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After Every War: Twentieth-Century Women Poets (Facing Pages) by Boland New+=

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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
PublishedOn
2006-10-15
Title
After Every War: Twentieth-Century Women Poets (Facing Pages)
Artist
Not Specified
Type
Not Specified
Publication Name
Not Specified
ISBN
9780691127798
Book Title
After Every War : Twentieth-Century Women Poets
Book Series
Facing Pages Ser.
Publisher
Princeton University Press
Item Length
8 in
Publication Year
2006
Format
Perfect
Language
English
Illustrator
Yes
Item Height
0.6 in
Author
Eavan Boland
Genre
Poetry
Topic
European / German, Anthologies (Multiple Authors)
Item Weight
7 Oz
Item Width
4.9 in
Number of Pages
184 Pages

About this product

Product Identifiers

Publisher
Princeton University Press
ISBN-10
0691127794
ISBN-13
9780691127798
eBay Product ID (ePID)
53923822

Product Key Features

Book Title
After Every War : Twentieth-Century Women Poets
Number of Pages
184 Pages
Language
English
Topic
European / German, Anthologies (Multiple Authors)
Publication Year
2006
Illustrator
Yes
Genre
Poetry
Author
Eavan Boland
Book Series
Facing Pages Ser.
Format
Perfect

Dimensions

Item Height
0.6 in
Item Weight
7 Oz
Item Length
8 in
Item Width
4.9 in

Additional Product Features

Intended Audience
College Audience
Reviews
"[A] moving and essential new book. These poets have a particular angle of witness that comes from powerlessness, from being vulnerable, injured, marginal, excluded. I'm struck by the personal way these poets confront history, test and interrogate language, especially their mother tongue, question the efficacy of poetry, and repeatedly defend the importance of private feeling."-- Edward Hirsch, Washington Post Book World, "I like this provocative book quite a lot: it is full of beautiful poems written under the worst historical conditions possible. It makes you think about the connection between lyric beauty (theres lots of it here) and testimony."-- Dan Chiasson, Poetry, I like this provocative book quite a lot: it is full of beautiful poems written under the worst historical conditions possible. It makes you think about the connection between lyric beauty (there's lots of it here) and testimony., [A] moving and essential new book. These poets have a particular angle of witness that comes from powerlessness, from being vulnerable, injured, marginal, excluded. I¹m struck by the personal way these poets confront history, test and interrogate language, especially their mother tongue, question the efficacy of poetry, and repeatedly defend the importance of private feeling., I like this provocative book quite a lot: it is full of beautiful poems written under the worst historical conditions possible. It makes you think about the connection between lyric beauty (there's lots of it here) and testimony. ---Dan Chiasson, Poetry, [A] moving and essential new book. These poets have a particular angle of witness that comes from powerlessness, from being vulnerable, injured, marginal, excluded. I'm struck by the personal way these poets confront history, test and interrogate language, especially their mother tongue, question the efficacy of poetry, and repeatedly defend the importance of private feeling., "I like this provocative book quite a lot: it is full of beautiful poems written under the worst historical conditions possible. It makes you think about the connection between lyric beauty (there's lots of it here) and testimony."-- Dan Chiasson, Poetry, "I like this provocative book quite a lot: it is full of beautiful poems written under the worst historical conditions possible. It makes you think about the connection between lyric beauty (there's lots of it here) and testimony." --Dan Chiasson, Poetry, [A] moving and essential new book. These poets have a particular angle of witness that comes from powerlessness, from being vulnerable, injured, marginal, excluded. I'm struck by the personal way these poets confront history, test and interrogate language, especially their mother tongue, question the efficacy of poetry, and repeatedly defend the importance of private feeling. -- Edward Hirsch, Washington Post Book World, ÝA¨ moving and essential new book. These poets have a particular angle of witness that comes from powerlessness, from being vulnerable, injured, marginal, excluded. I'm struck by the personal way these poets confront history, test and interrogate language, especially their mother tongue, question the efficacy of poetry, and repeatedly defend the importance of private feeling. -- Edward Hirsch "Washington Post Book World", I like this provocative book quite a lot: it is full of beautiful poems written under the worst historical conditions possible. It makes you think about the connection between lyric beauty (there's lots of it here) and testimony. -- Dan Chiasson, Poetry, [A] moving and essential new book. These poets have a particular angle of witness