written an important study that will be required reading for scholars in the field."--Robert Markley, University of Illinois "Webster shows how the libertine was gradually pushed from the center of court life to the margins, and he explains why King Charles may have felt it necessary to distance himself from these men who had been his friends. This is a fascinating study that helps to make sense of one of the most challenging periods of English dramatic history. I think it will transform our understanding of the libertine and explain the contradictions that have confounded scholars for so long."--George Haggerty, University of California, Riverside, " Performing Libertinism is a well-written and thoroughly researched study that makes a genuine contribution to our understanding of libertinism at the Stuart court between 1660 and 1685. By discussing the performative aspect of the lives and literary careers of figures such as Rochester, Buckingham, Etherege, and Wycherley, Professor Webster offers an original and useful analysis of the ways in which the theater, politics, and social life intersect in the 1660s and 1670s. In emphasizing the complex ways in which libertine literature both challenged and reinforced the sociopolitical prerogatives of the court, Professor Webster has written an important study that will be required reading for scholars in the field."--Robert Markley, University of Illinois "Webster shows how the libertine was gradually pushed from the center of court life to the margins, and he explains why King Charles may have felt it necessary to distance himself from these men who had been his friends. This is a fascinating study that helps to make sense of one of the most challenging periods of English dramatic history. I think it will transform our understanding of the libertine and explain the contradictions that have confounded scholars for so long."--George Haggerty, University of California, Riverside, "Performing Libertinism is a well-written and thoroughly researched study that makes a genuine contribution to our understanding of libertinism at the Stuart court between 1660 and 1685. By discussing the performative aspect of the lives and literary careers of figures such as Rochester, Buckingham, Etherege, and Wycherley, Professor Webster offers an original and useful analysis of the ways in which the theater, politics, and social life intersect in the 1660s and 1670s. In emphasizing the complex ways in which libertine literature both challenged and reinforced the sociopolitical prerogatives of the court, Professor Webster has written an important study that will be required reading for scholars in the field." - Robert Markley, University of Illinois "Webster shows how the libertine was gradually pushed from the center of court life to the margins, and he explains why King Charles may have felt it necessary to distance himself from these men who had been his friends. This is a fascinating study that helps to make sense of one of the most challenging periods of English dramatic history. I think it will transform our understanding of the libertine and explain the contradictions that have confounded scholars for so long." - George Haggerty, University of California, Riverside
Dewey Edition
22
Number of Volumes
1 vol.
Illustrated
Yes
Dewey Decimal
822/.409353
Table Of Content
Performing Libertinism: An Introduction Producing Libertine Politics: The Rehearsal Staging Libertine Conduct: Love in a Wood, The Gentleman Dancing-Master, and The Country Wife Scripting Libertine Tricksters: The Man of Mode and The Plain Dealer Enacting Libertine Isolation: Antony and Cleopatra and The Tragedy of Valentinian Censuring Libertine Sexuality: Sodom Conclusion
Synopsis
Performing Libertinism in Charles II's Court examines the performative nature of Restoration libertinism through reports of libertine activities and texts of libertine plays within the context of the fraternization between George Villiers, Duke of Buckingham, John Wilmot, Earl of Rochester, Sir Charles Sedley, Sir George Etherege, and William Wycherley. Webster argues that libertines, both real and imagined, performed traditionally secretive acts, including excessive drinking, sex, sedition, and sacrilege, in the public sphere. This eruption of the private into the public challenged a Stuart ideology that distinguished between the nation's public life and the king's and his subjects' private consciences., Performing Libertinism in Charles II's Court: Politics, Drama, Sexuality examines the performative nature of Restoration libertinism by reading reports of libertine activities and texts of libertine plays within the context of the fraternization between George Villiers, Duke of Buckingham, John Wilmot, Earl of Rochester, Sir Charles Sedley, Sir George Etherege, and William Wycherley. Webster argues that libertines, both real and imagined, performed traditionally secretive acts, including excessive drinking, sex, sedition, and sacrilege, in the public sphere. This eruption of the private into the public challenged a Stuart ideology that distinguished between the nation's public life and the king's and his subjects' private consciences. Although this eruption was contained by the early 1680s, the libertine performances this book analyzes nevertheless played an important part in the history of English radicalism.|9781403967190|
LC Classification Number
PN849.E87-.E872
Item description from the seller
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