that comes from powerlessness, from being vulnerable, injured, marginal, excluded. I'm struck by the personal way these poets confront history, test and interrogate language, especially their mother tongue, question the efficacy of poetry, and repeatedly defend the importance of private feeling. ---Edward Hirsch, Washington Post Book World, "[A] moving and essential new book. These poets have a particular angle of witness that comes from powerlessness, from being vulnerable, injured, marginal, excluded. I'm struck by the personal way these poets confront history, test and interrogate language, especially their mother tongue, question the efficacy of poetry, and repeatedly defend the importance of private feeling." --Edward Hirsch, Washington Post Book World
Dewey Edition
22
Dewey Decimal
831.910809287
Synopsis
They are nine women with much in common--all German speaking, all poets, all personal witnesses to the horror and devastation that was World War II. Yet, in this deeply moving collection, each provides a singularly personal glimpse into the effects of war on language, place, poetry, and womanhood. After Every War is a book of translations of women poets living in Europe in the decades before and after World War II: Rose Ausl nder, Elisabeth Langg sser, Nelly Sachs, Gertrud Kolmar, Else Lasker-Sch ler, Ingeborg Bachmann, Marie Luise Kaschnitz, Dagmar Nick, and Hilde Domin. Several of the writers are Jewish and, therefore, also witnesses and participants in one of the darkest occasions of human cruelty, the Holocaust. Their poems, as well as those of the other writers, provide a unique biography of the time--but with a difference. These poets see public events through the lens of deep private losses. They chart the small occasions, the bittersweet family ties, the fruit dish on a table, the lost soul arriving at a railway station; in other words, the sheer ordinariness through which cataclysm is experienced, and by which life is cruelly shattered. They reclaim these moments and draw the reader into them. The poems are translated and introduced, with biographical notes on the authors, by renowned Irish poet Eavan Boland. Her interest in the topic is not abstract. As an Irish woman, she has observed the heartbreaking effects of violence on her own country. Her experience has drawn her closer to these nine poets, enabling her to render into English the beautiful, ruminative quality of their work and to present their poems for what they are: documentaries of resilience--of language, of music, and of the human spirit--in the hardest of times., They are nine women with much in common-all German speaking, all poets, all personal witnesses to the horror and devastation that was World War II. Yet, in this deeply moving collection, each provides a singularly personal glimpse into the effects of war on language, place, poetry, and womanhood. After Every War is a book of translations of women poets living in Europe in the decades before and after World War II: Rose Ausländer, Elisabeth Langgässer, Nelly Sachs, Gertrud Kolmar, Else Lasker-Schüler, Ingeborg Bachmann, Marie Luise Kaschnitz, Dagmar Nick, and Hilde Domin. Several of the writers are Jewish and, therefore, also witnesses and participants in one of the darkest occasions of human cruelty, the Holocaust. Their poems, as well as those of the other writers, provide a unique biography of the time-but with a difference. These poets see public events through the lens of deep private losses. They chart the small occasions, the bittersweet family ties, the fruit dish on a table, the lost soul arriving at a railway station; in other words, the sheer ordinariness through which cataclysm is experienced, and by which life is cruelly shattered. They reclaim these moments and draw the reader into them. The poems are translated and introduced, with biographical notes on the authors, by renowned Irish poet Eavan Boland. Her interest in the topic is not abstract. As an Irish woman, she has observed the heartbreaking effects of violence on her own country. Her experience has drawn her closer to these nine poets, enabling her to render into English the beautiful, ruminative quality of their work and to present their poems for what they are: documentaries of resilience-of language, of music, and of the human spirit-in the hardest of times., They are nine women with much in common--all German speaking, all poets, all personal witnesses to the horror and devastation that was World War II. Yet, in this deeply moving collection, each provides a singularly personal glimpse into the effects of war on language, place, poetry, and womanhood. After Every War is a book of translations of women poets living in Europe in the decades before and after World War II: Rose Ausländer, Elisabeth Langgässer, Nelly Sachs, Gertrud Kolmar, Else Lasker-Schüler, Ingeborg Bachmann, Marie Luise Kaschnitz, Dagmar Nick, and Hilde Domin. Several of the writers are Jewish and, therefore, also witnesses and participants in one of the darkest occasions of human cruelty, the Holocaust. Their poems, as well as those of the other writers, provide a unique biography of the time--but with a difference. These poets see public events through the lens of deep private losses. They chart the small occasions, the bittersweet family ties, the fruit dish on a table, the lost soul arriving at a railway station; in other words, the sheer ordinariness through which cataclysm is experienced, and by which life is cruelly shattered. They reclaim these moments and draw the reader into them. The poems are translated and introduced, with biographical notes on the authors, by renowned Irish poet Eavan Boland. Her interest in the topic is not abstract. As an Irish woman, she has observed the heartbreaking effects of violence on her own country. Her experience has drawn her closer to these nine poets, enabling her to render into English the beautiful, ruminative quality of their work and to present their poems for what they are: documentaries of resilience--of language, of music, and of the human spirit--in the hardest of times., They are nine women with much in common--all German speaking, all poets, all personal witnesses to the horror and devastation that was World War II. Yet, in this deeply moving collection, each provides a singularly personal glimpse into the effects of war on language, place, poetry, and womanhood."After Every War" is a book of translations of women poets living in Europe in the decades before and after World War II: Rose Ausl'nder, Elisabeth Langg'sser, Nelly Sachs, Gertrud Kolmar, Else Lasker-Sch'ler, Ingeborg Bachmann, Marie Luise Kaschnitz, Dagmar Nick, and Hilde Domin. Several of the writers are Jewish and, therefore, also witnesses and participants in one of the darkest occasions of human cruelty, the Holocaust. Their poems, as well as those of the other writers, provide a unique biography of the time--but with a difference. These poets see public events through the lens of deep private losses. They chart the small occasions, the bittersweet family ties, the fruit dish on a table, the lost soul arriving at a railway station; in other words, the sheer ordinariness through which cataclysm is experienced, and by which life is cruelly shattered. They reclaim these moments and draw the reader into them. The poems are translated and introduced, with biographical notes on the authors, by renowned Irish poet Eavan Boland. Her interest in the topic is not abstract. As an Irish woman, she has observed the heartbreaking effects of violence on her own country. Her experience has drawn her closer to these nine poets, enabling her to render into English the beautiful, ruminative quality of their work and to present their poems for what they are: documentaries of resilience--of language, of music, and of the human spirit--in the hardest of times., They are nine women with much in common--all German speaking, all poets, all personal witnesses to the horror and devastation that was World War II. Yet, in this deeply moving collection, each provides a singularly personal glimpse into the effects of war on language, place, poetry, and womanhood. After Every War is a book of translations of women poets living in Europe in the decades before and after World War II: Rose Auslander, Elisabeth Langgasser, Nelly Sachs, Gertrud Kolmar, Else Lasker-Schuler, Ingeborg Bachmann, Marie Luise Kaschnitz, Dagmar Nick, and Hilde Domin. Several of the writers are Jewish and, therefore, also witnesses and participants in one of the darkest occasions of human cruelty, the Holocaust. Their poems, as well as those of the other writers, provide a unique biography of the time--but with a difference. These poets see public events through the lens of deep private losses. They chart the small occasions, the bittersweet family ties, the fruit dish on a table, the lost soul arriving at a railway station; in other words, the sheer ordinariness through which cataclysm is experienced, and by which life is cruelly shattered.They reclaim these moments and draw the reader into them. The poems are translated and introduced, with biographical notes on the authors, by renowned Irish poet Eavan Boland. Her interest in the topic is not abstract. As an Irish woman, she has observed the heartbreaking effects of violence on her own country. Her experience has drawn her closer to these nine poets, enabling her to render into English the beautiful, ruminative quality of their work and to present their poems for what they are: documentaries of resilience--of language, of music, and of the human spirit--in the hardest of times., Provides the poets' personal glimpses into the effects of war on language, place, poetry, and womanhood. This book features translations of women poets living in Europe in the decades before and after World War II who chart the sheer ordinariness through which cataclysm is experienced, and by which life is cruelly shattered.
LC Classification Number
PT1156.A38 2006

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